Newsroom Confidential

"Sullivan remains the critic American journalism requires, a veteran practitioner with street cred, still in touch with the ‘unaccountable joy’ of reporting and writing that continues to draw talented young people to the field.” —Steve Coll, The New York Times Book Review Sullivan began her career at the Buffalo News, where she rose from summer intern to editor in chief. In Newsroom Confidential she chronicles her years in the trenches battling sexism and throwing elbows in a highly competitive newsroom. In 2012, Sullivan was appointed the public editor of The New York Times, the first woman to hold that important role. She was in the unique position of acting on behalf of readers to weigh the actions and reporting of the paper's staff, parsing potential lapses in judgment, unethical practices, and thorny journalistic issues. Sullivan recounts how she navigated the paper’s controversies, from Hillary Clinton's emails to Elon Musk's accusations of unfairness to the need for greater diversity in the newsroom. In 2016, having served the longest tenure of any public editor, Sullivan left for the Washington Post, where she had a front-row seat to the rise of Donald Trump in American media and politics. With her celebrated mixture of charm, sharp-eyed observation, and nuanced criticism, Sullivan takes us behind the scenes of the nation's most influential news outlets to explore how Americans lost trust in the news and what it will take to regain it.

"Political scientists, journalists, and election experts provide students with a thorough exploration of the previous election cycle and what it portends for the future of electoral politics"--

Current Legal Issues in Publishing sheds light on important issues of the ever-changing, often-confusing world of copyright, licensing, and taxation as we move into the twenty-first century. You'll see how the questions of ownership, fair use, and licensing have become exacerbated by the fact that information is no longer static, but rather fluid and transportable. In an age of advancing technology, this book anticipates how Congress and the courts will be called upon with more and more frequency to maintain a balance between the copyright holder’s economic interests and society’s right to have access to information. Reading this book wil give you an understanding of the fundamental aspects and concepts of the Copyright Act--such as what constitutes an original work, for what categories copyright protection is available, and the basic rights of the copyright holder--and how they are being challenged in the digital world. The information and copyright landscape, as you will quickly percieve, becomes even more hazy in the context of the public library and university where special rights to information exist to facilitate learning and scholarship. Using this book as a tool, you will learn that because the future of the electronic age is unpredictable, copyright holders and university and library communities must work together to remain flexible and recognize the others’interests, particularly in the legislative arena. Comprehensive and informative, Current Legal Issues in Publishing looks at the copyright debate from many different perspectives, including from the creator, user community, and legal angles. Among the important topics you will read about are: the Uruguay Round Agreement the responsibility of copyright university ownership of faculty copyrights American Geophysical Union v. Texaco Inc. the Newark Morning Ledger Case library privileges and fair use legal aspects of electronic publishing on-line distribution rights As you read Current Legal Issues in Publishing and are introduced to the origins and development of copyright conventions, the measures taken to combat book piracy, and the conflict between industrial nations and developing ones over copyright issues, you will form your own conclusions to the arguments for and against the current worldwide copyright system. You will also see that questions of ownership and economic and market rights are inextricably linked with questions of power and who can or cannot have access to information.

This is a truly multimedia approach to reporting, which makes the book relevant to young journalists regardless of whether it's newspaper, magazine, e-zine, or broadcast they're interested in. There are interesting, relevant examples and detailed, practical tips.

This edited volume argues that journalists and other political communicators have allowed antidemocratic movements in the United States and elsewhere to metastasize within the body politic. It not only seeks to identify and explain these press failures but to recommend new ways forward.

This textbook describes the field of radio and television in the United States, presents the material in a manner the reader can grasp and enjoy, and makes the book useful for the classroom teacher. Written for adaptation to individual teaching situations, the book is divided by subject matter into logical chapter divisions that can be assigned in the order appropriate for specific course students. Each chapter stands by itself, but the book is also an integrated whole. It is easy to understand at first reading, by beginning radio-television majors or nonmajor elective students alike. To give readers a complete picture of the field, subjects such as ethics, careers, and rivals to U.S. commercial radio and television are included.