Noir In The North

What is often termed 'Nordic Noir' has dominated detective fiction, film and television internationally for over two decades. But what are the parameters of this genre, both historically and geographically? What is noirish and what is northern about Nordic noir? The foreword and coda in this volume, by two internationally-bestselling writers of crime fiction in the north, Yrsa Sigurðardóttir and Gunnar Staalesen, speak to the social contract undertaken by writers of noir, while the interview with the renowned crime writer Val McDermid adds nuance to our understanding of what it is to write noir in the North. Divided into four sections – Gender and Sexuality, Space and Place, Politics and Crime, and Genre and Genealogy – Noir in the North challenges the traditional critical histories of noir by investigating how it functions transnationally beyond the geographical borders of Scandinavia. The essays in this book deepen our critical understanding of noir more generally by demonstrating, for example, Nordic noir's connection to fin-de-siècle literatures and to mid-century interior design, and by investigating the function of the state in crime fiction.

A satire of traditional Christmas stories and noir. A hardboiled elf is framed for murder in a North Pole world that plays reindeer games for keeps, and where favorite holiday characters live complex lives beyond December. Fired from his longtime job as captain of the Coal Patrol, two-foot-three inch 1,300-year-old elf Gumdrop Coal is angry. He's one of Santa's original elves, inspired by the fat man's vision to bring joy to children on that one special day each year. But somewhere along the way things went sour for Gumdrop. Maybe it was delivering one too many lumps of coal for the Naughty List. Maybe it's the conspiracy against Christmas that he's starting to sense down every chimney. Either way, North Pole disillusionment is nothing new: Some elves brood with a bottle of nog, trying to forget their own wish list. Some get better. Some get bitter. Gumdrop Coal wants revenge. Justice is the only thing he knows, and so he decides to give a serious wakeup call to parents who can't keep their vile offspring from landing on the Naughty List. But when one parent winds up dead, his eye shot out with a Red Ryder Carbine-Action Two-Hundred-Shot Range Model BB gun, Gumdrop Coal must learn who framed him and why. Along the way he'll escape the life-sucking plants of the Mistletoe Forrest, battle the infamous Tannenbomb Giant, and survive a close encounter with twelve very angry drummers and their violent friends. The horrible truth lurking behind the gingerbread doors of Kringle Town could spell the end of Christmas-and of the fat man himself. Holly Jolly!

Setting off on foot from Winchester, Ken Haigh hikes across southern England, retracing one of the traditional routes that medieval pilgrims followed to the shrine of Saint Thomas Becket at Canterbury Cathedral. Walking in honour of his father, a staunch Anglican who passed away before they could begin their trip together, Haigh wonders: Is there a place in the modern secular world for pilgrimage? On his journey, he sorts through his own spiritual aimlessness while crossing paths with writers like Anthony Trollope, John Keats, Jane Austen, Jonathan Swift, Charles Dickens, and, of course, Geoffrey Chaucer. Part travelogue, part memoir, and part literary history, On Foot to Canterbury is engaging and delightful. “My father didn’t need this walk, not the way I do. For him it would have been a fun way to spend some time with his son. He had, I begin to realize, a talent for living in the moment... Perhaps a pilgrimage would help me find happiness. Perhaps I could walk my way into a better frame of mind, and somehow along the road to Canterbury I would find a new purpose for my life. It was worth a shot.” Audio edition from PRH available from Audible, Kobo, Google, and Apple Books.

Writers’ Trust Fiction Prize Winner Scotiabank Giller Prize Finalist Part literary Western and part historical mystery, Writers’ Trust Fiction Prize winner Ridgerunner is now available as a paperback. November 1917. William Moreland is in mid-flight. After nearly twenty years, the notorious thief, known as the Ridgerunner, has returned. Moving through the Rocky Mountains and across the border to Montana, the solitary drifter, impoverished in means and aged beyond his years, is also a widower and a father. And he is determined to steal enough money to secure his son’s future. Twelve-year-old Jack Boulton has been left in the care of Sister Beatrice, a formidable nun who keeps him in cloistered seclusion in her grand old house. Though he knows his father is coming for him, the boy longs to return to his family’s cabin, deep in the woods. When Jack finally breaks free, he takes with him something the nun is determined to get back — at any cost. Set against the backdrop of a distant war raging in Europe and a rapidly changing landscape in the West, Gil Adamson’s follow-up to her award-winning debut, The Outlander, is a vivid historical novel that draws from the epic tradition and a literary Western brimming with a cast of unforgettable characters touched with humour and loss, and steeped in the wild of the natural world.

