Next Life Might Be Kinder

This haunting story of love and the aftermath of a murder is “a complex literary novel and a page-turner that’s impossible to put down” (Minneapolis Star-Tribune). Sam Lattimore met Elizabeth Church in an art gallery in 1970s Halifax. But their brief, erotically charged marriage was extinguished with Elizabeth’s murder. Since that traumatic loss, Sam’s life has grown complicated. In a moment of desperate confusion, he sells his life story to a Norwegian filmmaker named Istvakson, known for the stylized violence of his films. Soon he comes to regret his decision, leading to an increasingly intense game of cat and mouse between the two men. Furthermore, Sam has begun “seeing” Elizabeth—not only seeing but holding conversations with her, almost every evening, and what at first seems simply hallucination born of terrible grief reveals itself, evening by evening, as something else entirely. Next Life Might Be Kinder is a “riveting” novel (The Washington Post) by a two-time National Book Award nominee, the acclaimed author of The Bird Artist and What Is Left the Daughter—and features “an opening sentence worthy of the Noir Hall of Fame” (The New York Times).

Zou Lei is an illegal immigrant who works at a Chinese restaurant in Queens in search of a better life in the 'Land of the Brave'. Brad Skinner has recently arrived in New York following a tour in Iraq and is determined to party as hard as he can in order to start 'wanting to live again'. When their paths cross, they discover that new starts may be possible for both of them, if they can survive homelessness, lockup and Skinner's post-traumatic stress disorder, which may be more prophecy than madness.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

Celebrating the Queer community, affirming the sacred value of all people, blessing this world rather than making promises about the next, acknowledging the sacred in the secular, blending and transcending traditions to create a new and relevant church experience for the 21st century, Sunshine Cathedral is a "different kind of church..."

An unlikely lothario, one of the most successful writers of his time, a figure at the heart of the age's political and artistic debates—H. G. Wells' life is a great story in its own right When H. G. Wells left school in 1880 at 13 he seemed destined for obscurity—yet he defied expectations, becoming one of the most famous writers in the world. He wrote classic science-fiction tales such as The Time Machine, The Invisible Man, and The War of the Worlds; reinvented the Dickensian novel in Kipps and The History of Mr Polly; pioneered postmodernism in experimental fiction; and harangued his contemporaries in polemics which included two bestselling histories of the world. He brought equal energy to his outrageously promiscuous love life—a series of affairs embraced distinguished authors such as Dorothy Richardson and Rebecca West, the gun-toting travel writer Odette Keun, and Russian spy Moura Budberg. Until his death in 1946 Wells had artistic and ideological confrontations with everyone from Henry James to George Orwell, from Churchill to Stalin. He remains a controversial figure, attacked by some as a philistine, sexist, and racist, praised by others as a great writer, a prophet of globalization, and a pioneer of human rights. Setting the record straight, this authoritative biography is the first full-scale account to include material from the long-suppressed skeleton correspondence with his mistresses and illegitimate daughter.

For fans of Where the Crawdads Sing, this “marvelous debut” (Alice McDermott, National Book Award–winning author of The Ninth Hour) follows a Washington, DC, artist as she faces her past and the secrets held in the waters of Florida’s lush swamps and wetlands. Loni Murrow is an accomplished bird artist at the Smithsonian who loves her job. But when she receives a call from her younger brother summoning her back home to help their obstinate mother recover after an accident, Loni’s neat, contained life in Washington, DC, is thrown into chaos, and she finds herself exactly where she does not want to be. Going through her mother’s things, Loni uncovers scraps and snippets of a time in her life she would prefer to forget—a childhood marked by her father Boyd’s death by drowning. When Loni comes across a single, cryptic note from a stranger—“There are some things I have to tell you about Boyd’s death”—she begins a dangerous quest to discover the truth, all the while struggling to reconnect with her mother and reconcile with her brother and his wife. To make matters worse, she meets a man whose attractive simple charm threatens to pull her back towards everything she’s worked to escape. Torn between worlds—her professional accomplishments in Washington, and the small town of her childhood—Loni must decide whether to delve beneath the surface into murky half-truths and avenge the past or bury it, once and for all. “Fans of Delia Owens and Lauren Groff will find this a wonderful and absorbing read” (Suzanne Feldman, author of Sisters of the Great War).

“[An] ingeniously plotted novel . . . Norman knows how to weave an enticing and satisfying mystery, one tantalizing thread at a time.” — New York Times Book Review A witty, engrossing homage to noir, from National Book Award finalist Howard Norman Jacob Rigolet, soon-to-be former assistant to a wealthy art collector, looks up from his seat at an auction—his mother, former head librarian at the Halifax Free Library, is walking almost casually up the aisle. Before a stunned audience, she flings an open jar of ink at master photographer Robert Capa’s Death on a Leipzig Balcony. Jacob’s police detective fiancée is assigned to the ensuing interrogation. My Darling Detective delivers a fond nod to classic noir, as Jacob’s understanding of the man he has always assumed to be his father unravels against the darker truth of Robert Emil, a police officer suspected of murdering two Jewish residents during an upswing of anti-Semitism in 1945. The denouement, involving a dire shootout and an emergency delivery—it’s the second Rigolet to be born in the Halifax library in a three decades—is Howard Norman at his uncannily moving best. “Norman works with an offhand ease and grace . . . Whimsy is balanced by moments of powerfully evoked realism.” — Washington Post “An unconventional, lively literary mystery.” — Kirkus Reviews

Steps on the Path to Englightenment: The Foundation Practices marks the first volume of a much-anticipated, comprehensive commentary on the Lamrim Chenmo by the renowned Buddhist scholar, Geshe Sopa. This landmark commentary on what is perhaps the most elegant Tibetan presentation of the Buddhist path offers a detailed overview of Buddhist philosophy, especially invaluable to those wanting to enact the wisdom of the Buddha in their lives. In the Lamrim Chenmo, Tsongkhapa explains the path in terms of the three levels of practitioners: those of small capacity who seek happiness in future lives, those of medium capacity who seek liberation from the cycle of suffering, and those of great capacity who seek full enlightenment in order to benefit all beings. This volume covers the topics common to the first level: Tsongkhapa's explanations of the role of the teacher, his exhortation to take the essence of human existence, the contemplation of death and future lives, and going for the refuge. Given his vast knowledge and his experience in both Tibetan and Western contexts, Geshe Sopa is the ideal commentator of this work for the modern student of Tibetan Buddhism.