New Suns 2 Original Speculative Fiction By People Of Color

Octavia E. Butler said, “There’s nothing new under the sun, but there are new suns.” New Suns 2 brings you fresh visions of the strange, the unexpected, the shocking—breakthrough stories, stories shining with emerging truths, stories that pierce stale preconceptions with their beauty and bravery. Like the first New Suns anthology (winner of the World Fantasy, Locus, IGNYTE, and British Fantasy awards), this book liberates writers of many races to tell us tales no one has ever told. Many things come in twos: dualities, binaries, halves, and alternates. Twos are found throughout New Suns 2, in eighteen science fiction, fantasy, and horror stories revealing daring futures, hidden pasts, and present-day worlds filled with unmapped wonders. Including stories by Daniel H. Wilson, K. Tempest Bradford, Darcie Little Badger, Geetanjali Vandemark, John Chu, Nghi Vo, Tananarive Due, Alex Jennings, Karin Lowachee, Saad Hossain, Hiromi Goto, Minsoo Kang, Tlotlo Tsamaase, Rochita Loenen-Ruiz, Malka Older, Kathleen Alcalá, Christopher Caldwell and Jaymee Goh with a foreword by Walter Mosley and an afterword by Dr. Grace Dillon.

Anthology of contemporary stories by emerging and seasoned writers of many races "There's nothing new under the sun, but there are new suns," proclaimed Octavia E. Butler. New Suns: Original Speculative Fiction by People of Color showcases emerging and seasoned writers of many races telling stories filled with shocking delights, powerful visions of the familiar made strange. Between this book's covers burn tales of science fiction, fantasy, horror, and their indefinable overlappings. These are authors aware of our many possible pasts and futures, authors freed of stereotypes and clichéd expectations, ready to dazzle you with their daring genius Unexploited brilliance shines forth from every page. Includes stories by Kathleen Alcala, Minsoo Kang, Anil Menon, Silvia Moreno-Garcia, Alex Jennings, Alberto Yanez, Steven Barnes, Jaymee Goh, Karin Lowachee, E. Lily Yu, Andrea Hairston, Tobias Buckell, Hiromi Goto, Rebecca Roanhorse, Indrapramit Das, Chinelo Onwualu and Darcie Little Badger.

Melanie Tamaki is an outsider. The only child of a loving but neglectful mother is just barely coping with school and with life. But everything changes on the day she returns home to find her mother is missing, lured back to Half World by the vindictive Mr. Glueskin. Soon Melanie begins an epic and darkly fantastical journey to save her parents. What she does not yet realize is that the future of the universe depends upon her success.

The breathtaking follow-up novel to the award-winning Half World The recently reunited realms of the Flesh, Half World and the Spirit are again at risk—something has been left undone. Gee, adopted as an infant, has been kept ignorant of his troubled past. Now at sixteen, he is a loner both despised and feared by his classmates. dark feelings, unbidden, slowly grow inside him. Even as he struggles to control them, his past catches up with him and compels him to journey to Half World. Abandoning his adoptive grandmother and the place he has called home, Gee must face what he used to be in order to determine his fate and the fate of the Three Realms. Aided by a surly cat and a troubled newfound friend, Gee must fight the monstrous and the horrific in Half World. Most difficult of all, he must overcome his own propensity for evil. The nightmarish adventure picks up sixteen years after Melanie’s return in Half World (2009, Puffin). With a new dark hero whose unlikely companions are a heartless cat and a self-destructive Neo Goth girl, Darkest Light is a compelling journey through despair in a desperate search for redemption.

Diverse Futures: Science Fiction and Authors of Color examines the contributions of late-twentieth- and twenty-first-century US and Canadian science fiction authors of color. By looking at the intersections among science fiction authors of multiple races and ethnicities, Joy Sanchez-Taylor seeks to explain how these authors of color are juxtaposing tropes of science fiction with specific cultural references to comment on issues of inclusiveness in Eurowestern cultures. The central argument of this work is that these authors are challenging science fiction's history of Eurocentric representation through the depiction of communities of color in fantastic or futuristic settings, specifically by using cognitive estrangement and the inclusion of non-Eurowestern cultural beliefs and practices to comment on the alienation of racially dominated groups. By exploring science fiction tropes--such as first contact, genetic modification, post-apocalyptic landscapes, and advanced technologies in the works of Octavia E. Butler, Ted Chiang, Sabrina Vourvoulias, and many others--Sanchez-Taylor demonstrates how authors of various races and ethnicities write science fiction that pays homage to the genre while also creating a more diverse and inclusive portrait of the future.

Profound, lyrical, shocking, wise: the short story is capable of almost anything. This collection of 100 of the finest stories ever written ranges from the essential to the unexpected, the traditional to the surreal. Wide in scope, both beautiful and vast, this is the perfect companion for any fiction lover. Here are childhood favourites and neglected masters, twenty-first century wits and national treasures, Man Booker Prize winners and Nobel Laureates. Featuring an all-star cast of authors, including Kate Atkinson, Julian Barnes, Angela Carter, Anton Chekhov, Richmal Crompton, Charles Dickens, Roald Dahl, Penelope Fitzgerald, Gustave Flaubert, Rudyard Kipling, Somerset Maugham, Ian McEwan, Alice Munro, V.S. Pritchett, Thomas Pynchon, Muriel Spark and Colm Tóibín, THAT GLIMPSE OF TRUTH is the biggest, most handsome collection of short fiction in print today.

An addictive fantasy romance from TikTok sensation Piper CJ, now newly revised and edited. Two orphans grow into powerful young women as they face countless threats to find their way back to each other. Farleigh is just an orphanage. At least, that's what the church would have the people believe, but beautiful orphans Nox and fae-touched Amaris know better. They are commodities for sale, available for purchase by the highest bidder. So when the madame of a notorious brothel in a far-off city offers a king's ransom to purchase Amaris, Nox ends up taking her place — while Amaris is drawn away to the mountains, home of mysterious assassins. Even as they take up new lives and identities, Nox and Amaris never forget one thing: they will stop at nothing to reunite. But the threat of war looms overhead, and the two are inevitably swept into a conflict between human and fae, magic and mundane. With strange new alliances, untested powers, and a bond that neither time nor distance could possibly break, the fate of the realms lies in the hands of two orphans — and the love they hold for each other.

Nisi Shawl’s steampunk-flavored alternate history of the “Belgian” Congo, Everfair, has taken the science fiction and fantasy world by storm. No surprise there. Their swift, sure, and savvy short stories had already established them as a cutting-edge Afrofuturist icon whose politically charged fiction is in the grand feminist tradition of Ursula K. Le Guin, Octavia Butler, and Suzy McKee Charnas. In these previously uncollected stories, Shawl explores the unexpected possibilities and perils opened up by SF&F’s new intersectionality. In Shawl’s side-slippery world, sex can be both commerce and worship, complete with ancient rites, altars, and ointments (“Women of the Doll”); a virtual reality high school is a proving ground for girlpacks and their unfortunate adversaries (“Walk like a Man”); and a British rock singer finds an image in a mirror that reflects both future hits and ancient horrors (“Something More”). Also included is a presentation at a southern university, in which they patiently (and gleefully) deconstructs the academic and arcane intersections between ancient rites and modern tech. Ifa, anyone? Plus: Our Outspoken Interview with Shawl, in which unapologetics are proffered, riddles are unraveled, and icons are, as always, clasted.