New World Poetics

A simultaneously ecocritical and comparative study, New World Poetics plumbs the earthly depth and social breadth of the poetry of Walt Whitman, Pablo Neruda, and Derek Walcott, three of the Americas' most ambitious and epic-minded poets. In Whitman's call for a poetry of New World possibility, Neruda's invocation of an "American love," and Walcott's investment in the poetic ironies of an American epic, the adamic imagination of their poetry does not reinvent the mythical Garden that stands before history's beginnings but instead taps the foundational powers of language before a natural world deeply imbued with the traces of human time. Theirs is a postlapsarian Adam seeking a renewed sense of place in a biocentric and cross-cultural New World through language and nature's capacity for regeneration in the wake of human violence and suffering. The book introduces the environmental history of the Americas and its relationship to the foundation of American and Latin American studies, explores its relevance to each poet's ambition to recuperate the New World's lost histories, and provides a transnational poetics of understanding literary influence and textual simultaneity in the Americas. The study provides much needed in-depth ecocritical readings of the major poems of the three poets, insisting on the need for thoughtful regard for the challenge to human imagination and culture posed by nature's regenerative powers; nuanced appreciation for the difficulty of balancing the demands of social justice within the context of deep time; and the symptomatic dangers as well as healing potential of human self-consciousness in light of global environmental degradation.

Poetics of the Earth is a work of environmental philosophy, based on a synthesis of eastern and western thought on natural and human history. It draws on recent biological research to show how the processes of evolution and history both function according to the same principles. Augustin Berque rejects the separation of nature and culture which he believes lies at the root of the environmental crisis. This book proposes a three stage process of "re-worlding" (moving away from the individualized self to become a part of the common world), "re-concretizing" (understanding the meaning and historical development of words and things) and "re-engaging" (reconsidering the relationship between history and subjectivity at every level of being) in order to bring western thought on nature and culture into sustainable harmony and alignment. This book will be of great interest to students and scholars of environmental studies, environmental philosophy, Asian studies and the natural sciences.

New World Maker reappraises Langston Hughes's political poetry, reading the writer's leftist works in the context of his practice of translation to reveal an important meditation on diaspora.

The unexpected return of contemporary public Christian miracles in the late antique Latin west, after a centuries-long assumption that these had ceased after apostolic times, helped to create a religious mentality there that would continue to characterize the western European Middle Ages. While the social and political functions of the new miracles have been gaining greater scholarly attention, this study is the first in-depth treatment of their experiential dimension. It examines this dimension in the first reactions to the new phenomenon - enthusiasm, puzzlement, deep suspicion, and outright rejection - as they are reflected and, especially, imagined in the earliest contemporary narrative and poetic sources that describe them. And it traces how the new imaginative representations transformed, for many, the up to then precept-centered way of thinking about religion into one that immersed itself in the supralogical dynamics of symbolic images. The tendency of these image-clusters to precipitate transformations, not only in perception but also in physical condition, is examined for the period from 386, when a first public miracle caught everyone's attention in the ostensibly flourishing Christian Roman Empire, to c. 460, when this empire was crumbling under the onslaught of Germanic tribes.

?An important contribution to the study of Walcott?s poetry and plays.??Modernism/modernity ?Walcott, [Burnett] says, has assimilated western tradition to his own project, using it to create a new plural world of open-ended possibilities. . . . A book that should be of interest to any student of Walcott?s literature.??Times Higher Education Supplement ?This ambitious book takes in the full corpus of Walcott?plays, essays, interviews, etc., as well as the poetry?and argues the essential unity of his (humanistic) vision.??Wasafiri ?Burnett is very good on Walcott?s aesthetic and technical strategies, particularly the mythopoeic framework of his thought, and the epic form which he frequently employs.??New West Indian Guide ?Convincingly suggests that Walcott?s art radiates outward from St. Lucia to the West Indies, the Caribbean, Latin America, and the Americas, becoming an art that honors and enlarges the English language and its multiple histories and usages.??World Literature Today

A complete translation of Aristotle's classic that is both faithful and readable, along with an introduction that provides the modern reader with a means of understanding this seminal work and its impact on our culture. In this volume, Joe Sachs (translator of Aristotle's Physics, Metaphysics, and the Nicomachean Ethics )also supplements his excellent translation with well-chosen notes and glossary of important terms. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Aristotle’s immediate audience.

This collection of interviews and essays presents an entertaining and provocative introduction to the critical thought of Marjorie Perloff. The fourteen interviews -- conducted by accomplished scholars, poets, and critics from the United States, Denmark, Norway, France, and Poland -- cover many topics: poetry’s nature as a literary genre, its current state, and its relation to art, politics, language, theory, and technology. The volume also features three essays by Perloff: an academic memoir, an exploration of poetry pedagogy, and an essay on the (re)constitution of the intellectuals in the 21st century. It will be an inspiring resource for both scholars and poets who care to live a life of attention, on and off the page of poetry.

Merleau-Ponty has long been known as one of the most important philosophers of aesthetics, yet most discussions of his aesthetics focus on visual art. This book corrects that balance by turning to Merleau-Ponty's extensive engagement with literature. From Proust, Merleau-Ponty developed his conception of “sensible ideas,” from Claudel, his conjoining of birth and knowledge as “co-naissance,” from Valéry came “implex” or the “animal of words” and the “chiasma of two destinies.” Literature also provokes the questions of expression, metaphor, and truth and the meaning of a Merleau-Pontian poetics. The poetic of Merleau-Ponty is, the book argues, a poetic of the flesh, a poetic of mystery, and a poetic of the visible in its relation to the invisible. Ultimately, theoretical figures or “figuratives” that appear at the threshold between philosophy and literature enable the possibility of a new ontology. What is at stake is the very meaning of philosophy itself and its mode of expression.