Narrative Theories And Poetics

Narrative Theories and Poetics: 5 Questions is a collection of short interviews based on five provoking questions presented to some of the most influential and prominent scholars in these fields. They present us with their views on narrative theories and poetics, its aim, scope, use, the future direction of the fields and how their work fits in these respects.

A collection of 24 essays dedicated to critic Lubomir Dolezel contributing to the theory of fictionality and examining issues in narratology and the history of poetics. The international group of scholars (including renowned critics such as Umberto Eco and Michael Riffaterre) keep their distance from deconstruction and approach fictionality from a philosophical perspective, considering theories of models, character, genre and gender, and dealing with questions of fiction from a historical and poetics standpoint. Two concluding essays expand Dolezel's contribution to the theory of fictionality and fictional semantics, and the works of Homer, Casanova, Woolf, Borges, Kundera, and Bakhtin are given particular attention. Lacks an index. Canadian card order number C95-933272-3. Paper edition (unseen), $24.95. Annotation copyrighted by Book News, Inc., Portland, OR

Provides a more comprehensive model for considering story and plot that encompasses both traditional narratives and postmodern experiments.

Surveys many basic areas of narrative studies from an unnatural perspective: story, time, space, voice, minds, narrative levels, realism, nonfiction, hyperfiction, and narrative poetry.

This interdisciplinary collection of essays advances the study of anagnorisis («recognition»), a quintessential concept in Aristotelian poetics. This book explores narrative structure and epistemology by examining how anagnorisis works in narrative fiction, music, and film. Contributors hail from the fields of cinema; opera; religion; medieval and modern English, German, and French literatures; comparative literature; and Indian (Sanskrit) and Islamic (Arabic) literatures, both classical and modern.

This head volume of the 'Narrating Futures' series defines and identifies Future Narratives. It parses their characteristic features and aims at an abstract classification of the whole corpus, irrespective of its concrete manifestations across the media. Drawing on different theorems and approaches, it offers a unified theory and a poetics of Future Narratives. Locating the media-historical moment of their emergence, this volume paves the way for the following volumes, which deal with how Future Narratives are refracted through different media.