No Roses From My Mouth Poems From Prison

Winner, 2020 Oxfam / Novib PEN International Award for Freedom of Expression"Nyanzi is a hero. Her insistence on violating patriarchy's rules by talking explicitly about taboo subjects-be they the president's buttocks, sex, sexuality, queerness-should be studied everywhere as a masterclass in the power of refusing to obey the rules of "politeness." - Mona Eltahawy, author of The Seven Necessary Sins for Women and Girls"Through her actions, Nyanzi has shown that fighting for a free, democratic and equal Uganda does not come free. [...] Her story is one that reminds Ugandans that the struggle for freedom has never been achieved by playing to the standards of civility set by those in power." - Rosebell Kagumire, Editor, African Feminism Stella Nyanzi was arrested on November 2, 2018 for posting a poem on Facebook that was said to cyber-harras the long-serving President of Uganda, Mr. Yoweri Museveni. She was convicted and sentenced to eighteen months in jail. At the date of publishing this poetry collection, Nyanzi remains incarcerated. She wrote all the poems in this collection during her detention. This arguably makes her the first Ugandan prison writer to publish a poetry collection written in jail while still incarcerated. The first batch of the poems was released on her 45th birthday on June 16, 2019 celebrated while she was in jail under the hashtag #45Poems4Freedom. Other poems were written after the birthday. These poems must be read not only for their beauty and the power of the poet's vision, but also for the bravery and radical intent of their writing and publishing.

Violaine, a devotee of books and learning, finds herself sold by her father to a mysterious nobleman to become his companion. Fearing herself at the mercy of a monster, Violaine instead succumbs to the seductive spell of her magical new home, and the love of a man she has never seen, who comes to her only in the darkness of night.

With comprehensive examples from researchers across East Africa, West Africa, and Southern Africa, the book examines how primary, secondary, and tertiary education was affected by the pandemic and how its effects are shaping the future of education in Africa. This book addresses diverse issues relating to COVID-19 and education, including the gendered-, classed-, and disability-related effects of the pandemic; African educators’ and students’ experiences with different remote learning technologies; and the outcomes of government interventions in education, such as prolonged school closures. The chapters and case studies highlighted in the volume represent the voices of African educators, students, and parents as they share their experiences of the pandemic and their perspectives on how learning should be optimised to better manage future disruptions to education. This book is the first of its kind to comprehensively examine the effects of COVID-19 on education in Africa and will be essential reading for researchers, academics, and scholars of African education, international and comparative education, and education policy.

WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award "100 Notable Books of the Year," The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 "By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes."—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction.