Mystical Resistance

The thirteenth-century Jewish mystical classic Sefer ha-Zohar (The Book of Splendor), commonly known as the Zohar, took shape against a backdrop of rising anti-Judaism in Spain. Mystical Resistance reveals that in addition to the Zohar's role as a theological masterpiece, its kabbalistic teachings offer passionate and knowledgeable critiques of Christian majority culture. During the Zohar's development, Christian friars implemented new missionizing strategies, forced Jewish attendance at religious disputations, and seized and censored Jewish books. In response, the kabbalists who composed the Zohar crafted strategically subversive narratives aimed at diminishing Christian authority. Hidden between the lines of its fascinating stories, the Zohar makes daring assertions that challenge themes important to medieval Christianity, including Christ's Passion and ascension, the mendicant friars' new missionizing strategies, and Gothic art's claims of Christian dominion. These assertions rely on an intimate and complex knowledge of Christianity gleaned from rabbinic sources, polemic literature, public Church art, and encounters between Christians and Jews. Much of the kabbalists' subversive discourse reflects language employed by writers under oppressive political regimes, treading a delicate line between public and private, power and powerlessness, subservience and defiance. By placing the Zohar in its thirteenth-century context, Haskell opens this text as a rich and fruitful source of Jewish cultural testimony produced at the epicenter of sweeping changes in the relationship between medieval Western Europe's Christian majority and its Jewish minority.

"Mystical Resistance reveals the Kabbalistic masterpiece Sefer ha-Zohar as a rich source for understanding Jewish resistance to Christian authority. Composed against a backdrop of rising religious intolerance, the Zohar's subversive mystical narratives critique the changing relationship between Western Europe's Christian majority and its Jewish minority"--

In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in contemporary times. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, or to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the zoharic story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth-century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the Zohar and on the intersections of literary and religious studies.

The Oxford Handbook of Mystical Theology provides a guide to the mystical element of Christianity as a theological phenomenon. It differs not only from psychological and anthropological studies of mysticism, but from other theological studies, such as more practical or pastorally-oriented works that examine the patterns of spiritual progress and offer counsel for deeper understanding and spiritual development. It also differs from more explicitly historical studies tracing the theological and philosophical contexts and ideas of various key figures and schools, as well as from literary studies of the linguistic tropes and expressive forms in mystical texts. None of these perspectives is absent, but the method here is more deliberately theological, working from within the fundamental interests of Christian mystical writers to the articulation of those interests in distinctively theological forms, in order, finally, to permit a critical theological engagement with them for today. Divided into four parts, the first section introduces the approach to mystical theology and offers a historical overview. Part two attends to the concrete context of sources and practices of mystical theology. Part three moves to the fundamental conceptualities of mystical thought. The final section ends with the central contributions of mystical teaching to theology and metaphysics. Students and scholars with a variety of interests will find different pathways through the Handbook.

Revealing, in an original and provocative study, the mystical contents of the works of famous atheists Virginia Woolf and Iris Murdoch, Donna Lazenby shows how these thinkers' refusal to construe worldviews on available reductive models brought them to offer radically alternative pictures of life which maintain its mysteriousness, and promote a mystical way of knowing. A Mystical Philosophy contributes to the contemporary resurgence of interest in Spirituality, but from an entirely new direction. This book provides a warning against reductive scientific and philosophical models that impoverish our understanding of ourselves and the world, and a powerful endorsement of ways of knowing that give art, and a restored concept of contemplation, their consummative place.

'Mystical Resistance' reveals the kabbalistic masterpiece Sefer ha-Zohar, commonly known as the Zohar, as a rich source for understanding Jewish resistance to Christian authority. Composed against a backdrop of rising religious intolerance, the Zohar's subversive mystical narratives critique the changing relationship between Europe's Christian majority and its Jewish minority.

"A major contribution!” —Rachel Pollack, bestselling author of Seventy-Eight Degrees of Wisdom The definitive collection of rare, secret, and arcane tarot knowledge The Tarot: A Collection of Secret Wisdom from Tarot's Mystical Origins is the ultimate guide to the mysteries and lost knowledge of the tarot. This single volume includes more than ten selections from foundational tarot books, all from the 19th and 20th century. Many of these critical texts have been forgotten, fallen out of print, or are impossible to acquire. The Tarot reintroduces these books to the modern-day reader, unlocking the invisible power of the tarot for a new generation of card readers. The Tarot includes the following complete books: The Tarot by S. L. MacGregor Mathers The Magical Ritual of the Sanctum Regnum by Eliphaz Levi Fortune Telling by Cards by P. R. S. Foli The Pictorial Key to the Tarot by Arthur Edward Waite The Symbolism of the Tarot by P.D. Ouspensky The Tarot of the Bohemians by Papus The Key to the Universe by Harriette Augusta Curtiss & F. Homer The Key of Destiny by Harriette Augusta Curtiss & F. Homer The General Book of the Tarot by A.E. Thierens The Tarot also includes additional selections from Manly P. Hall and others. Featuring over 400 original black-and-white illustrations throughout the book, The Tarot is a gorgeous gift and an irresistible invitation to both seasoned readers and beginners to explore the esoteric wisdom of the cards.

This book opens up a dialogue between pre-modern women identified as mystics in diverse locations from South Asia to Europe. It considers how women from the disparate religious traditions of Hinduism, Islam, and Christianity expressed devotion in parallel ways. The argument is that women’s mysticism demands to be compared not because of any essential "female" experience of the divine but because the parallel positions of marginalization that pre-modern women experienced led them to deploy intimate encounters with the divine to speak publicly and claim authority. The topics covered range from the Sufi devotional tradition of Sidis (Indians of African ancestry) to the Bhakti poet Mīrābaī and the nuns of Barking Abbey. Collectively the chapters show how mysticism allowed premodern women to speak and act by unsettling traditional gender roles and expectations for religious behavior. At the same time as uncovering connections, the juxtaposition of women from different traditions serves to highlight distinctive features. The book draws on a range of disciplinary expertise and will be of particular interest to scholars of medieval religion and theology as well as history and literary studies.