Oh Canada Oh Quebec

Humorous account of Quebec's language obsessed separatist movement.

La vision d'un grand écrivain qui ne s'embarrasse malheureusement pas de nuances: "Duplessis était une crapule", "Lionel Groulx était un admirateur inconditionnel de Mussolini", etc. Pour les Québécois qui ont l'estomac solide. [SDM].

Includes the author's paintings and brief descriptions of the various provinces and territories in Canada.

Au seuil de la mort, le célèbre documentariste Leonard Fife, qui a fui au Canada pour éviter la conscription pendant la guerre du Vietnam, accepte l'interview souhaitée par son disciple Malcolm. Il exige le noir complet sur le plateau ainsi que la présence constante de sa femme. Après une vie de mensonges, il entend lever le voile sur ses secrets mais sa confession ne se déroule pas comme prévu.

About this Book In 1976, the nationalist Parti Québécois came to power in Quebec and governed the province until 1985. A tense period followed its election within business circles and among the Jewish community. In the midst of this crisis, Victor Teboul’s Mythe et images du Juif au Québec had just been published and it exposed a negative portrayal of Jews in Quebec’s most well-read novels and history books. The book had a strong impact on the Jewish leadership and created some controversy among Quebec’s francophone intellectual elite. In his provocative Oh Canada! Oh Quebec!, published in 1992, Mordecai Richler drew extensively from Victor Teboul's Mythe et images du Juif au Québec.

Reprint of the original, first published in 1864.

Much of Canadian cultural life is sustained and enriched by translation. Translation Effects moves beyond restrictive notions of official translation in Canada, analyzing its activities and effects on the streets, in movie theatres, on stages, in hospitals, in courtrooms, in literature, in politics, and across café tables. The first comprehensive study of the intersection of translation and culture, Translation Effects offers an original picture of translation practices across many languages and through several decades of Canadian life. The book presents detailed case studies of specific events and examines the reverberation and spread of their effects. Through these imaginative, at times unusual, investigations, the contributors unveil the simultaneous invisibility and omnipresence of translation and present a cross-cut of Canadian translation moments. Addressing the period from the 1950s to the present and including a wide scope of examples from medical interpreting to film dubbing, the essays in this book create a panoramic view of the creation of modern culture in Canada. Contributors include Piere Anctil (University of Ottawa), Hélène Buzelin (Université de Montréal), Alessandra Capperdoni (Simon Fraser University), Philippe Cardinal, Andrew Clifford (York University), Beverley Curran, Renée Desjardins (University of Ottawa), Ray Ellenwood, David Gaertner, Chantal Gagnon (Université de Montréal), Patricia Godbout, Hugh Hazelton, Jane Koustas (Brock University), Louise Ladouceur (Université de l'Albera, Gillian Lane-Mercier (McGill University), George Lang, Rebecca Margolis, Sophie McCall (Simon Fraser University), Julie Dolmaya McDonough, Denise Merkle (Université de Moncton), Kathy Mezei, Sorouja Moll, Brian Mossop, Daisy Neijmann, Glen Nichols (Mount Allison University), Joseph Pivato, Gregory Reid, Robert Schwartzwald, Sherry Simon, Luise von Flotow (University of Ottawa), and Christine York.