On Empire

In these four incisive and keenly perceptive essays, one of out most celebrated and respected historians of modern Europe looks at the world situation and some of the major political problems confronting us at the start of the third millennium. With his usual measured and brilliant historical perspective, Eric Hobsbawm traces the rise of American hegemony in the twenty-first century. He examines the state of steadily increasing world disorder in the context of rapidly growing inequalities created by rampant free-market globalization. He makes clear that there is no longer a plural power system of states whose relations are governed by common laws--including those for the conduct of war. He scrutinizes America's policies, particularly its use of the threat of terrorism as an excuse for unilateral deployment of its global power. Finally, he discusses the ways in which the current American hegemony differs from the defunct British Empire in its inception, its ideology, and its effects on nations and individuals. Hobsbawm is particularly astute in assessing the United States' assertion of world hegemony, its denunciation of formerly accepted international conventions, and its launching of wars of aggression when it sees fit. Aside from the naivete and failure that have surrounded most of these imperial campaigns, Hobsbawm points out that foreign values and institutions--including those associated with a democratic government--can rarely be imposed on countries such as Iraq by outside forces unless the conditions exist that make them acceptable and readily adaptable. Timely and accessible, On Empire is a commanding work of history that should be read by anyone who wants some understanding of the turbulent times in which we live.

In the eyes of both contemporaries and historians, the United States became an empire in 1898. By taking possession of Cuba and the Philippines, the nation seemed to have reached a watershed moment in its rise to power—spurring arguments over whether it should be a colonial power at all. However, the questions that emerged in the wake of 1898 built on long-standing and far-reaching debates over America’s place in the world. Andrew Priest offers a new understanding of the roots of American empire that foregrounds the longer history of perceptions of European powers. He traces the development of American thinking about European imperialism in the years after the Civil War, before the United States embarked on its own overseas colonial projects. Designs on Empire examines responses to Napoleon III’s intervention in Mexico, Spain and the Ten Years’ War in Cuba, Britain’s occupation of Egypt, and the carving up of Africa at the Berlin Conference. Priest shows how observing and interacting with other empires shaped American understandings of the international environment and their own burgeoning power. He highlights ambivalence among American elites regarding empire as well as the prevalence of notions of racial hierarchy. While many deplored the way powerful nations dominated others, others saw imperial projects as the advance of civilization, and even critics often felt a closer affinity with European imperialists than colonized peoples. A wide-ranging book that blends intellectual, political, and diplomatic history, Designs on Empire sheds new light on the foundations of American power.

Imperialism as we knew it may be no more, but Empire is alive and well. It is, as Michael Hardt and Antonio Negri demonstrate in this bold work, the new political order of globalization. It is easy to recognize the contemporary economic, cultural, and legal transformations taking place across the globe but difficult to understand them. Hardt and Negri contend that they should be seen in line with our historical understanding of Empire as a universal order that accepts no boundaries or limits. Their book shows how this emerging Empire is fundamentally different from the imperialism of European dominance and capitalist expansion in previous eras. Rather, today’s Empire draws on elements of U.S. constitutionalism, with its tradition of hybrid identities and expanding frontiers.Empire identifies a radical shift in concepts that form the philosophical basis of modern politics, concepts such as sovereignty, nation, and people. Hardt and Negri link this philosophical transformation to cultural and economic changes in postmodern society—to new forms of racism, new conceptions of identity and difference, new networks of communication and control, and new paths of migration. They also show how the power of transnational corporations and the increasing predominance of postindustrial forms of labor and production help to define the new imperial global order.More than analysis, Empire is also an unabashedly utopian work of political philosophy, a new Communist Manifesto. Looking beyond the regimes of exploitation and control that characterize today’s world order, it seeks an alternative political paradigm—the basis for a truly democratic global society.

Drawing upon the experiences of Scottish and Irish Catholics in Nova Scotia, Cape Breton Island, Newfoundland, and Trinidad, Empire and Emancipation sheds important new light on the complex relationship between Catholicism and the British Empire.

From 1760 to 1869, four generations of one family from the Scottish Highlands sought their fortunes in the service of the East India Company. As they worked their way up through the ranks of the empire, the Baillie family left numerous footprints in India and recorded their fascinating experiences in letters sent home to Scotland. Drawing on thorough research of the military, political, and economic events of the eighteenth and nineteenth centuries and an extensive collection of family letters that depict the lives and personalities of his ancestors, Alexander Charles Baillie brings the history of British India to life. The compelling documents, lost for over a century with many reproduced here, reveal changing race relations and social attitudes, cultural tensions, military and civilian battles, economic pressures, and the rise and decline of the East India Company. The book focuses especially on two members of the family – William of Dunain, a military officer, and John of Leys, a civil servant – whose numerous adventures and misadventures impart provocative clues about the workings of the empire and the daily lives of its most influential figures. An exciting, invaluable, and personalized glimpse into the past of India, Scotland, and the East India Company, Call of Empire will appeal to genealogy enthusiasts and social and global historians.

An unofficial guide to EMPIRE, the runaway hit of the 2014-15 television season. Empire is the breakout, network television hit of 2015—from its opening night, viewers were riveted by the story of record company magnate Lucious Lyon and his family, and the struggle for control over Empire Entertainment. As the second season approaches this September, Empire: The Unauthorized Untold Story tells you everything you need to know about this powerful drama. You’ll get full backgrounds on all the major players, including the real-life entertainment icons on whom their stories are based. You’ll learn about the music and fashions that helped drive the show’s success. And you’ll get a hint of what the second season might hold as show creators Lee Daniels and Danny Strong prepare to build on their phenomenal opening act.

Crossing time and oceans, this fascinating history of the McIlwraiths tracks the family's imperial identities across the generations to tell a story of anthropology and empire.

Christopher Star uncovers significant points of contact between Seneca and Petronius, two important Roman writers long thought to be antagonists. In The Empire of the Self, Christopher Star studies the question of how political reality affects the concepts of body, soul, and self. Star argues that during the early Roman Empire the establishment of autocracy and the development of a universal ideal of individual autonomy were mutually enhancing phenomena. The Stoic ideal of individual empire or complete self-command is a major theme of Seneca’s philosophical works. The problematic consequences of this ideal are explored in Seneca’s dramatic and satirical works, as well as in the novel of his contemporary Petronius. Star examines the rhetorical links between these diverse texts. He also demonstrates a significant point of contact between two writers generally thought to be antagonists—the idea that imperial speech structures reveal the self.