No Wisdom Without Folly

This book is a biography of François Englert, the first Belgian Nobel Laureate in Physics. Jointly awarded to him and British physicist Peter Higgs, the 2013 Nobel Prize in Physics was celebrated for the understanding of the origin of massive particles in the emerging Universe, one of the most important breakthroughs in Physics in the second half of the 20th century.From his childhood as the son of Jewish emigrants, a 'hidden child' during the Second World War, a rebellious youth — still a rebel fond of poetry and music, aware of the 'sound and fury' of the world — to his achievements as a physicist and his contributions that won the Nobel Prize, readers will find the life story of François Englert imbued with the epitome of resilience. The epilogue further expresses Englert's philosophical and scientific standpoints about the future of Physics. Although written with a great concern for scientific accuracy, the book's primary goal is to offer the lay reader an accessible account of the life and scientific work of François Englert. This is to address the fact that the development of fundamental physics, one of the greatest intellectual revolution in the history of mankind, remains largely unknown to the general public.The author, Danielle Losman, is a former student of François Englert and a literary translator. When the suggestion came about to write his biography, it seemed natural to the professor and his former student to embark together in this adventure.

“For fans of The Handmaid’s Tale...a debut novel with a dark setting and an unforgettable heroine...is a riveting depiction of hard-won female empowerment” (The Washington Post). The Sin Eater walks among us, unseen, unheard Sins of our flesh become sins of Hers Following Her to the grave, unseen, unheard The Sin Eater Walks Among Us. For the crime of stealing bread, fourteen-year-old May receives a life sentence: she must become a Sin Eater—a shunned woman, brutally marked, whose fate is to hear the final confessions of the dying, eat ritual foods symbolizing their sins as a funeral rite, and thereby shoulder their transgressions to grant their souls access to heaven. Orphaned and friendless, apprenticed to an older Sin Eater who cannot speak to her, May must make her way in a dangerous and cruel world she barely understands. When a deer heart appears on the coffin of a royal governess who did not confess to the dreadful sin it represents, the older Sin Eater refuses to eat it. She is taken to prison, tortured, and killed. To avenge her death, May must find out who placed the deer heart on the coffin and why. “Very much reminiscent of The Handmaid’s Tale…it transcends its historical roots to give us a modern heroine” (Kirkus Reviews). “A novel as strange as it is captivating” (BuzzFeed), The Sin Eater “is a treat for fans of feminist speculative fiction” (Publishers Weekly) and “exactly what historical fiction lovers have unknowingly craved” (New York Journal of Books).

"Wisdom is riding on a passenger train of time on a collision course with destiny, and we are all in for the ride. This book is about wisdom riding on this train." These words, as part of the introduction of the book, set the specific context and overall challenge and purpose for this book. Here, wisdom is likened to a lady riding on the train of civilization past prominence in a social, political, and spiritual direction. But the book argues in recent times, she has been forced to ride in the back of the train. Her wisdom of the ages is despised, and her steady influences of the ages are ignored. Now we live in a vast field of folly. How do we find our way out? How do we see her, hear her, and love her again? This is the story of this book.

Starting off by teaching about the heinousness of war, Erasmus convicts us all about the tendencies of our violent and sinful nature in the face of God's love and justice in a world consumed by war. Next he takes us on a journey showing what benefit heresy and falsehood have for strengthening the church and making us who believe in God realize what is truth and what is not.

"The Praise of Folly" by Desiderius Erasmus (translated by John Wilson). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

We live in a visual culture. Today, people increasingly rely upon visuals to help them understand new and difficult concepts. The rise and stunning popularity of the Internet infographic has given us a new way in which to convey data, concepts and ideas. But the visual portrayal of truth is not a novel idea. Indeed, God himself used visuals to teach truth to his people. The tabernacle of the Old Testament was a visual representation of man's distance from God and God's condescension to his people. Each part of the tabernacle was meant to display something of man's treason against God and God's kind response. Likewise, the sacraments of the New Testament are visual representations of man's sin and God's response. Even the cross was both reality and a visual demonstration. As teachers and lovers of sound theology, Challies and Byers have a deep desire to convey the concepts and principles of systematic theology in a fresh, beautiful and informative way. In this book, they have made the deepest truths of the Bible accessible in a way that can be seen and understood by a visual generation.

Witty, influential work by one of the great Renaissance scholars satirizes the shortcomings of the upper classes and religious institutions. A clever mix of drollery and fantasy, the work endures as a classic.