Myth And The Limits Of Reason

Traditionally understood as pre-critical, even pre-rational, mythical thought has in fact played a critical role in post-Enlightenment intellectual history. Modernists in philosophy and literature have used the depictive rationality of myth to disclose, in self-reflective ways, the limits of discursive sense-making in various domains of human experience. In so doing, they have effectively furthered, without resort to analytical abstractions, the epistemological critique of reason begun during the Enlightenment. Stambovsky illustrates four widely diverse examples of this critical form of mythical thinking in works by Kierkegaard, Miguel de Unamuno, Henry James, and Margaret Atwood. The selected texts focus respectively on religious, national-cultural, psychosocial, and psychobiological realms of experience. These illustrations follow an inquiry into why the very possibility of critical, mythically inventive (mythopoetic) reflection is unsatisfactorily explained by leading rationalist accounts of myth. It is with this problem in mind that Stambovsky begins his monograph with observations on the origins of rationalist and counter-rationalist conceptualizations of myth in the fragments of Xenophanes (the father of rationalist mythology) and in Plato's Phaedrus. Of pivotal import is the early rationalist discrimination of mythos from logos and its epistemological implications (the rationalist legacy) in the history of the idea of myth. Following his look at paradigmatic classical precedents, Stambovsky traces the influence of the rationalist legacy in the myth theory of Malinowski, Lévi-Strauss, Cassirer, Ricoeur, and Blumenberg. The aim is to reveal how this influence in different ways limits these theories as instruments for detecting and explaining the seminal critical and historical significance of modern mythopoeia. This study will be of particular interest to teachers and students of myth theory in departments of philosophy, religion, literature, and cultural anthropology.

Platon zählt zu den einflussreichsten Philosophen aller Zeiten. Er beeinflusste maßgeblich Profil und Kanon der westlichen Philosophie. Die Kritik am sogenannten Platonismus wurde kontinuierlich von den Schwierigkeiten gespeist, die die Interpretation der philosophischen Schriften Platons bereitet. Gemeinhin wird er als rein rationaler Philosoph gesehen. Ein Philosoph war er in der Tat, ebenso jedoch ein Experte in der Annäherung an das Nicht-Rationale, unter anderem in Form von Mythen. So wurde er auch als "Mythenerfinder" und "Mythologe" bezeichnet. Platon war ein Visionär, der es wagte, das Reich des Nicht-Rationalen auf systematische und disziplinierte Art zu erforschen. Insgesamt lässt sich Platons philosophisches Vorhaben als Streben nach einer umfassenden Sicht des organischen Ganzen klassifizieren. Der Ausdruck „Gestalt“ scheint die Ganzheit am ehesten zu beschreiben. Platon kann als prominentester und auch als letzter Repräsentant der antiken Philosophie angesehen werden, der die Entwicklung einer Gestalt-Philosophie anstrebte. Plato is one of the most influential philosophers of all time. He decisively shaped the profile and canon of western philosophy. Criticism of what has become known as Platonism has been continuously nourished by the difficulties of interpreting this philosopher's writings. Plato is commonly viewed as a purely rational philosopher. A philosopher he was indeed, but Plato was also an expert in approaching the non-rational, in the form of mythology among others. Plato has been called a "mythmaker" and a "mythologist". Plato was a visionary who dared to explore the realm of the non-rational in a systematic and disciplined way. In an overall comparison, Plato's philosophical enterprise strives for a comprehensive perspective on the organic whole. The expression "Gestalt" seems to come closest to describing the wholeness. Plato may be considered to be the most prominent representative of classical philosophy to develop a Gestalt philosophy and also the last to do so in antiquity.

The idea of a limit of reason, a measure that defines reason and that it must not overstep, has been a constitutive part of philosophy since its beginnings in Greek thought. Placing itself in opposition to the madness of hubris, the excesses of tragedy, and the stories of religion and myth, philosophy expels its others just as much as it thrives on them. It begins and ends at the limit; it is drawn towards its outside, and exists as a perpetual attempt to find a line of demarcation that always ends up passing through its interior.The present collection analyzes the phenomenon of limit and excess, through readings that range from tragedy and Greek thought, through early Christianity and the Renaissance, to modern phenomenology and philosophy of language. Jonna Bornemark is Associate Professor of Philosophy and Lecturer at the Center for Studies in Practical Knowledge at Sodertorn University. Sven-Olov Wallenstein is Professor of Philosophy at Sodertorn University."

