No Go The Bogeyman

Ogres and giants, bogeymen and bugaboos embody some of our deepest fears, dominating popular fiction, from tales such as 'Jack the Giant Killer' to the cannibal monster Hannibal Lecter, from the Titans of Greek mythology to the dinosaurs of JURASSIC PARK, from Frankenstein TO MEN IN BLACK. Following her brilliant study of fairy tales, FROM THE BEAST TO THE BLONDE, Marina Warner's rich, enthralling new book explores the ever increasing presence of such figures of male terror, and the strategems we invent to allay the monsters we conjure up -from horror stories to lullabies and jokes. Travelling from ogres to cradle songs, from bananas to cannibals, Warner traces the roots of our commonest anxieties, unravelling with vigorous intelligence, creative originality and relish, the myths and fears which define our sensibilites. Illustrated with a wealth of images - from the beautiful and the bizarre to the downright scary -this is a tour de force of scholarship and imagination.

Ogres and giants, bogeymen and bugaboos embody some of our deepest fears, dominating popular fiction, from tales such as 'Jack the Giant Killer' to the cannibal monster Hannibal Lecter, from the Titans of Greek mythology to the dinosaurs of JURASSIC PARK, from Frankenstein to MEN IN BLACK. Following her brilliant study of fairy tales, FROM THE BEAST TO THE BLONDE, Marina Warner's enthralling new book explores the ever increasing presence of such figures of male terror, and the stratagems we invent to allay the monsters we conjure up. From ogres to cradle songs, from bananas to cannibals, Warner traces the roots of our commonest anxieties, unravelling with vigorous intelligence, originality and relish, the myths and fears which define our sensibilities. Illustrated with a wealth of images - from the beautiful and the bizarre to the downright scary - this is a tour de force of scholarship and imagination.

In Monsters of Our Own Making, Marina Warner explores the dark realm where ogres devour children and bogeymen haunt the night. She considers the enduring presence and popularity of male figures of terror, establishing their origins in mythology and their current relation to ideas about sexuality and power, youth and age.

Efforts to fight back against silencing are central to social justice movements and scholarly fields such as feminist and postcolonial studies. But claiming to give voice to people who have been silenced always risks appropriating those people's stories. Lisa Propst argues that the British novelist and public intellectual Marina Warner offers some of the most provocative contemporary interventions into this dilemma. Tracing her writing from her early journalism to her novels, short stories, and studies of myths and fairy tales, Propst shows that in Warner's work, features such as stylized voices and narrative silences - tales that Warner's books hint at but never tell - question the authority of the writer to tell other people's stories. At the same time they demonstrate the power of literature to make new ethical connections between people, inviting readers to reflect on whom they are responsible to and how they are implicated in social systems that perpetuate silencing. By exploring how to combat silencing through narrative without reproducing it, Marina Warner and the Ethics of Telling Silenced Stories takes up an issue crucial not just to literature and art but to journalists, policy makers, human rights activists, and all people striving to formulate their own responses to injustice.

Everyday life in Bogeydom is examined as Fungus the Bogeyman describes the skills of scaring people in the nighttime and living underground amidst slime and grime in the daytime.

Marina Warner is such a widely celebrated writer that it is a source of some wonderment that this is the first full-length study of her work. Perhaps that is because she is so hard to characterize. For example, she is an English writer yet she has an international perspective on her country. Again, she is a novelist whose work is rooted in traditional forms such as legend, romance and fairy tale yet who is wholly contemporary in her thinking. Other paradoxes come to mind. While her numerous works of scholarship are taken seriously within the academy, she has resolutely remained an independent writer who only recently accepted an affiliation to a university. Again, her vision is secular, yet in both her critical and creative writing she returns again and again to the idea of the sacred or supernatural. Above all, she has an equally strong sense of myth and of history, their interaction being the basis of her fiction and the focus of her scholarship. In sum, she is a wonderfully ambitious and challenging writer whose contribution needs assessing, book by book - which is precisely what this pioneering Writers and their Work achieves.

A year after the death of her husband, Blythe Wyndham moves with her four-year-old daughter, Maddie, back to the small town where she grew up. But soon after they move in to their new home, strange things begin to happen. Maddie has disturbingly intense nightmares—so intense that Blythe fears one night she may not be able to awaken her daughter. A psychologist explains that Maddie's dreams are simply the result of her father's death, but Blythe knows something else is wrong. Because she's also heard the ghostly tapping at her daughter's window…. Convinced the house is haunted, Blythe researches the town's history and discovers that a little girl had been brutally murdered in the area twenty-five years ago. Could there be some connection between this dead child and Maddie? With the help of Sheriff Cade Jackson, Blythe tries to separate past horrors from present dangers and struggles to distinguish the real from the imagined. But someone is clearly determined to keep a secret—and will kill again to do so.

George Plimpton chronicles his month spent on the PGA tour in THE BOGEY MAN, now repackaged and including a foreword by Rick Reilly and never-before-seen content from the Plimpton Archives. What happens when a weekend athlete--of average skill at best--joins the professional golf circuit? George Plimpton, one of the finest participatory sports journalists, spent a month of self-imposed torture on the tour to find out. Along the way, he meets amateurs, pros, caddies, officials, fans, and hangers-on. In THE BOGEY MAN, we find golf legends, adventurers, stroke-saving theories, superstitions, and other golfing lore, and best of all, Plimpton's thoughts and experiences--frustrating, humbling and, sometimes, thrilling--from the first tee to the last green. This intriguing classic, which remains one of the wittiest books ever written on golf, features Arnold Palmer, Dow Finsterwald, Walter Hagan, and many other golf greats and eccentrics, all doing what they do best.