Name Thing Thing

‘There were no longer any signs of the house we stayed in, no doorway with its low entrance, no weeping willow or cryptomeria tree from which the caterpillars fell. The ramshackle cottage that housed my earliest friends and shaped my memories lay bare and forgotten. Only the flying termites remained, fluttering below the street lights outside the property.’ In this novella, Daribha Lyndem gently lifts the curtain on the coming of age of a young Khasi woman and the politically charged city of Shillong in which she lives. Like the beloved school game from which it takes its name, the book meanders through ages, lives and places. The interconnected stories build on each other to cover the breadth of a childhood, and move into the precarious awareness of adulthood. A shining debut, Name Place Animal Thing is an elegant examination of the porous boundaries between the adult world and that of a child’s.

Little Emmitt is a three-year-old who has a big imagination. Thinking a big yellow bus has eaten his big sister, he is determined to find out the truth.

Thing-Thing was neither a Teddy bear nor a rabbit; not a stuffed dog or cat. It was something like each of those, and nothing at all you could name. But it had something special. It had the hope that one day it would find a child to love it and talk to it and make it tea parties and take it to bed. A child it could love back. Certainly Archibald Crimp was not that child. He had just thrown Thing-Thing out the open sixth-floor window of the Excelsior Hotel. Oh, dear, thought Thing-Thing to itself. This is bad, this is very bad. Cary Fagan and Nicolas Debon have created a story so rich in words and images that, despite taking place in a matter of seconds, Thing-Thing will be remembered as vividly as a child’s favorite toy.

"Robert Irwin, perhaps the most influential of the California artists, moved from his beginnings in abstract expressionism through successive shifts in style and sensibility, into a new aesthetic territory altogether, one where philosophical concepts of perception and the world interact. Weschler has charted the journey with exceptional clarity and cogency. He has also, in the process, provided what seems to me the best running history of postwar West Coast art that I have yet seen."—Calvin Tomkins

Third Language Dictionary is a guide to everyday language that is peculiar to and used by Australian folks from all walks of life no matter what or who they are or the level of success, education, credence, or place in society they have attained.

Grounded in linguistic research and argumentation, THE ENGLISH LANGUAGE: FROM SOUND TO SE01 General/tradeE offers readers who have little or no analytic understanding of English a thorough treatment of the various components of the language. Its goal is to help readers become independent language analysts capable of critically evaluating claims about the language and the people who use it.

This volume presents two important lecture cycles delivered after WWII, exploring the poetry of Hölderlin and the nature of thought itself. Heidegger delivered his lecture series, Insight into That Which Is, at Bremen in 1949. It was his first speaking engagement after World War II, when he was officially banned from teaching. Here, Heidegger openly resumes thinking that deeply engaged him with Hölderlin’s poetry and themes developed in his earlier works. In the Freiburg lectures, delivered in 1957, Heidegger ponders thought itself and freely engages with the German idealists and Greek thinkers who had provoked him in the past. Andrew J. Mitchell’s translation allows English-speaking readers to explore important connections with Heidegger’s earlier works on language, logic, and reality.