On The Origin Of Myths In Catastrophic Experience Vol 1 Preliminaries

Creation myths around the world reveal an intricate network of recurrent motifs. Many of these are counterintuitive and not widely known, describing a time when the sky was low, the stars did not yet shine, multiple suns appeared, the moon was brighter than the sun, no land existed, deities and mortals maintained frequent contact, a 'world axis' in the form of a tree, ladder or giant man connected the earth with the sky, a devastating flood or fire ended the old order, and so forth. The present work, in multiple volumes, aims to find an origin for this cross-culturally and internally consistent body of traditions in a series of extraordinary natural events relating especially to the earth's transition from the last glacial period to the Holocene. This first volume sets the stage for the interdisciplinary hypothesis. Essential lines of research receive a historical introduction: comparative mythology, catastrophism and the study of the mythical world axis in relation to the earth's rotation. Various astronomical and meteorological interpretations that are not strictly catastrophist are explored for several types of myths about the sun, the moon and the world axis, but leave many of the most intriguing traditions unexplained. It is argued that a structural core of the worldwide mythology of 'creation and destruction', in which the cosmic axis takes pride of place, points to a specific period of dramatic natural circumstances in real prehistoric time. A new synopsis is provided of this universal mythological substrate. It emerges that the mythical world axis cannot have been based on a single object seen or imagined at one of the poles, as has usually been supposed. This surprising conclusion paves the way for the innovative geomagnetic theory proposed in volume 2.

An essay on mankind's experience of history and its interpretation, beginning with a study of the traditional or mythological view, and concluding with a comparative estimate of modern historiological approaches. At a moment when modern man has brought his race almost to the point of annihilation, the historical attitude has been all but discredited. The author seeks an answer to the question: What can protect us from the terror of history?

Presenting an original global theory of culture, Girard explores the social function of violence and the mechanism of the social scapegoat. His vision is a challenge to conventional views of literature, anthropology, religion and psychoanalysis. Rene Gerard is the Andrew B. Hammond Professor Emeritus of French Language, Literature and Civilization at Stanford University, USA.

Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.

An International Labor Office and European Commission publication Although the effect of trade on employment is a popular point of economic debate, there are very few factual assessments available. This book examines the most recent evidence and provides guidance for the design of tools to assess more accurately the employment impacts of trade. Trade and Employment argues for strengthening the micro-foundations of models used to evaluate the employment effects of trade and for including the informal economy and adjustment processes in modeling efforts. It emphasizes the role of governments in helping firms survive or grow, in providing social protection to protect against external shocks, in addressing gender equity, and in building physical infrastructure and human skills bases that facilitate export diversification. It is a valuable resource for all those interested in the debate on the employment effects of trade: workers and employers, academics and policymakers, and trade and labor specialists.

Many of the beings in this book – Cheiron, Pan, Acheloos, the Sirens and others – will be familiar from the narratives of Greek mythology, in which fabulous anatomies abound. However, they have never previously been studied together from a religious perspective, as recipients of cult and as members of the ancient pantheon. This book is the first major treatment of the use of part-animal – mixanthropic – form in the representation and visual imagination of Greek gods and goddesses, and of its significance with regard to divine character and function. What did it mean to depict deities in a form so strongly associated in the ancient imagination with monstrous adversaries? How did iconography, myth and ritual interact in particular sites of worship? Drawing together literary and visual material, this study establishes the themes dominant in the worship of divine mixanthropes, and argues that, so far from being insignificant curiosities, they make possible a greater understanding of the fabric of ancient religious practice, in particular the tense and challenging relationship between divinity and visual representation.

For Bataille, 'the absence of myth' had itself become the myth of the modern age. In a world that had 'lost the secret of its cohesion', Bataille saw surrealism as both a symptom and the beginning of an attempt to address this loss. His writings on this theme are the result of profound reflection in the wake of World War Two. The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille's links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andre Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be. Introduced and translated by Michael Richardson.