Noble Savages

"In this study, the myth of the Noble Savage is a different myth from the one defended or debunked by others over the years. That the concept of the Noble Savage was first invented by Rousseau in the mid-eighteenth century in order to glorify the "natural" life is easily refuted ..."

Biography.

*A NEW STATESMAN AND THE TIMES BOOK OF THE YEAR* *WINNER OF THE TONY LOTHIAN PRIZE* 'Interesting women have secrets. They also ought to have sisters.' From the beginning of their lives, the Olivier sisters stood out- surprisingly emancipated, strikingly beautiful, markedly determined, and alarmingly 'wild'. Rupert Brooke was said to be in love with all four of them; D. H. Lawrence thought they were frankly 'wrong'; Virginia Woolf found them curiously difficult to read. In this intimate, sweeping biography, Sarah Watling brings the sisters in from the margins, tracing lives that span colonial Jamaica, the bucolic life of Victorian progressives, the frantic optimism of Edwardian Cambridge, the bleakness of two world wars, and a host of evolving philosophies for life over the course of the twentieth century. Noble Savages is a compelling portrait of sisterhood in all its complexities, which rediscovers the lives of four extraordinary women within the varied fortunes of the feminism of their times, while illuminating the battles and ethics of biography itself.

This $57 billion dollar industry is swallowing peoples worldwide as its revenues exceed that of professional football, baseball, and basketball combined. Statistics reveal that upwards of 40 million American adults regularly visit over 372 million published pornographic web pages. How did we get here? In the "free love" decade of the 1960s, the New Left refashioned pornography into a new image - the symbol of moral freedom. What was once sold "under the counter" as filth was now celebrated as the literary symbol of liberation from God and His law-word. This refashioning was nothing new. It was but an echo of the liberation theology of the Marquis de Sade, the 19th century pervert de France (1740-1814). In 1974, R. J. Rushdoony, wrote, "[T]his new pornography, first conceived by Sade - will not be eliminated by moral indignation or by legislation." Rushdoony recognized that the roots of pornography in modern culture are essentially religious and must be combated religiously. In this powerful book Noble Savages (formerly The Politics of Pornography) Rushdoony demonstrates that in order for modern man to justify his perversion he must reject the Biblical doctrine of the fall of man. If there is no fall, the Marquis de Sade argued, then all that man does is normative. Rushdoony concluded, "[T]he world will soon catch up with Sade, unless it abandons its humanistic foundations." In his conclusion Rushdoony wrote, "Symptoms are important and sometimes very serious, but it is very wrong and dangerous to treat symptoms rather than the underlying disease. Pornography is a symptom; it is not the problem." What is the problem? It's the philosophy behind pornography - the rejection of the fall of man that makes normative all that man does. Learn it all in this timeless classic. Originally title Politics of Pornography

Folklorist Wayland Hand once called Mary Alicia Owen “the most famous American Woman Folklorist of her time.” Drawing on primary sources, such as maps, census records, court documents, personal letters and periodicals, and the scholarship of others who have analyzed various components of Owen’s multifaceted career, historian Greg Olson offers the most complete account of her life and work to date. He also offers a critical look at some of the short stories Owen penned, sometimes under the name Julia Scott, and discusses how the experience she gained as a fiction writer helped lead her to a successful career in folklore. Olson begins with an in-depth look at St. Joseph, Missouri, the place where Owen lived most of her life. He explores the role that her grandparents and parents had in transforming the small trading village into one of the American West’s most exciting boomtowns. He also examines the family’s position of affluence and the effect that the devastation of the Civil War had on their family life and their standing within the community. He describes the interaction of Owen with her two younger sisters, both of whom had interesting and, for women of the time, unconventional careers. Olson analyzes many of the nineteenth-century theories, stereotypes, and popular beliefs that influenced the work of Owen and many of her peers. By taking a cross-disciplinary look at her works of fiction, poetry, folklore, history, and anthropology, this volume sheds new light on elements of Owen’s career that have not previously been discussed in print. Examples of the romance stories that Owen wrote for popular magazines in the 1880’s are identified and examined in the context of the time in which Owen wrote them. This groundbreaking biography shows that Owen was more than just a folklorist—she was a nineteenth-century woman of many contradictions. She was an independent woman of many interests who possessed a keen intellect and a genuine interest in people and their stories. Specialists in folklore, anthropology, women’s studies, local and regional history, and Missouriana will find much to like in this thoroughly researched study.