Objects In The Mirror

Life - if you've ever thought you might be doing it wrong, you're not alone. Objects in the Mirror: Thoughts on a Perfect Life from an Imperfect Person is a collection of essays that explores what it means to be alive. Like Polaroids framing the years of a troubadour and family man afflicted with an excess of self-awareness, these are stories without any clear good guys or bad guys. Instead, in each of these vignettes you will find dysfunctional humans trying to do their best and bouncing off each other in the process.

Harriet Rose, 26, is an American photographer just winning recognition for her work. A travel fellowship brings her to visit her best friend and former roommate, Anne Gordon, in Switzerland. In an ongoing letter to her boyfriend, Harriet reports on strange developments in Anne's life, most notably her affair with a much older married man, which seems to be leading to a disastrous conclusion. Before she can rescue Anne, events take a series of unexpected turns, and Harriet must reexamine her own life and past, and come to terms with the difficulties and possibilities of human relationships. Already excerpted in The New Yorker, Katharine Weber's witty first novel of attraction and deception, a tale with the sensibility of a Margaret Atwood, pulses with cultural references and word games that echo Nabokov.

Objects in This Mirror is a collection of essays on contemporary art, literature, landscape, aesthetics, and cultural history. Beginning with a polemical and personal defense of generalism and curiosity, Brian Dillon explores the variety of themes it is possible today to corral within the rubric of the critical essay. These pieces engage with the work of such artists as Tacita Dean, Gerard Byrne, Andy Warhol, and Sophie Calle; with the ruinous territories that haunt the work of Robert Smithson and Derek Jarman; with the ambiguous figures of the charlatan, the vandal, the hypochondriac, and the dandy. Taking seriously the playful remit of the essay as form, Dillon treats of compelling obscurities: gesture manuals of the nineteenth century, the history of antidepressant marketing, the search for a cure to the common cold. Whether his topic is the nature of slapstick, his love of the writings of Roland Barthes, or the genre of the essay itself, he is as much concerned with the form of criticism today as with its varied and digressive subjects.

Starving, starving ... Grace is always starving these days. But Grace is also strong, and determined, and skinny. For the first time ever Grace is as thin as she wants to be - nearly - and there's no way she's giving that up. Except, what if she has to give up other things to be able to keep wearing her new "skinny" breeches? What if it comes down to a choice between all the horses she loves - Sprite, the ferocious jumper, and Iowa, the sweet greenie, and Whinny, the abused but tough mare - and the numbers on the scale, the numbers on food labels, the numbers always running through her head? Grace knows what her stepmother, Annabelle, wants her to decide. She knows what Matt - gorgeous, amazing Matt - wants her to do. She knows what the doctors think. But she also knows nobody else can make this decision for her. And sometimes she's not even sure if she's got the strength to do it. There is danger in living with anorexia, and there is also hope. Objects in Mirror is a truthful exploration of these extremes and of the struggles that lie between them.

Essays that chronicle some of life's biggest dramas: marriage, divorce, and the quest for the perfect fashion accessory. On the surface, Kate Carroll de Gutes' debut collection of essays considers her sexuality, gender presentation, and the end of her marriage. But, as editor Judith Kitchen says, "peel it back, begin to take it apart, semantically and linguistically and personally, and it all comes clear." Kate Carroll de Gutes invites readers to become collaborators in essays about issues we all face: growing up, identity, love, loss, and sometimes, the quest for the perfect fashion accessory. With wit matched by self-compassion and empathy, the essays offer a lesson on the inevitable journey back to the places we all began. "On every page, de Gutes reminds us that we all traverse life's roads with one eye fixed on the receding and mirrored past." - Stephanie Kallos, best-selling author of Broken for You.

Throughout history and across social and cultural contexts, most systems of belief—whether religious or secular—have ascribed wisdom to those who see reality as that which transcends the merely material. Yet, as the studies collected here show, the immaterial is not easily separated from the material. Humans are defined, to an extraordinary degree, by their expressions of immaterial ideals through material forms. The essays in Materiality explore varied manifestations of materiality from ancient times to the present. In assessing the fundamental role of materiality in shaping humanity, they signal the need to decenter the social within social anthropology in order to make room for the material. Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences. Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity. Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human. Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift

When the dramatic Allison Anderson changes the way Grace views her best friend, Grace finds that not only objects in mirrors are distorted. You don't always know everything you think you do. And people aren't always who they appear to be. From the highly regarded author of Moving Mama to Town, this richly textured and rewarding novel brings to life a young woman exploring the boundaries of friendship poised between the past and possibility.

“A stunningly atmospheric fantasy that doubles as an exceptional character study . . . we can’t wait to see where Dabos takes it next.” —Entertainment Weekly (“The 10 Best YA Books of 2018”) One of Publishers Weekly’s Best YA Books of the Year A National Indie Bestseller Lose yourself in the fantastic world of the arks and in the company of unforgettable characters in this French runaway hit, Christelle Dabos’ The Mirror Visitor quartet. Plain-spoken, headstrong Ophelia cares little about appearances. Her ability to read the past of objects is unmatched in all of Anima and, what’s more, she possesses the ability to travel through mirrors, a skill passed down to her from previous generations. Her idyllic life is disrupted, however, when she is promised in marriage to Thorn, a taciturn and influential member of a distant clan. Ophelia must leave all she knows behind and follow her fiancé to Citaceleste, the capital of a cold, icy ark known as the Pole, where danger lurks around every corner and nobody can be trusted. There, in the presence of her inscrutable future husband, Ophelia slowly realizes that she is a pawn in a political game that will have far-reaching ramifications not only for her but for her entire world. The World of the Arks Long ago, following a cataclysm called the Rupture, the world was shattered into many floating celestial islands, now known as arks. Over each, the spirit of an omnipotent and immortal ancestor abides. The inhabitants of these arks each possess a unique power. Ophelia, with her ability to read the pasts of objects, must navigate this fantastic, disjointed, perilous world using her trademark tenacity and quiet strength.