Number Thirty One A Novel

Carl Hiaasen meets Tartan Noir in this comic crime caper set on the sunny Costa Blanca. What Carl Hiaasen does for Florida and Elmore Leonard did for LA, Morgan Cry does for Spain's sun-splashed Mediterranean coast, where British expats and certain notorious criminals go to escape-slash-retire. When Daniella Coulstoun's estranged mother, Effie, dies in Spain under suspicious circumstances, Daniella feels it's her duty to fly out for the funeral. Effie was the sole owner of the seedy expat pub Se Busca, whose faithful kept her in business for twenty years. Among them is a dangerous group of misfits who confront Daniella on her arrival, claiming that Effie stole huge sums of cash from them in a multimillion-euro property scam. They want the money back, and Daniella is on the hook for it. When a suspicious Spanish detective begins to probe Effie's death and a London gangster hears about the missing money, Daniella faces threats on every front, including the promise of breakage to thirty-one of her precious bones. With no idea where the cash is and a seemingly impossible deadline, she has no choice but to fall back on her wits to solve the mystery in a world where she is out of depth and her very survival is at stake.

June, 1940. Richard Hannay has returned.As German troops pour across France, the veteran soldier and adventurer Richard Hannay is called back into duty. In Paris, an individual code named “Roland” has disappeared and is assumed to be in the hands of Nazi agents. Only Roland knows the secret of the 31 Kings, a secret upon which the future of Europe depends. Hannay is dispatched to Paris to find Roland before the Germans overrun the city. On a hazardous journey across the battlefields of France, Hannay is joined by old friends and new allies as he confronts a ruthless foe who will stop at nothing to destroy him.

This collection provides the first comprehensive account of eResearch and the new empiricism as they are transforming the field of Australian literary studies in the twenty-first century.

In What My Mother Gave Me, women look at the relationships between mothers and daughters through a new lens: a daughter’s story of a gift from her mother that has touched her to the bone and served as a model, a metaphor, or a touchstone in her own life. The contributors of these thirty-one original pieces include Pulitzer Prize winners, perennial bestselling novelists, and celebrated broadcast journalists. Whether a gift was meant to keep a daughter warm, put a roof over her head, instruct her in the ways of womanhood, encourage her talents, or just remind her of a mother’s love, each story gets to the heart of a relationship. Rita Dove remembers the box of nail polish that inspired her to paint her nails in the wild stripes and polka dots she wears to this day. Lisa See writes about the gift of writing from her mother, Carolyn See. Cecilia Muñoz remembers both the wok her mother gave her and a lifetime of home-cooked family meals. Judith Hillman Paterson revisits the year of sobriety her mother bequeathed to her when Paterson was nine, the year before her mother died of alcoholism. Abigail Pogrebin writes about her middle-aged bat mitzvah, for which her mother provided flowers after a lifetime of guilt for skipping her daughter’s religious education. Margo Jefferson writes about her mother’s gold dress from the posh department store where they could finally shop as black women. Collectively, the pieces have a force that feels as elemental as the tides: outpourings of lightness and darkness; joy and grief; mother love and daughter love; mother love and daughter rage. In these stirring words we find that every gift, ?no matter how modest, tells the story of a powerful bond. As Elizabeth Benedict points out in her introduction, “whether we are mothers, daughters, aunts, sisters, or cherished friends, we may not know for quite some time which presents will matter the most."