Nihilism And Technology

Heidegger, Marcuse, and Ellul warned against the rise of a technological mass culture. Philosophy of technology has since turned away from such dystopic views, promoting instead the view that we shape technologies just as technologies shape us. Yet the rise of Big Data has exceeded our worst fears about Big Brother, leading us to again question whether technologies are empowering us or enslaving us. Rather than engage in endless debates about whether technologies are making us better or making us worse, Nolen Gertz investigates what we think “better” and “worse” mean, and what role this thinking has played in the creation of our technological world. This investigation is carried out by using Nietzsche’s philosophy of nihilism in order to explore the ways in which our values mediate how we design technologies and how we use technologies. Examining our technological practices—practices ranging from Netflix and Chill to Fitbit and Move to Twitter and Rage—reveals how our nihilism and our technologies have become intertwined, creating a world of techno-hypnosis, data-driven activity, pleasure economics, herd networking, and orgies of clicking.

An examination of the meaning of meaninglessness: why it matters that nothing matters. When someone is labeled a nihilist, it's not usually meant as a compliment. Most of us associate nihilism with destructiveness and violence. Nihilism means, literally, “an ideology of nothing. “ Is nihilism, then, believing in nothing? Or is it the belief that life is nothing? Or the belief that the beliefs we have amount to nothing? If we can learn to recognize the many varieties of nihilism, Nolen Gertz writes, then we can learn to distinguish what is meaningful from what is meaningless. In this addition to the MIT Press Essential Knowledge series, Gertz traces the history of nihilism in Western philosophy from Socrates through Hannah Arendt and Jean-Paul Sartre. Although the term “nihilism” was first used by Friedrich Jacobi to criticize the philosophy of Immanuel Kant, Gertz shows that the concept can illuminate the thinking of Socrates, Descartes, and others. It is Nietzsche, however, who is most associated with nihilism, and Gertz focuses on Nietzsche's thought. Gertz goes on to consider what is not nihilism—pessimism, cynicism, and apathy—and why; he explores theories of nihilism, including those associated with Existentialism and Postmodernism; he considers nihilism as a way of understanding aspects of everyday life, calling on Adorno, Arendt, Marx, and prestige television, among other sources; and he reflects on the future of nihilism. We need to understand nihilism not only from an individual perspective, Gertz tells us, but also from a political one.

The Canadian discourse - Technological dependency: George Grant as the Nietzsche of the New World - Technological humanism : the processed World of Marshall McLuhan - Technological realism : Harold Innis' empire of communications.

In 1969, Emanuele Severino underwent a Vatican trial for the 'fundamental incompatibility' between his thought and the Christian doctrine, and was removed from his position as professor of philosophy at the Catholic University in Milan. The Essence of Nihilism published in 1972, was the first book to follow his expulsion, and to firmly establish Severino's preeminent position within the constellation of contemporary philosophy. In this groundbreaking book, Severino reinterprets the history of Western philosophy as the unfolding of 'the greatest folly', that is, of the belief that 'things come out of nothing and fall back into nothing'. According to Severino, such a typically Western understanding of reality has produced a belief in the radical 'nothingness' of things. This, in turn has justified the treatment of the world as an object of exploitation, degradation and destruction. To move beyond Western nihilism, suggests Severino, we must first of all 'return to Parmenides'. Joining forces with the most venerable of Greek philosophers, Severino confutes the 'path of night' of nihilism, and develops a new philosophy grounded on the principle of the eternity of reality and of every single existent.

Beginning in an analysis of three paradigmatic instances of the encounter between art and technology in modernism, this work analyzes three philosophical responses to the question of nihilism--those of Walter Benjamin, Ernst Jnger, and Martin Heidegger--all of which are characterized by an avant-garde sensibility that looks to art as a way to counter the crisis of modernity.

This book examines the work of Ernst Jünger and its effect on the development of Martin Heidegger’s influential philosophy of technology. Vincent Blok offers a unique treatment of Jünger’s philosophy and his conception of the age of technology, in which both world and man appear in terms of their functionality and efficiency. The primary objective of Jünger’s novels and essays is to make the transition from the totally mobilized world of the 20th century toward a world in which a new type of man represents the gestalt of the worker and is responsive to this new age. Blok proceeds to demonstrate Jünger’s influence on Heidegger’s analysis of the technological age in his later work, as well as Heidegger’s conceptions of will, work and gestalt at the beginning of the 1930s. At the same time, Blok evaluates Heidegger’s criticism of Jünger and provides a novel interpretation of the Jünger-Heidegger connection: that Jünger’s work in fact testifies to a transformation of our relationship to language and conceptualizes the future in terms of the Anthropocene. This book, which arrives alongside several new English-language translations of Jünger’s work, will interest scholars of 20th-century continental philosophy, Heidegger, and the history of philosophy of technology.

Ontology of Construction explores theories of construction in modern architecture, focusing on the relationship between nihilism of technology and architecture. The essays articulate the implications of technology in works by such architects as Le Corbusier, Frank Lloyd Wright, and Mies Van der Rohe. Hartoonian also examines Gottfried Semper's discourse on the tectonic and the relationship between architecture and other crafts. Emphasizing "fabrication" as a critical theme for contemporary architectural theory and practice, Ontology of Construction is a provocative contribution to the current debate in these areas.

This volume contains both overviews of Heidegger's life and works and analysis of his most important work, Being and Time.