Olive Schreiner

First published in 1911, this acclaimed and influential feminist classic is one of the most important of the twentieth century.

Olive Schreiner and the Progress of Feminism explores two key areas: first, the debates taking place in England during the last two decades of the nineteenth century about the position of women; and, second, the volatile events of the 1890s in South Africa, which culminated in war between the British Empire and the Boer republics in 1899. Through a detailed reading of the fictional and non-fictional writing of one extraordinary woman, Olive Schreiner, it traces the complex relations between gender and empire in a modernizing world.

This book works across established categories of modernism and postcolonialism in order to radically revise the periods, places, and topics traditionally associated with anti-colonialism and aesthetic experimentation in African literature. The book is the first account of Olive Schreiner as a theorist and practitioner of modernist form advancing towards an emergent postcolonialism. The book draws on and broadens discussions in and around the blossoming field of global modernist studies by interrogating the conventionally accepted genealogy of development that positions Europe and America as the sites of innovation. It provides an original examination of the relationships between metaphor, postcolonialism, and modernist experimentation by showing how politically and aesthetically innovative African forms rely on allegorical structures, in contrast to the symbolism dominant in Euro-American modernism. An original theoretical concept of the role of primitivism and allegory within the context of modernism and associated critical theory is proposed through the integration of postcolonial, Marxist, and ecocritical approaches to literature. The book provides original readings of Schreiner’s three novels, Undine, The Story of An African Farm, and From Man to Man, in light of the new theory of primitivism in African literature by directly addressing the issue of narrative form. This argument is contextualised in relation to the work of other Southern African authors, in whose writings the impact of Schreiner’s politics and aesthetics can be traced. These authors include J.M. Coetzee, Nadine Gordimer, Doris Lessing, Solomon T. Plaatje, and Zoe Wicomb, amongst others. This book brings the most current debates in modernist studies, ecocriticism, and primitivism into the field of postcolonial studies and contributes to a widening of the debates surrounding gender, race, empire, and modernism.

Originally published in 1929, "Undine" is a semi-autobiographical novel about life in colonial South Africa. Olive Schreiner (1855–1920) was a South African anti-war campaigner, intellectual, and author most famous for her highly-acclaimed novel “The Story of an African Farm” (1883), which deals with such issues as existential independence, agnosticism, individualism, and the empowerment of women. Other notable works by this author include: “Closer Union: a Letter on South African Union and the Principles of Government” (1909), and “Woman and Labour” (1911). Read & Co. Classics is proudly republishing this classic novel now in a new edition complete with a specially-commissioned new biography of the author and an Introduction by S. C. Cronwright-Schreiner.

Originally published in 1924, “Dreams” is a collection of short stories written by South African writer Olive Schreiner. Her second book, “Dreams” contains eleven short stories inspired by Schreiner's dreams and her experiences living on a South African farm. Olive Schreiner (1855–1920) was a South African anti-war campaigner, intellectual, and author most famous for her highly-acclaimed novel “The Story of an African Farm” (1883), which deals with such issues as existential independence, agnosticism, individualism, and the empowerment of women. Other notable works by this author include: “Closer Union: a Letter on South African Union and the Principles of Government” (1909), and “Woman and Labour” (1911). Read & Co. Classics is proudly republishing these classic short stories now in a new edition complete with a specially-commissioned new biography of the author.

South African born Olive Schreiner was a freethinker, a feminist, an anti-imperialist campaigner and a bold literary experimentalist: unconventional and troubled, her life and work illuminate the energies and the conflicts that characterised the end of Victorianism and the beginning of Modernism.

This book explores the thought of Olive Schreiner, the internationally famous writer, feminist theorist, social critic, opponent of imperialism and nationalism, and analyst of violence and war, best known for her novels and short stories, articles and critical commentaries, and her feminist treatise, Women and Labour. Expounding her groundbreaking ideas and analyses to a new generation of sociologists, it presents Schreiner as one of the first proponents of an intersectional analysis, in her treatment of the great questions of the age – on labour, women and race – as mutually reinforcing and also bound together with capitalism, imperialism and war in society. Through an analysis of her use of different genres of writing in representing the complexities of social life and oppressions, the author reveals a combination of social theory with practical substantive examples and analysis at the core of Schreiner’s intellectual and moral project – an approach that put her at odds with her contemporaries but shows her to be a forerunner of present-day sociological thinking. An examination of the significance for sociology of the work of a figure, the importance of whose thought is only now being recognised, Reintroducing Olive Schreiner will appeal to scholars of sociology and social theory with interests in the history of the discipline, intersectionality and methods of research and analysis.