New York S Historic Armories

Winner of the 2007 Excellence in Historic Preservation Award presented by the Preservation League of New York State Winner of the 2007 Building Typology Award presented by the Metropolitan Chapter of the Victorian Society in America New York's Army National Guard armories are among the most imposing monuments to the role of the citizen soldier in American military history. In New York's Historic Armories, Nancy L. Todd draws on archival research as well as historic and contemporary photographs and drawings to trace the evolution of the armory as a specific building type in American architectural and military history. The result of a ten-year collaboration between the New York State Office of Parks, Recreation and Historic Preservation and the New York State Division of Military and Naval Affairs, this illustrated history presents information on all known armories in the state as well as the units associated with them, and will serve as a valuable reference for readers interested in general, military, and architectural history. Built to house local units of the state's volunteer militia, armories served as arms storage facilities, clubhouses for the militiamen, and civic monuments symbolizing New York's determination to preserve domestic law and order through military might. Approximately 120 armories were built in New York State from the late eighteenth century to the middle of the twentieth, and most date from the last quarter of the nineteenth century, when the National Guard was America's primary domestic peacekeeper during the post–Civil War era of labor-capital unrest. Together, New York's armories chronicle the history of the volunteer militia, from its emergence during the early Republican Era, through its heyday during the Gilded Age as the backbone of the American military system, to its early twentieth-century role as the nation's primary armed reserve force.

Concise history of the valiant service of New York’s African American soldiers.

How to deal with historic buildings has long been a core issue of the international architectural discourse. Herzog & de Meuron began addressing the potential of existing structures very early on: the maintenance and alteration of buildings are among the key strategies of the architects. For the Park Avenue Armory in New York, Herzog & de Meuron have designed a new model for dealing with monuments. The historical building was opened in 1881 on the Upper East Side of Manhattan as a meeting place and training ground for the National Guard, and boasts a rich mixture of different styles. Herzog & de Meuron developed a multifaceted strategy for the transformation of the building, now used as a cultural center, that allows for a combination of restoration, transformation, and innovation. From the exposing of historic structures to the addition of new elements, the architecture gained new vibrancy from the considered entanglement of different aspects. In the current debate, this departure from the practice of historic preservation in the United States is, beyond its value as an actual example, a unique contribution that unfolds in close reference to material. It is exemplary and groundbreaking.

This book tells the stories of the tender-hearted men who adopted stray cats from the cruel streets of nineteenth- and early twentieth-century New York. Its forty-two profiles introduce us to an array of remarkable men and extraordinary cats, including sports team mascots, artists' muses, and presidential pets.

Nestled in Upstate New York along the banks of the Mohawk River are the many communities of the Mohawk Valley. These villages, towns and cities have unique histories but are inextricably tied together by the waterways that run through them. The mills, railroads and the Erie Canal sustained early growth; the Painted Rocks beautified the landscape; and tales from the local Mohawk Nation still enrich the folklore. Many remarkable individuals have called the Mohawk Valley home, including psychedelic philosopher Benjamin Paul Blood, Queen Libby, the Daiquiris and actor Kirk Douglas. For over a decade, local native Bob Cudmore has documented the interesting, important and unusual stories from the region's past, and he has compiled the best of them here.

Focusing on the day-to-day operations of the U.S. armory at Harpers Ferry, Virginia, from 1798 to 1861, this book shows what the "new technology" of mechanized production meant in terms of organization, management, and worker morale. A local study of much more than local significance, it highlights the major problems of technical innovation and social adaptation in antebellum America. Merritt Roe Smith describes how positions of authority at the armory were tied to a larger network of political and economic influence in the community; how these relationships, in turn, affected managerial behavior; and how local social conditions reinforced the reactions of decision makers. He also demonstrates how craft traditions and variant attitudes toward work vis-à-vis New England created an atmosphere in which the machine was held suspect and inventive activity was hampered.Of central importance is the author's analysis of the drastic differences between Harpers Ferry and its counterpart, the national armory at Springfield, Massachusetts, which played a pivotal role in the emergence of the new technology. The flow of technical information between the two armories, he shows, moved in one direction only— north to south. "In the end," Smith concludes, "the stamina of local culture is paramount in explaining why the Harpers Ferry armory never really flourished as a center of technological innovation."Pointing up the complexities of industrial change, this account of the Harpers Ferry experience challenges the commonly held view that Americans have always been eagerly receptive to new technological advances.