Occult Symbolism In France

This Text presents an introduction to the Alchemical Philosophy of the Ancient Mysteries, it contains extracts from many different books and is organized into 2 main sections: 1) An explanation of the Alchemical Symbolism which has 3 parts that are mostly extracts from 3 of Jean Marie Ragon's books published together in 1853: Masonic Orthodoxy, Philosophical Masonry and Occult Masonry. Taken together, these extracts are a wonderful synthesis of how Masonry is a continuation of the Ancient Mysteries. 2) Contains the Instructions and/or Catechisms from 3 different French Masonic orders: FRENCH RITE (early to mid 1700s), ADONHIRAMITE RITE (late 1700s), and MEMPHIS RITE (mid 1800s). These show the Ancient Philosophical, Hermetic, and Alchemical symbolism which was explained in the first section. Finally, in the Editor's Appendix, there is an explanation of the "Masonic Tablet", followed by an article about the "Generation of Beings" and then a list of the "Shem Hamphorash" or the '72 Names of God'.

This classic study of the French magician Eliphas Lévi and the occult revival in France is at last available again after being out of print and highly sought after for many years. Its central focus is Lévi himself (1810-1875), would-be priest, revolutionary socialist, utopian visionary, artist, poet and, above all, author of a number of seminal books on magic and occultism. It is largely thanks to Lévi, for example, that the Tarot is so widely used today as a divinatory method and a system of esoteric symbolism. The magicians of the Golden Dawn were strongly influenced by him, and Aleister Crowley even believed himself to be Lévi's reincarnation. The book is not only about Lévi, however, but also covers the era of which he was a part and the remarkable figures who preceded and followed him – the esoteric Freemasons and Illuminati of the late 18th century, and later figures such as the Rosicrucian magus Joséphin Péladan, the occultist Papus (Gérard Encausse), the Counter-Pope Eugène Vintras, and the writer J.-K. Huysmans, whose work drew strongly on occult themes. These people were avatars of a set of traditions which are now seen as an important part of the western heritage and which are gaining increasing attention in the academy. Christopher McIntosh's vivid account of this richly fascinating era in the history of occultism remains as fresh and compelling as ever.

DigiCat Publishing presents to you this special edition of "Devil-Worship in France; or, The Question of Lucifer" by Arthur Edward Waite. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

How fin-de-siècle Paris became the locus for the most intense revival of magical practices and doctrines since the Renaissance • Examines the remarkable lives of occult practitioners Joséphin Peladan, Papus, Stanislas de Guaïta, Saint-Yves d’Alveydre, Jules Doinel, and others • Reveals how occult activity deeply influenced many well-known cultural movements, such as Symbolism, the Decadents, modern music, and the “psychedelic 60s” During Paris’s Belle Époque (1871-1914), many cultural movements and artistic styles flourished--Symbolism, Impressionism, Art Nouveau, the Decadents--all of which profoundly shaped modern culture. Inseparable from this cultural advancement was the explosion of occult activity taking place in the City of Light at the same time. Exploring the magical, artistic, and intellectual world of the Belle Époque, Tobias Churton shows how a wide variety of Theosophists, Rosicrucians, Martinists, Freemasons, Gnostics, and neo-Cathars called fin-de-siècle Paris home. He examines the precise interplay of occultists Joséphin Peladan, Papus, Stanislas de Guaïta, and founder of the modern Gnostic Church Jules Doinel, along with lesser known figures such as Saint-Yves d’Alveydre, Paul Sédir, Charles Barlet, Edmond Bailly, Albert Jounet, Abbé Lacuria, and Lady Caithness. He reveals how the work of many masters of modern culture such as composers Claude Debussy and Erik Satie, writers Arthur Rimbaud and Charles Baudelaire, and painters Georges Seurat and Alphonse Osbert bear signs of immersion in the esoteric circles that were thriving in Paris at the time. The author demonstrates how the creative hermetic ferment that animated the City of Light in the decades leading up to World War I remains an enduring presence and powerful influence today. Where, he asks, would Aleister Crowley and all the magicians of today be without the Parisian source of so much creativity in this field? Conveying the living energy of Paris in this richly artistic period of history, Churton brings into full perspective the characters, personalities, and forces that made Paris a global magnet and which allowed later cultural movements, such as the “psychedelic 60s,” to rise from the ashes of post-war Europe.

This is one of A. E. Waite's less known works on freemasonry but still essential to understand the order in itself. This edition includes a detailed essay about Freemasonry, its history and origins, written by Hermann Gruber. Contents: Part I A System Of Morality The First Degree The Meaning Of Initiation Entered, Passed, Raised Imperfect Symbolism The Third Degree Part II The Book Of The Dead The Christian Mysteries The Mystical Fact The Place Of Darkness Operative Masonry The Old Charges Living Stones Part III The Kabalah The Divine Name The Temple The Builder Craft Masonry

A Vital Work in the History of Occultism From the Notorious Provocateur Joséphin Péladan How to Become a Mageis the first English translation of the enormously influential occultist Joséphin Péladan. This book is a fascinating display of nineteenth-century French thought, sharing audacious ideas on overcoming the pitfalls of status-quo society while perfecting and purifying one's own soul in preparation for transcendence and sacred transformation. Péladan was committed to the belief that the best way to enter into communion with the divine was through magic and the arts. He played a key role in fin-de-siècle culture, expounding upon the spiritual weight of physical, intellectual, familial, and creative pursuits while guiding young seekers toward a radical reassessment of the values and activities of contemporary life.