Nike Is A Goddess

A collection of thirteen narratives that profile the top female athletes in different sports, including Babe Didrickson Zaharias, Billie Jean King, Jackie Joyner-Kersee and Sheryl Swoopes.

*Includes pictures *Includes ancient descriptions of Nike *Includes online resources and a bibliography for further reading "To Nike (Victory), Fumigation from Manna. O powerful Nike, by men desired, with adverse breasts to dreadful fury fired, thee I invoke, whose might alone can quell contending rage and molestation fell. 'Tis thine in battle to confer the crown, the victor's prize, the mark of sweet renown; for thou rulest all things, Nike divine! And glorious strife, and joyful shouts are thine. Come, mighty goddess, and thy suppliant bless, with sparkling eyes, elated with success; may deeds illustrious thy protection claim, and find, led on by thee, immortal fame." - Orphic Hymn to Nike 33 It seems to be a normal, modern-day practice to reduce all the gods of the ancient pantheons to their most basic abstract concepts: Ares represents war; Demeter, agriculture; Aphrodite, love; and so on. In the process, these characters lose any personality with which they might have been imbued over millennia of stories. A part of most studies of these gods is usually reserved for the undoubtedly valuable etymology of a deity's name, but more often than not, this etymology reveals little more than the fact they had been associated with their abstract concepts since time immemorial. Still, most modern readers understand the ancient Greek deities had "personalities" more complex than the abstract concepts they represented. These "personalities" were elaborated upon to explain relationships between concepts, such as in the case of Ares's and Aphrodite's daughter Harmonia, who always followed in her father's destructive wake, explaining the brutal "cleansing" power of war within ancient Greece's complex political landscape. It is in this same line of thought that abstract characters, such as Harmonia and Nike (Victory), find their place in ancient Greek mythology, especially after the writings of Homer in the 8th century BCE. As renowned historian Walter Burkert put it, "as a result of this Homerization, the Archaic Greek personifications come to assume their distinctive character in that they mediate between the individual gods and the spheres of reality, they receive mythical and personal elements from the gods and in turn give the gods part in the conceptual order of things. The personifications appear first in poetry, move into the visual arts and finally find their way into the realm of cult." In the case of Nike, there is no ambiguity in the meaning of her name. "Nike" is used to refer to the abstract concept of victory in its many forms in the works of Homer, Sophocles, Plato, and Xenophon. Victories in wars and in athletic competitions are invariably Nike's most predominant manifestations in the historical record, and as such, her appearances in myth as a goddess whose actions took place within the society of the pantheon are numerous, though mostly silent. Yet it is how the ancients interacted with this goddess that is most fascinating. The sculpture and the songs, the bas-reliefs and coins, all pay homage to Nike the goddess more intimately than the mere use of her image as a placeholder for "a glorious memory." When viewed in the context of a conversation, the appearance of Nike in the historical and archaeological records give the modern reader a tantalizing view inside the psyche of the ancient Greeks. This is the gift from Nike's that continues to bear fruit. Nike: The Origins and History of the Greek Goddess of Victory looks at the story of the legendary deity and the various roles she played in Greek mythology. Along with pictures depicting important people, places, and events, you will learn about Nike like never before.

When Phoebe's mom returns from Greece with a new husband and plans to move to an island in the Aegean Sea, Phoebe's well-plotted senior year becomes ancient history. Now, instead of enjoying a triumphant track season and planning for college with her best friends, Phoebe is trying to keep her head above water at the berexclusive Academy. If it isn't hard enough being the new kid in school, Phoebe's classmates are all descendents of the Greek gods! When you're running against teammates with superpowers, dealing with a stepsister from Hades, and nursing a crush on a boy who is quite literally a god, the drama takes on mythic proportions!

Seventeen-year-old Phoebe, unable to control the powers inherited from her ancestor Nike, must attend summer camp with a group of ten-year-olds, while coping with her boyfriend's apparent betrayal and mysterious messages about her deceased father.

