New Perspectives On Jewish Cultural History

This book presents original studies of how a cultural concept of Jewishness and a coherent Jewish history came to make sense in the experiences of people entangled in different historical situations. Instead of searching for the inconsistencies, discontinuities, or ruptures of dominant grand historical narratives of Jewish cultural history, this book unfolds situations and events, where Jewishness and a coherent Jewish history became useful, meaningful, and acted upon as a site of causal explanations. Inspired by classical American pragmatism and more recent French pragmatism, we present a new perspective on Jewish cultural history in which the experiences, problems, and actions of people are at the center of reconstructions of historical causalities and projections of future horizons. The book shows how boundaries between Jewish and non-Jewish are not a priori given but are instead repeatedly experienced in a variety of situations and then acted upon as matters of facts. In different ways and on different scales, these studies show how people's experiences of Jewishness perpetually probe, test, and shape the boundaries between what is Jewish and non-Jewish, and that these boundaries shape the spatiotemporal linkages that we call history.

Jewish historiography tends to stress the religious, cultural, and political aspects of the past. By contrast the “economy” has been pushed to the margins of the Jewish discourse and scholarship since the end of the Second World War. This volume takes a fresh look at Jews and the economy, arguing that a broader, cultural approach is needed to understand the central importance of the economy. The very dynamics of economy and its ability to function depend on the ability of individuals to interact, and on the shared values and norms that are fostered within ethnic communities. Thus this volume sheds new light on the interrelationship between religion, ethnicity, culture, and the economy, revealing the potential of an “economic turn” in the study of history.

Despite being the archetypal diasporic people, modern Jews have most often been studied as citizens and subjects of single nation states and empires—as American, Polish, Russian, or German Jews. This national approach is especially striking considering the renewed interest among scholars in global and transnational influences on the modern world. Editors Ava F. Kahn and Adam D. Mendelsohn offer a new approach in Transnational Traditions: New Perspectives on American Jewish History as contributors use transnational and comparative methodologies to place American Jewry into a broader context of cultural, commercial, and social exchange with Jews in Europe, the Middle East, Asia, Australia, New Zealand, and South America. In examining patterns that cross national boundaries, contributors offer new ways of understanding the development of American Jewish life. The diverse chapters, written by leading scholars, reflect on episodes of continuity and contact between Jews in America and world Jewry over the past two centuries. Individual case studies cover a range of themes including migration, international trade, finance, cultural interchange, acculturation, and memory and commemoration. Overall, this volume will expose readers to the variety and complexity of transnational experiences and encounters within American Jewish history. Accessible to students and scholars alike, Transnational Traditions will be appropriate as a classroom text for courses on modern Jewish, ethnic, immigration, world, and American history. No other single work in the field systematically focuses on this subject, nor covers the range of themes explored in this volume.

Cultural boundaries and group identity are often forged in relation to the Other. In every society, conceptions of otherness, which often reflect a group's fears and vulnerabilities, result in deep-rooted traditions of inclusion and exclusion that permeate the culture's literature, religion, and politics. This volume explores the ways in which Jews have traditionally defined other groups and, in turn, themselves. The contributors, a distinguished international group of scholars, explore the discursive processss through which Jewish identity and culture have been constructed, disseminated, and perpetuated. Among the topics addressed are: Others in the biblical world; the construction of gender in Roman-period Judaism; the Other as woman in the Greco-Roman world; the gentile as Other in rabbinic law; the feminine as Other in kabbalah; the reproduction of the Other in the Passover Haggadah; the Palestinian Arab as Other in Israeli politics and literature; the Other in Levinas and Derrida; Blacks as Other in American Jewish literature; the Jewish body image as symbol of Otherness; and women as Other in Israeli cinema. Contributors to this interdisciplinary volume are: Jonathan Boyarin (New School for Social Research), Robert L. Cohn (Lafayette College), Gerald Cromer (Bar-Ilan University), Trude Dothan (Hebrew University of Jerusalem), Elizabeth Fifer (Lehigh University), Steven D. Fraade (Yale University), Sander L. Gilman (Cornell University), Hannan Hever (Tel Aviv University), Ross S. Kraemer (University of Pennsylvania), Orly Lubin (Tel Aviv University), Peter Machinist (Harvard University), Jacob Meskin (Williams College), Adi Ophir (Tel Aviv University), Ilan Peleg (Lafayette College), Miriam Peskowitz (University of Florida), Laurence J. Silberstein (Lehigh University), Naomi Sokoloff (University of Washington), and Elliot R. Wolfson (New York University).

The series publishes monographs and collective volumes contributing to the emerging field of manuscript studies (manuscriptology), which includes disciplines such as philology, palaeography, codicology, art history, and material analysis. SMC encourages comparative approaches, without geographical or other limitations on the material studied; it contributes to a historical and systematic survey of manuscript cultures, and provides a new foundation for current discussions in Cultural Studies.

Surveying the evolution of the Jewish people and its culture and thought throughout the ages, this book describes the momentous results of Jewry's encounter with European Modernism. It traces how, over the last two-and-a-half centuries, pluralism and secularism first took hold in the Jewish world and then expanded until they are now the dominant feature and the driving force in contemporary Judaism. These issues are illuminated with a wide selection of works from the Jewish literature and thought.

Widely regarded as today's foremost American Jewish historian, Jonathan D. Sarna had a huge impact on the academy. Sarna's influence is perhaps nowhere more apparent than among his former doctoral students--a veritable "Sarna diaspora" of over three dozen active scholars around the world. Both a tribute to Sarna and an important collection in its own right, New Perspectives in American Jewish History was compiled by Sarna's former students and presents previously unpublished, neglected, or rarely seen historical documents and images that illuminate the breadth, diversity, and dynamism of the American Jewish experience. Beginning with the earliest known Jewish divorce in circum-Atlantic history (1774) and concluding with a Black Lives Matter Haggadah supplement (2019), the collection travels across time and space to shed light on intriguing and generative moments that span the varieties of Jewish experience in the American setting from the colonial era to the present. The materials underscore the interrelationship of myriad themes including ritual observance, Jewish-Christian relations, civil rights, Zionism and Israel, and immigration. While not intended as a comprehensive treatment of American Jewish history, the collection offers a chronological road map of American Jewry's evolving self-understanding and encounter with America over the course of four centuries. A brief prefatory note sets up the analytic context of each document and helps to unpack and explore its significance. The capacious and multifaceted quality of the American Jewish experience is further amplified here by a sampling of artistic texts such as photographs, advertisements, cartoons, and more.

Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.