My Pen Is The Wing Of A Bird

"Powerful, profound and deeply moving, new fiction by Afghan women writers will expand your mind and elevate your heart" ELIF SHAFAK ***A Financial Times Fiction in Translation Book of the Year 2022*** "[An] arresting collection . . . Written in simple, direct prose and offers vivid snapshots of a country beset by war and violence . . . It seems more important than ever to read the work of these courageous writers" Financial Times "My pen is the wing of a bird; it will tell you those thoughts we are not allowed to think, those dreams we are not allowed to dream" A woman's fortitude saves her village from disaster. A teenager explores their identity in a moment of quiet. A petition writer reflects on his life as a dog lies nursing her puppies. A tormented girl tries to find love through a horrific act. A headmaster makes his way to work, treading the fine line between life and death. "A precious collection of work, the first and maybe the last of its kind. My Pen Is the Wing of a Bird is a huge accomplishment" MONIQUE ROFFEY, author of The Mermaid of Black Conch My Pen Is the Wing of a Bird is a landmark collection: the first anthology of short fiction by Afghan women. Eighteen writers tell stories that are both unique and universal - stories of family, work, childhood, friendship, war, gender identity and cultural traditions. "This book reminds us that everyone has a story. Stories matter; so too the storytellers. Afghan women writers, informed and inspired by their own personal experiences, are best placed to bring us these powerful insights into the lives of Afghans and, most of all, the lives of women. Women's lives, in their own words - they matter." Lyse Doucet in her Introduction This collection introduces extraordinary voices from the country's two main linguistic groups (Pashto and Dari) with original, vital and unexpected stories to tell, developed over two years through UNTOLD's Write Afghanistan project. My Pen Is the Wing of a Bird comes at a pivotal moment in Afghanistan's history, when these voices must be heard. With an Introduction by BBC Chief International Correspondent Lyse Doucet and an Afterword by Lucy Hannah ABOUT UNTOLD UNTOLD is a writer development programme for marginalised writers in areas of conflict and post-conflict. Afghanistan has millions of Pashto and Dari speakers with little or no local support for creative writing, literary translation, or literary editing. Support for writers has been hampered by cultural norms, free expression issues, chronic instability, and internal displacement. UNTOLD has been working one-to-one with women on their short stories, with English-speaking literary editors and translators working with the writers to realise the potential of their stories for publication both locally and globally in translation.

A landmark collection: the first anthology of short fiction by Afghan women that are "powerful, profound, and deeply moving" (Elif Shafak, author of The Island of Missing Trees, a Reese's Book Club pick) "My pen is the wing of a bird; it will tell you those thoughts we are not allowed to think, those dreams we are not allowed to dream." Eighteen Afghan women living in, speaking about, and writing from the country itself tell stories that are powerful and illuminating, unique and universal - stories of family, work, childhood, friendship, war, gender identity, and cultural traditions. A woman's fortitude saves her village from disaster. A teenager explores their identity in a moment of quiet. A tormented girl tries to find love through a horrific act. A headmaster makes his way to work, treading the fine line between life and death. These and more original, vital, and unexpected stories hail from extraordinary voices rooted in Afghanistan's two main linguistic groups (Pashto and Dari), and were developed over two years through the writer development program Untold's Write Aghanistan Project. My Pen Is the Wing of a Bird comes at a pivotal moment in Afghanistan's history, when these voices must be heard. With an Introduction by Lyse Doucet, BBC chief international correspondant, and afterword by Lucy Hannah, Founder and Director of Untold

OPRAH’S BOOK CLUB PICK 2022 "When I think about the fact that society, a nation, has sentenced me to death, all I can do is turn inside myself, to the place in my heart that wants so desperately to feel human, still connected to this world, as if I have a purpose." The moving memoir of a Death Row inmate who discovers Buddhism and becomes an inspirational role model for fellow inmates, guards, and a growing public In 1990, while serving a sentence in San Quentin for armed robbery, Jarvis Jay Masters was implicated as an accessory in the murder of a prison guard. A 23-year-old Black man, Jarvis was sentenced to death in the gas chamber. While in the maximum security section of Death Row, using the only instrument available to him—a ball-point pen filler—Masters's astounding memoir is a testament to the tenacity of the human spirit and the talent of a fine writer. Offering us scenes from his life that are at times poignant, revelatory, frightening, soul-stirring, painful, funny and uplifting, That Bird Has My Wings tells the story of the author’s childhood with parents addicted to heroin, an abusive foster family, a life of crime and imprisonment, and the eventual embracing of Buddhism. Masters’s story drew the attention of luminaries in the world of American Buddhism, including Pema Chodron, who wrote a story about him for O Magazine and offers a foreword to the book. Thirty-two years after his conviction, Masters is still on Death Row. A growing movement of people believe Masters is innocent, and are actively working within the legal system to free him.

Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition.

In Spring Green, Wisconsin, spinster sisters Milly and Twiss have spent their lives listening to heartbeats and heartaches, nursing birds and the people who bring them back to health. Back in the summer of 1947, Milly and Twiss knew nothing about trying to mend what had been accidentally broken. Milly was known as a great beauty with emerald eyes and Twiss was a brazen wild child who never wore a dress or did what she was told. That was the summer their golf pro father had an accident that cost him both his swing and his charm, and their mother, the daughter of a wealthy jeweler, finally admitted that their hardscrabble lives wouldn't change. It was the summer their priest, Father Rice, announced that God didn't exist and ran off to Mexico, and a boy named Asa finally caught Milly's eye. Most unforgettably, it was also the summer their cousin Bett came down from a town called Deadwater and changed the course of their lives forever. Rebecca Rasmussen's masterful debut novel is full of hope and beauty, heartbreak and sacrifice, love and the power of sisterhood, offering wonderful surprises at every turn.

The authors of oral literature in the Pashtun language create their work at a far remove from any books. Generally deprived of the support of schools and universities, their compositions are inseparable from song. Their poetry is never declaimed; rather, their rhyme and rhythm have melodic value. These popular improvisations do not exalt mystic love. In them there is no aspiration whatsoever to an unfathomable and incommunicable heaven, nor devotion to the lord, nor praise for an absolute master, nor any Adonis. To the contrary, they are songs of the earth. They celebrate nature, mountains, rivers, dawn and night’s magnetic space. They are songs of war and honor, shame and love, beauty and death. The repression of Afghan women has caused untold suffering, particularly through moral subjugation. Infant daughters and their mothers are received with scorn and shame, and lead lives of subordination and humiliation. Their rebellion against these tribal codes comes only through suicide and song. Translated from the Pashtun into French by the eminent Sayd Bahodine Majrouh, the greatest Afghan poet of the twentieth century, his text has been rendered into English in the expert hands of Marjolijn de Jager of the Translation Department at NYU.