*Includes pictures *Includes ancient descriptions of Nike *Includes online resources and a bibliography for further reading "To Nike (Victory), Fumigation from Manna. O powerful Nike, by men desired, with adverse breasts to dreadful fury fired, thee I invoke, whose might alone can quell contending rage and molestation fell. 'Tis thine in battle to confer the crown, the victor's prize, the mark of sweet renown; for thou rulest all things, Nike divine! And glorious strife, and joyful shouts are thine. Come, mighty goddess, and thy suppliant bless, with sparkling eyes, elated with success; may deeds illustrious thy protection claim, and find, led on by thee, immortal fame." - Orphic Hymn to Nike 33 It seems to be a normal, modern-day practice to reduce all the gods of the ancient pantheons to their most basic abstract concepts: Ares represents war; Demeter, agriculture; Aphrodite, love; and so on. In the process, these characters lose any personality with which they might have been imbued over millennia of stories. A part of most studies of these gods is usually reserved for the undoubtedly valuable etymology of a deity's name, but more often than not, this etymology reveals little more than the fact they had been associated with their abstract concepts since time immemorial. Still, most modern readers understand the ancient Greek deities had "personalities" more complex than the abstract concepts they represented. These "personalities" were elaborated upon to explain relationships between concepts, such as in the case of Ares's and Aphrodite's daughter Harmonia, who always followed in her father's destructive wake, explaining the brutal "cleansing" power of war within ancient Greece's complex political landscape. It is in this same line of thought that abstract characters, such as Harmonia and Nike (Victory), find their place in ancient Greek mythology, especially after the writings of Homer in the 8th century BCE. As renowned historian Walter Burkert put it, "as a result of this Homerization, the Archaic Greek personifications come to assume their distinctive character in that they mediate between the individual gods and the spheres of reality, they receive mythical and personal elements from the gods and in turn give the gods part in the conceptual order of things. The personifications appear first in poetry, move into the visual arts and finally find their way into the realm of cult." In the case of Nike, there is no ambiguity in the meaning of her name. "Nike" is used to refer to the abstract concept of victory in its many forms in the works of Homer, Sophocles, Plato, and Xenophon. Victories in wars and in athletic competitions are invariably Nike's most predominant manifestations in the historical record, and as such, her appearances in myth as a goddess whose actions took place within the society of the pantheon are numerous, though mostly silent. Yet it is how the ancients interacted with this goddess that is most fascinating. The sculpture and the songs, the bas-reliefs and coins, all pay homage to Nike the goddess more intimately than the mere use of her image as a placeholder for "a glorious memory." When viewed in the context of a conversation, the appearance of Nike in the historical and archaeological records give the modern reader a tantalizing view inside the psyche of the ancient Greeks. This is the gift from Nike's that continues to bear fruit. Nike: The Origins and History of the Greek Goddess of Victory looks at the story of the legendary deity and the various roles she played in Greek mythology. Along with pictures depicting important people, places, and events, you will learn about Nike like never before.

From the Pulitzer Prize-winning journalist Madeleine Blais, the dramatic and colorful story of legendary tennis star and international celebrity, Alice Marble In August 1939, Alice Marble graced the cover of Life magazine, photographed by the famed Alfred Eisenstaedt. She was a glamorous worldwide celebrity, having that year won singles, women’s doubles, and mixed doubles tennis titles at both Wimbledon and the US Open, then an unprecedented feat. Yet today one of America’s greatest female athletes and most charismatic characters is largely forgotten. Queen of the Court places her back on center stage. Born in 1913, Marble grew up in San Francisco; her favorite sport, baseball. Given a tennis racket at age 13, she took to the sport immediately, rising to the top with a powerful, aggressive serve-and-volley style unseen in women’s tennis. A champion at the height of her fame in the late 1930s, she also designed a clothing line in the off-season and sang as a performer in the Sert Room of the Waldorf Astoria Hotel in New York to rave reviews. World War II derailed her amateur tennis career, but her life off the court was, if anything, even more eventful. She wrote a series of short books about famous women. She turned professional and joined a pro tour during the War, entertaining and inspiring soldiers and civilians alike. Ever glamorous and connected, she had a part in the 1952 Tracy and Hepburn movie Pat and Mike, and she played tennis with the likes of Charlie Chaplin, Marlene Dietrich, and her great friends, Clark Gable and Carole Lombard. However, perhaps her greatest legacy lies in her successful efforts, working largely alone, to persuade the all-white US Lawn Tennis Association to change its policy and allow African American star Althea Gibson to compete for the US championship in 1950, thereby breaking tennis’s color barrier. In two memoirs, Marble also showed herself to be an at-times unreliable narrator of her own life, which Madeleine Blais navigates skillfully, especially Marble’s dramatic claims of having been a spy during World War II. In Queen of the Court, the author of the bestselling In These Girls, Hope Is a Muscle recaptures a glittering life story.

Ready-to-go homework pages target grade-level reading standards for both literary and informational text and provide scaffolding tips for families as they help their children.

Originally published: New York: Harcourt Brace, 1994.