Nature Design And Science

Although the scientific illegitimacy of supernatural design is typically asserted with enormous confidence and vigor, there has been surprisingly little actual work on such key foundational issues as even what design is and on specific criteria for assessing its legitimacy, or lack, as a scientific concept. However, intelligent supernatural design is again surfacing in discussions both of anthropic principles and of certain types of biological complexity. This book develops a definition of design, explicates the more specific concept of supernatural design, defends a general criterion for scientific legitimacy, and argues that in some cases the concept of intelligent supernatural design can meet the relevant requirements for scientific legitimacy.

Bioluminescent algae, symbiotic aquariums, self-healing concrete, clavicle wind instruments and structures made from living trees - biology applied outside the lab has never been so intriguing, or so beautiful. Bio Design examines the thrilling advances in the field, showcasing some seventy projects (concepts, prototypes and completed designs) that cover a range of fields - from architecture and industrial design to fashion and medicine. The revised and expanded edition features twelve new projects (replacing ten existing projects): Hy-Fi (by David Benjamin); One Central Park, Sydney (Jean Nouvel); Guard from Above (Sjoerd Hoogendoorn); Cell-laden Hydrogels for Biocatalysis (Alshakim Nelson); Zoa (Modern Meadow); Amino Labs (Julie Legault); Algae and Mycelium Projects (Eric Klarenbeek); Interwoven and Harvest (Diane Scherer); Concrete Honey (John Becker); Bistro In Vitro (Koert van Mensvoort); Circumventive Organs (Agi Haines); Quantworm Mine (Liv Bargman and Nina Cutler). It also includes a new 'how-to' section at the end (Tips for Collaboration/FAQs/Further Resources), as well as a fully revised introduction.

Throughout history, many leading thinkers have been inspired by the parallels between nature and human design, in mathematics, engineering and other areas. This book publishes the results of a conference on the significance of nature for design.

Biology and politics have converged today across much of the industrialized world. Debates about genetically modified organisms, cloning, stem cells, animal patenting, and new reproductive technologies crowd media headlines and policy agendas. Less noticed, but no less important, are the rifts that have appeared among leading Western nations about the right way to govern innovation in genetics and biotechnology. These significant differences in law and policy, and in ethical analysis, may in a globalizing world act as obstacles to free trade, scientific inquiry, and shared understandings of human dignity. In this magisterial look at some twenty-five years of scientific and social development, Sheila Jasanoff compares the politics and policy of the life sciences in Britain, Germany, the United States, and in the European Union as a whole. She shows how public and private actors in each setting evaluated new manifestations of biotechnology and tried to reassure themselves about their safety. Three main themes emerge. First, core concepts of democratic theory, such as citizenship, deliberation, and accountability, cannot be understood satisfactorily without taking on board the politics of science and technology. Second, in all three countries, policies for the life sciences have been incorporated into "nation-building" projects that seek to reimagine what the nation stands for. Third, political culture influences democratic politics, and it works through the institutionalized ways in which citizens understand and evaluate public knowledge. These three aspects of contemporary politics, Jasanoff argues, help account not only for policy divergences but also for the perceived legitimacy of state actions.

Origin(s) of Design in Nature is a collection of over 40 articles from prominent researchers in the life, physical, and social sciences, medicine, and the philosophy of science that all address the philosophical and scientific question of how design emerged in the natural world. The volume offers a large variety of perspectives on the design debate including progressive accounts from artificial life, embryology, complexity, cosmology, theology and the philosophy of biology. This book is volume 23 of the series, Cellular Origin, Life in Extreme Habitats and Astrobiology. www.springer.com/series/5775

Design in engineering and science has often been inspired by nature. This has been more evident in recent years, after a period during which our civilization thought in terms of taming rather than working in harmony with nature. The consequences of that approach are still with us and have resulted in a world increasingly homogenized, lacking in biodiversity and with increased pollution. Mankind has been slow to learn and even slower to apply the lessons that nature offers, in spite of the urgency of our predicament. This book contains papers presented at the fourth International Conference on Comparing Design in Nature with Science and Engineering . The emphasis of this Volume is on engineering and architectural applications and on biomimetics, reflecting in some measure current interest in finding environmentally friendly solutions which also optimize the use of natural resources. The contributions have been arranged into the following topics: Biomimetics; Shape and Form in Engineering Nature; Nature and Architectural Design; Natural Materials and Surfaces; Complexity; and Education.

With the onward march of science and technology, and the continuing quest for improvement, there is a growing curiosity about the world around us. Close examination of structures in nature can be rewarding and surprising Nature has shown an extraordinary capacity to develop dynamic structures and systems over many millions of years and there is still much to be learnt. Aimed at providing researchers in this subject with fresh impetus and inspiration, this book consists of papers presented at the Fifth International Conference on Design and Nature. The contributions reflect the rich variety of work currently taking place around the world and cover the following topics: Nature and Architecture; Mechanics in Nature; Natural Materials and Processing; Solutions from Nature; Biomimetics; Biomimetics and Bioinspiration; Biocapacity; Education in Design and Nature, and Helical Design in Nature.

Explores the question of whether or not concepts and principles involving supernatural intelligent design can occupy any legitimate place within science.