Oddball Florida

This entertaining guide directs travelers to the off-the-wall and offbeat destinations in Florida, home of gator wrestlers, school bus demolition derbies, Hemingway wannabes, the Fountain of Youth, the Nudist Hall of Fame, and a utopian community based on the premise that the earth is not round, but concave. Additional oddball attractions include a graveyard for roosters, the world's largest strawberry, the world's smallest police station, and museums dedicated to seashells, hamburgers, oranges, teddy bears, sponges, air conditioning, and one very old petrified cat. Documenting local oddities and forgotten history, this travel guide covers Florida in six regions with maps and detailed directions for each site as well as phone numbers, hours, web sites, and various photographs.

In this updated edition, it's plain to see that the state of Illinois has only gotten weirder. Where there was once just a single Popeye statue in downstate Chester, today the town has monuments to Olive Oyl, Swee' Pea, Bluto, the Sea Hag, and more. The creepy Piasa Bird petroglyph on the bluff in Alton now has a roadside pullout with picnic tables, and the two-story outhouse in Gays has a new contemplative garden. With almost twice as many destinations as its predecessor, this edition boasts detailed information on each site—address, phone number, website, hours, entry fees, and driving directions—as well as maps, photos, and a wealth of regional history in the descriptions. Some new sites include Henry's Rabbit Ranch, the World's First Jungle Gym, Ahlgrim Acres (a miniature golf course at a funeral home), the Leather Archives and Museum, General Santa Ana's two wooden legs, the World's Largest Sock Monkey, the Friendship Shoe Fence, a truck stop with a marionette show, and a coin-operated fire-breathing dragon. There is more between Chicago and St. Louis than cornfields and plenty of fascinating places in the Windy City that aren't on Michigan Avenue, and here is a chance to see these underappreciated sites throughout the state.

Land of the world's largest prairie chicken, birthplace of Spam, and home of the world's oldest rock, this is Minnesota, where summers are short, winters are long, and back-road wonders abound. This entertaining guide wastes no time with descriptions of scenic lakes, pristine bike trails, or quaint cafes. Instead it directs travelers (and residents) to the spot where Tiny Tim strummed his last notes on the ukulele; to the Cold Spring chapel where two grasshoppers bow down to the Virgin Mary; and to the McLeod County Museum, where the mummy on display could be from Peru or outer space. While ordinary tourists are fighting off mosquitoes in the Boundary Waters, oddball travelers can size up the world's largest ear of corn and admire the fourth Zamboni ever built. And one last thing: there aren't 10,000 lakes in Minnesota; there are 14,215. For travelers who are in search of the unusual, there is no better reason to park the bike and hiking boots in the garage, fill up the gas tank, and hit the road to Minnesota, where weirdness awaits.

Updated and even stranger, this new edition boasts more than 400 unique destinations for tourists looking for attractions off the beaten path. Bizarre locations and landmarks include Chainsaw Gordy's Garden of Saws, Smokey Bear's head, the World's Largest Soup Kettle, the Toilet Bowl Parade, and the world's only upside-down White House. This book offers fascinating and little-known historical tidbits and answers burning questions such as Where was Liberace born? What is a hodag, and where do you catch one? Who invented the hamburger? and Will a Polka Hall of Fame ever be built? This is the real guide to Wisconsin, birthplace of the snowmobile, the typewriter, and the ice cream sundae. The address, phone number, hours, cost, directions, and website of each oddity accompany its description.

Unlike the movie ghost towns of the Old West, the ghost towns in Florida don’t have tumbleweeds rolling on deserted dirt roads, abandoned wooden saloons, and lone drifters on horseback. Although the landscape may have dramatically changed, many of these once-thriving communities declined due to widespread economic changes, disastrous weather, company closings, or vital industries disappearing or moving elsewhere. In fact, some of these so-called ghost towns have been absorbed by larger cities still inhabited by Floridians today. In Historic Photos of Florida Ghost Towns, author Steve Rajtar takes readers decades back in Florida’s history to discover these ghost towns through the lens of two hundred black-and-white photographs—in some cases, the only remains of these forgotten towns. Explore the landscapes, houses, schools, businesses, organizations, places of worship, and people who once called these now-nonexistent towns home. Imagine what life was like in hundreds of these tight-knit communities as you explore a century and a half of this sunny, populous state that many still call home.

From Lucy, the colossal elephant-shaped building on the Jersey Shore, to the grand donut atop Randy's in Los Angeles, this full-color guide profiles the commercial giants that loom over America's highways. Created to sell products and promote tourism in a big way, they can be found all over the United States. The authors have traveled far and wide to bring readers the world's largest duck in Long Island, an enormous Amish couple in Pennsylvania Dutch Country, and towering Paul Bunyans all over the Midwest. There are buildings shaped like hot dogs, ice cream cones, and baskets, as well as the roadside phenomena known as "Muffler Men," giants who originally advertised mufflers but now have been converted to cowboys, Indians, spacemen, and pirates. Big fun!

Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.