New Voices Holiday Plays 2019

The annual anthology of Holiday short plays for 2019 from New Voices Playwrights Theatre

The 2018 anthology of holiday plays from the New Voices Playwrights Theatre.

The Arden Research Handbook of Shakespeare and Contemporary Performance is a wide-ranging, authoritative guide to research on Shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive – the primary sources on which performance studies draws. It identifies the recurring trends and fruitful lines of inquiry that are generating the most urgent work in the field, but also contextualises these within the histories and methods on which researchers build. A central section of research-focused essays offers case studies of present areas of enquiry, from new approaches to space, bodies and language to work on the technologies of remediation and original practices, from consideration of fandoms and the cultural capital invested in Shakespeare and his contemporaries to political and ethical interventions in performance practice. A distinctive feature of the volume is a curated section focusing on practitioners, in which leading directors, writers, actors, producers, and other theatre professionals comment on Shakespeare in performance and what they see as the key areas, challenges and provocations for researchers to explore. In addition, the Handbook contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Contemporary Performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in Shakespeare and performance.

Since 1957, Chase's Calendar of Events lists everything worth knowing and celebrating for each day of the year: 12,500 holidays, historical milestones, famous birthdays, festivals, sporting events and much more. "The Oxford English Dictionary of holidays."--NPR's Planet Money.

This timely book addresses the key debates and challenges surrounding the future of work, covering the macro, meso and micro levels of gig work. It provides a consideration of the ways in which technology is shaping the lives of those working in the gig and digital platform economy within the 21st century.

Celeste Bedford Walker, one of the most accomplished contemporary playwrights in Texas, crafts dramas from history and everyday life that illuminate the African American experience in all its variety, tragedy, pathos, and hilarity. Collected here are five of her most acclaimed plays: Sassy Mamas, Greenwood: An American Dream Destroyed, Reunion in Bartersville, Distant Voices, and Camp Logan. The topics treated by Walker are timelier than ever. Sassy Mamas follows “three women of substance and of a certain age who flip the script on gender stereotypes and become involved with younger men.” Greenwood: An American Dream Destroyed tells the powerful story of the horrific attack on the Greenwood District of Tulsa, Oklahoma, once known as the “Black Wall Street.” In Reunion in Bartersville, described by Walker as “a comedy-mystery in two acts,” the 50-year class reunion of Bartersville High School turns to hilarious suspense when an unexpected guest arrives. Recipient of a grant from the National Endowment for the Arts, Distant Voices “resurrects” persons buried in College Memorial Park, the second-oldest African American cemetery in Houston, to celebrate the wisdom of those gone before. Camp Logan is based on real-life events in Houston in 1917, when members of the highly decorated 24th Infantry Regiment were subjected to brutal Jim Crow treatment, resulting in a riot that left dozens dead and the execution of seventeen African American soldiers for mutiny. Readers and audiences should be prepared to laugh out loud, to be challenged, to be disturbed, and above all, to be enlightened by this poignant collection of plays.

Jewish-American Identity and Critical Intercultural Communication: Never Forget, Tikkun Olam, and Kindness to Strangers explores what it means to be Jewish on a personal, sociocultural, and global-political level. This book employs 50+ interviews with diverse Jewish voices to provide a history of Jewish migration to the US and to privilege voices that are not necessarily White and Eastern European/Ashkenazic. Sobré argues for a more inclusive form of intercultural theorizing that favors intersectionality and allyship over oppression Olympics (stereotypes between members of different nondominant groups) and colorism (within nondominant group discrimination). Such siloing of differences, and further competing about whose differences are the most egregious, minimizes critical intercultural coalition opportunities allowing for such groups as those who gave power to Trump and Netanyahu to connect while inclusive progressives engage in in-fighting and separatism. The author calls for transversal dialogic politics, racially and historically accurate school curriculum, intersectionality and more inclusive intercultural communication scholarship and practice as various means of working together against white nationalism and white supremacy in the US and the world. Scholars of religious studies, cultural anthropology, and intercultural communication will find this book of particular interest.

This book aims to gather a selection that represents the diversity and richness of American poetry written by poets who share a sophistication that promises to evolve, with continued effort and risk, a new and powerful poetic idiom.