A multicultural nexus, Toronto hosts Indian, Portuguese, African, Italian, and Chinese communities that provide fertile backdrops for Toronto Noir's corrosive expos s. Features brand-new stories by: RM Vaughan, Nathan Sellyn, Ibi Kaslik, Peter Robinson, Heather Birrell, Sean Dixon, Raywat Deonandad, Christine Murray, Gail Bowen, Emily Schultz, Andrew Pyper, Kim Moritsugu, Mark Sinnet, George Elliott Clarke, Pasha Malla, and Michael Redhill.

Newly appointed police inspector Domenic Jejeune doesn’t mind ruffling a few feathers to flush out suspects in the brutal murder of a renowned ecological activist. 2015 Arthur Ellis Award — Winner, Best First Novel • Globe and Mail 100: Best Books of 2014 • 2015 Kobo Emerging Writer Prize — Shortlisted, Best Mystery Inspector Domenic Jejeune’s success has made him a poster boy for the U.K. police service. The problem is Jejeune doesn’t really want to be a detective at all; he much prefers watching birds. Recently reassigned to the small Norfolk town of Saltmarsh, located in the heart of Britain’s premier birding country, Jejeune’s two worlds collide when he investigates the grisly murder of a prominent ecological activist. His ambitious police superintendent foresees a blaze of welcome publicity, but she begins to have her doubts when Jejeune’s most promising theory involves a feud over birdwatching lists. A second murder only complicates matters. To unravel this mystery, Jejeune must deal with unwelcome public acclaim, the mistrust of colleagues, and his own insecurities. In the case of the Saltmarsh birder murders, the victims may not be the only casualties.

World-renowned painter Thom Tyler is murdered in Georgian Bay, Canada. The consensus is that Tyler had no enemies. Why would anyone murder him? Detective Sergeant Eva Naslund goes to work with a homicide team from OPP Central. They find no useful blood, print, or DNA evidence. They turn to financial forensics and criminal psychology. Tyler's paintings are worth millions, yet he's deeply in debt to banks and his art agent. Just as the investigation opens a new lead, courtesy of Tyler's friend, J.J. MacKenzie, MacKenzie is murdered. The team is back to ground zero--with two murders to solve.

“American crime fiction fans will welcome the opportunity to sample the short fiction of some worthy Canadian authors.” —Publishers Weekly Following the success of Toronto Noir, the Noir Series explores new Canadian terrain, featuring both English and Francophone authors. Like the city it springs from, Montreal Noir is an intriguing mix of culture, identities, and neighborhoods with one thing in common: the dark side of human nature. This collection presents stories by Patrick Senécal, Tess Fragoulis, Howard Shrier, Michel Basilières, Robert Pobi, Samuel Archibald, Geneviève Lefebvre, Ian Truman, Johanne Seymour, Arjun Basu, Martin Michaud, Melissa Yi, Catherine McKenzie, Peter Kirby, and Brad Smith. “Montreal solidifies its reputation as the epicentre for Canadian noir in a strong new anthology.” —Quill & Quire “Brings together a bicultural roster of talent by some of the city’s best crime-fiction specialists, with tales from the city’s many neighbourhoods.” —Toronto Star “An impressive roster . . . Stories from across the many sub-genres of mystery: police procedural, thriller, private eye, psychological suspense, and hard-boiled crime.” —Montreal Review of Books “Whether it’s the quirkiness of the characters, the ingenuity of the puzzles, or the big hearts inside some of the darkest villains, noir’s different north of the border.” —Kirkus Reviews