Not In Their Name

There are many actions that we attribute, at least colloquially, to states. Given their size and influence, states are able to inflict harm far beyond the reach of a single individual. But there is a great deal of unclarity about exactly who is implicated in that kind of harm, and how we should think about responsibility for it. It is a commonplace assumption that democratic publics both authorize and have control over what their states do; that their states act in their name and on their behalf. In Not In Their Name, Holly Lawford-Smith approaches these questions from the perspective of social ontology, asking whether the state is a collective agent, and whether ordinary citizens are members of that agent. If it is, and they are, there's a clear case for democratic collective culpability. She explores alternative conceptions of the state and of membership in the state; alternative conceptions of collective agency applied to the state; the normative implications of membership in the state; and both culpability (from the inside) and responsibility (from the outside) for what the state does. Ultimately, Lawford-Smith argues for the exculpation of ordinary citizens and the inculpation of those working in public services.

There are many actions that we attribute, at least colloquially, to states. Given their size and influence, states are able to inflict harm far beyond the reach of a single individual. But there is a great deal of unclarity about exactly who is implicated in that kind of harm, and how we should think about responsibility for it. It is a commonplace assumption that democratic publics both authorize and have control over what their states do; that their states act in their name and on their behalf. In Not In Their Name, Holly Lawford-Smith approaches these questions from the perspective of social ontology, asking whether the state is a collective agent, and whether ordinary citizens are members of that agent. If it is, and they are, there's a clear case for democratic collective culpability. She explores alternative conceptions of the state and of membership in the state; alternative conceptions of collective agency applied to the state; the normative implications of membership in the state; and both culpability (from the inside) and responsibility (from the outside) for what the state does. Ultimately, Lawford-Smith argues for the exculpation of ordinary citizens and the inculpation of those working in public services.

Not in Our Name collects and analyzes the most important antiwar speeches in American history. It is a book about the origins and consequences of America’s wars, but also about the integrity and sacrifices of those who fought on the front lines of dissent. By telling the stories of the people who spoke out in good-faith disagreement with their government and fellow citizens, Not in Our Name records some of the most compelling acts of courage in American politics and some of the most passionate, beautiful, and mighty speeches in American history. In Not in Our Name, Jesse Stellato presents the history of American antiwar speeches in a readable way that is neither pacifist nor partisan, featuring speakers with diverse backgrounds and political beliefs. By combining historical research with a review of classical Greek and Roman rhetorical theory, Not in Our Name also helps answer a fundamental question: “What makes a great antiwar speech?”

If Goliath Dickman hadn’t had the most loving and supportive parents he could ever imagine—and he’s seen plenty of depravity during his years on the force—he would have thought his parents hated him. After all, how could they have named him what they did? Goliath would never tarnish the memory of his beloved mother by saying such a thing out loud, however. So when the opportunity arises, he transfers to a deputy position in a small town. After losing his temper on the first day—thank goodness they’d been understanding guys—Goliath asks the others to call him Ollie, and he settles in at his new place in his new town. He runs across Earl Raukus at a local restaurant and finds himself enamored with the pretty, brown-eyed blond. Unfortunately, Goliath spots Earl laughing and chatting with a black-haired guy across the room, and his hopes are dashed. Imagine Goliath’s confusion when Earl continues flirting with him. Uncertain, he switches to his default—he clams up, responding curtly. Confused by the hurt that fills Earl’s eyes, Goliath tracks him down…and discovers something the town can’t possibly want getting out. Could the world of shifters truly be real, and what would be his place within it?

New York Times Bestseller! Just How Big Can a Little Girl Dream? Ask Isabella... She takes a wild ride-and discovers the sky's the limit! "This story...speaks frankly about self-identity and self affirmation as Isabella decides at the end that she is actually herself...because she possesses the best parts of all of the women she looks up to." -ForeWord Magazine "The colorful mixed-media artwork reinforces the fanciful, upbeat tone of the book. Use this story to ignite young readers' interest in women's history." -School Library Journal Who Is Your Hero? Isabella's include U.S. Astronaut Sally Ride, activist Rosa Parks, and sharpshooter Annie Oakley-but there's no bigger hero than Isabella's own mommy! Join Isabella on an adventure of discovery-and find out how imagining to be these extraordinary women teaches her the importance of being her extraordinary self. A rollicking read-aloud and terrific "read-to-myself" story, My Name Is Not Isabella is capturing hearts and awards, including: Silver ForeWord Book of the Year Award for Picture Books Gold Moonbeam Children's Book Award Gold Independent Publisher Book Award Amelia Bloomer List Jennifer Fosberry is a science geek turned children's book writer. Until recently, she worked as a project manager in Silicon Valley in the high-tech electronic field. She currently divides her time between the San Francisco Bay Area and Costa Rica with her husband and three children. Mike Litwin combines a variety of media to create scenes that serve the imagination and education of women. A graduate of the East Carolina University School of Art and Design, he plays both designer and illustrator with an often wacky, always delightful style that uniquely blends playful innocence with devilish mischief. Illustrating and telling stories for children is his passion, his entertainment, and his dream. He currently lives in Greenville, North Carolina, with his wife and three daughters.

Go behind the scenes of the U.S. Air Force--from daily operations to U.S. military operations that have inexplicably escaped the history books. Mann augments vignettes of his own experience with stories and excerpts from others whose lives touched his. These exciting glimpses of the past enable us better to understand of our country's history.