Myth in the Modern Novel: Imagining the Absolute posits a twofold thesis. First, although Modernity is regarded as an era dominated by science and rational thought, it has in fact not relinquished the hold of myth, a more "primitive" form of thought which is difficult to reconcile with modern rationality. Second, some of the most important statements as to the reconcilability of myth and Modernity are found in the work of certain prominent novelists. This book offers a close examination of the work of eleven writers from the late eighteenth century to the beginning of the twenty-first, representing German, French, American, Czech and Swedish literature. The analyses of individual novels reveal a variety of intriguing views of myth in Modernity, and offer an insight into the "modernizing" transformations myth has undergone when applied in the modern novel. The study shows the presence of the "subconscious", the mythic layer, in modern western culture and how this has been dealt with in novelistic literature.

Plato's dialogues frequently criticize traditional Greek myth, yet Plato also integrates myth with his writing. Daniel S. Werner confronts this paradox through an in-depth analysis of the Phaedrus, Plato's most mythical dialogue. Werner argues that the myths of the Phaedrus serve several complex functions: they bring nonphilosophers into the philosophical life; they offer a starting point for philosophical inquiry; they unify the dialogue as a literary and dramatic whole; they draw attention to the limits of language and the limits of knowledge; and they allow Plato to co-opt cultural authority as a way of defining and legitimating the practice of philosophy. Platonic myth, as a species of traditional tale, is thus both distinct from philosophical dialectic and similar to it. Ultimately, the most powerful effect of Platonic myth is the way in which it leads readers to participate in Plato's dialogues and to engage in a process of self-examination.

"Reinhold Niebuhr was one of the last great public intellectuals of American life. . . . Langdon Gilkey's fine new book on his theology can help counter the neglect into which his thought has fallen."—Roger S. Gottlieb, Tikkun This insightful, engaging book offers a detailed-and not uncritical-examination of Reinhold Niebuhr, whose theology and ideas loom so large in the intellectual history of twentieth-century America.

To most, myths are merely fantastic stories. But for Luc Brisson, one of the great living Plato scholars, myth is a key factor in what it means to be human – a condition of life for all. Essential and inescapable, myth offers a guide for living, forming the core of belonging and group identity. In 1999 Quebec classicist Louis-André Dorion published a series of French conversations with Brisson on the idea of myth. In Making Sense of Myth Gerard Naddaf offers an extended and updated English translation of these conversations, as well as a new set of discussions between himself and Brisson. Beginning with Brisson's childhood in the village of Saint-Esprit, Quebec, through his education as a gifted child in minor seminaries starting at age eleven, and continuing with his years in Paris, first as a graduate student and later at the Centre national de la recherche scientifique (CNRS), Brisson tells the story of his escape from an all-encompassing myth – the one promulgated by the Roman Catholic Church. The philosopher situates Quebec society as inseparable from the history of the Catholic Church in Quebec, and argues that this correlation offers a perfect paradigm of myth and mythmaking. Naddaf’s introduction and afterword contextualize the conversations by discussing Brisson’s and Plato’s understanding of the origin and meaning of myth, elaborating on the role of myth in anthropogeny, in the creation of selfhood, and in multiculturalism. Making Sense of Myth promises both a philosophy of myth and a philosophy of life, one inspired by Brisson’s lifelong engagement with the great Western philosopher Plato.

Marxism and Phenomenology: The Dialectical Horizons of Critique, edited by Bryan Smyth and Richard Westerman, offers new perspectives on the possibility of a philosophical outlook that combines Marxism and phenomenology in the critique of capitalism. Although Marxism’s focus on impersonal social structures and phenomenology’s concern with lived experience can make these traditions appear conceptually incompatible, the potential critical force of a theoretical reconciliation inspired several attempts in the twentieth century to articulate a phenomenological Marxism. Updating and extending this approach, the contributors to this volume identify and develop new and previously overlooked connections between the traditions, offering new perspectives on Marx, Husserl, and Heidegger; exploring themes such as alienation, reification, and ecology; and examining the intersection of Marxism and phenomenology in figures such as Michel Henry, Walter Benjamin, and Frantz Fanon. These glimpses of a productive reconciliation of the respective strengths of phenomenology and Marxism offer promising possibilities for illuminating and resolving the increasingly intense social crises of capitalism in the twenty-first century.