Myth And Southern History The New South

Many historical myths are actually false yet psychologically true. This title looks myth and reality as complementary elements in the historical record.

Many historical myths are actually false yet psychologically true. The contributors to this volume see myth and reality as complementary elements in the historical record. Myth and Southern History is as much a commentary on southern historiography as it is on the viability of myth in the historical process. Volume 2: The New South offers new perspectives on the North's role in southern mythology, the so-called Savage South, twentieth-century black and white southern women, and the "changes" that distinguish the late twentieth-century South from that of the Civil War era.

First published in 1970, The New South Creed has lost none of its usefulness to anyone examining the dream of a "New South" -- prosperous, powerful, racially harmonious -- that developed in the three decades after the Civil War, and the transformation of that dream into widely accepted myths, shielding and perpetuating a conservative, racist society. Many young moderates of the period created a philosophy designed to enrich the region -- attempting to both restore the power and prestige and to lay the race question to rest. In spite of these men and their efforts, their dream of a New South joined the Antebellum illusion as a genuine social myth, with a controlling power over the way in which their followers, in both North and South, perceived reality.

"More than one-third of the population of the United States now lives in the South, a region where politics, race relations, and the economy have changed dramatically since World War II. Yet scholars and journalists continue to disagree over whether the modern South is dominating, deviating from, or converging with the rest of the nation. This collection asks how the stories of American history chance if the South is no longer seen as a region apart--as the conservative exception to a liberal nation."--Back cover.

Hospitality as a cultural trait has been associated with the South for well over two centuries, but the origins of this association and the reasons for its perseverance of­ten seem unclear. Anthony Szczesiul looks at how and why we have taken something so particular as the social habit of hospitality—which is exercised among diverse individuals and is widely varied in its particular practices—and so generalized it as to make it a cultural trait of an entire region of the country. Historians have offered a variety of explanations of the origins and cultural practices of hospitality in the antebellum South. Economic historians have at times portrayed southern hospitality as evidence of conspicuous consumption and competition among wealthy planters, while cultural historians have treated it peripherally as a symptomatic expression of the southern code of honor. Although historians have offered different theories, they generally agree that the mythic dimensions of southern hospitality eventually outstripped its actual practices. Szczesiul examines why we have chosen to remember and valorize this particular aspect of the South, and he raises fundamental ethical questions that underlie both the concept of hospitality and the cultural work of American memory, particularly in light of the region’s historical legacy of slavery and segregation.

This volume of The New Encyclopedia of Southern Culture addresses the cultural, social, and intellectual terrain of myth, manners, and historical memory in the American South. Evaluating how a distinct southern identity has been created, recreated, and performed through memories that blur the line between fact and fiction, this volume paints a broad, multihued picture of the region seen through the lenses of belief and cultural practice. The 95 entries here represent a substantial revision and expansion of the material on historical memory and manners in the original edition. They address such matters as myths and memories surrounding the Old South and the Civil War; stereotypes and traditions related to the body, sexuality, gender, and family (such as debutante balls and beauty pageants); institutions and places associated with historical memory (such as cemeteries, monuments, and museums); and specific subjects and objects of myths, including the Confederate flag and Graceland. Together, they offer a compelling portrait of the "southern way of life" as it has been imagined, lived, and contested.

History isn't always written by the winners... Twenty-first-century controversies over Confederate monuments attest to the enduring significance of our nineteenth-century Civil War. As Lincoln knew, the meaning of America itself depends on how we understand that fratricidal struggle. As soon as the Army of Northern Virginia laid down its arms at Appomattox, a group of Confederate officers took up their pens to refight the war for the history books. They composed a new narrative—the Myth of the Lost Cause—seeking to ennoble the sacrifice and defeat of the South, which popular historians in the twentieth century would perpetuate. Unfortunately, that myth would distort the historical imagination of Americans, north and south, for 150 years. In this balanced and compelling correction of the historical record, Edward Bonekemper helps us understand the Myth of the Lost Cause and its effect on the social and political controversies that are still important to all Americans.

A “well-reasoned and timely” (Booklist) essay collection interrogates the Lost Cause myth in Civil War historiography. Was the Confederacy doomed from the start in its struggle against the superior might of the Union? Did its forces fight heroically against all odds for the cause of states’ rights? In reality, these suggestions are an elaborate and intentional effort on the part of Southerners to rationalize the secession and the war itself. Unfortunately, skillful propagandists have been so successful in promoting this romanticized view that the Lost Cause has assumed a life of its own. Misrepresenting the war’s true origins and its actual course, the myth of the Lost Cause distorts our national memory. In The Myth of the Lost Cause and Civil War History, nine historians describe and analyze the Lost Cause, identifying ways in which it falsifies history—creating a volume that makes a significant contribution to Civil War historiography. “The Lost Cause . . . is a tangible and influential phenomenon in American culture and this book provides an excellent source for anyone seeking to explore its various dimensions.” —Southern Historian