Once Upon The Orient Wave

In an unusual view of one of the English language's greatest writers, an Arab scholar analyzes the oriental influences on Milton's work, and Milton's own influence on Arab writers and critics John Milton's great poems, Paradise Lost and Paradise Regained, are among the greatest pieces of writing in the English language. Like other writers of his time, Milton had only a sketchy idea of Islam and the Arab world, from travelers and linguists who had made the arduous journey to and from the Middle East. But buried in his works are signs that Milton had absorbed ideas and influences from Islam and Arab culture. Professor Dahiyat shows how from the Middle Ages, partly as an attempt to counteract Islam with Christianity, a wide range of writers and researchers spoke, read, and wrote Arabic and published books in the earliest days of printing which Milton could have read. He then shows how many different references there are to the Orient and Islam in Milton's writings, and discusses the later response of Arab writers and scholars to Milton's major works.

Ever since Odysseus heard tales of his own exploits being retold among strangers, audiences and readers have been alive to the complications and questions arising from the translation of myth. How are myths taken and carried over into new languages, new civilizations, or new media? An international group of scholars is gathered in this volume to present diverse but connected case studies which address the artistic and political implications of the changing condition of myth – this most primal and malleable of forms. ‘Translation’ is treated broadly to encompass not only literary translation, but also the transfer of myth across cultures and epochs. In an age when the spiritual world is in crisis, Translating Myth constitutes a timely exploration of myth’s endurance, and represents a consolidation of the status of myth studies as a discipline in its own right.

The first full-length study of the reception of John Milton’s (1608-74) writings in the Arab-Muslim world, this book examines the responses of Arab-Muslim readers to Milton’s works, and in particular, to his epic poem: Paradise Lost. It contributes to knowledge of the history, development, and ways in which early modern writings are read and understood by Muslims. By mapping the literary and more broadly cultural consequences of the censure, translation and abridgement of Milton’s works in the Arab-Muslim world, this book analyses the diverse ways in which Arab-Muslims read and understand a range of literary and religious aspects of Milton’s writing in light of cultural, theological, socio-political, linguistic and translational issues. After providing an overview of the presence of Milton and his works in the Arab world, each chapter sheds light on how cultural and translational issues shape the ways in which Arab-Muslim readers perceive and understand the characters and motifs of Paradise Lost. Chapters outline the ways in which the figures are currently understood in Milton scholarship, before exploring how they fit into the narrative drama and theology of the poem, and their position in Islamic creed and Arab-Muslim culture. Concurrently, each chapter examines the poem’s subject matter in detail, placing particular emphasis on matters of linguistic, theological and cultural translation and accommodation. Chapter conclusions not only summarise the patterns and potentialities of reception, but point towards the practical functions of Arab-Muslim responses to Milton’s writing and their contribution to the formation of social ideas.

Henry Stubbe (1632–1676) was an extraordinary English scholar who challenged his contemporaries by writing about Islam as a monotheistic revelation in continuity with Judaism and Christianity. His major work, The Originall & Progress of Mahometanism, was the first English text to document the Prophet Muhammad's life positively, celebrate the Qur'an as a divine revelation, and praise the Muslim toleration of Christians, undermining a long legacy of European prejudice and hostility. Nabil Matar, a leading scholar of Islamic-British relations, standardizes Stubbe's text and situates it within England's theological and intellectual climate in the seventeenth century. He shows how, to draw a historical portrait of Muhammad, Stubbe embraced travelogues, Latin commentaries, studies on Jewish customs and Scripture, and, most important, Arabic chronicles, many written by medieval Christian Arabs who had lived in the midst of the Islamic polity. No European writer before or for a long time after Stubbe produced anything similar to what he wrote about Muhammad the "great Prophet," Ali the "gallant" advocate, and the "standing miracle" of the Qur'an. Stubbe's book therefore makes a unique contribution to the study of the representation of Islam in Western thought.

John Milton’s poetry and prose are central to our understanding of the aesthetic, political and religious upheavals of early modern England. Innovative recent scholarship, however, continues to expand the range of contexts through which we read Milton beyond Christian Europe, unearthing the vitality and resonance of the Miltonic text within religious and political debates across borders, through time and in multiple languages. The Islamic world has begun to receive deserved recognition as one such global site of this cultural energy. The publication of complete translations of Paradise Lost into Arabic has stimulated fresh critical explorations from a multiplicity of perspectives: historicist, comparative and theological. Attention to spatially and religiously diverse influences and reception contexts offers new avenues of approach into masterpieces including Paradise Lost, Paradise Regained and Areopagitica, as well as into the cultural forces these texts represent, reimagine and contest. By exploring how Milton, Islam and the Middle East address and implicate one another, this collection asks how, why and where Milton matters. This book was originally published as a special issue of English Studies.

"Account of of the slave trade and its lasting effects on modern life, based on the history of the Eastern Seaboard of North America, the Caribbean, Africa, and what is now Great Britain"--

A New Companion to Milton builds on the critically-acclaimed original, bringing alive the diverse and controversial world of contemporary Milton studies while reflecting the very latest advances in research in the field. Comprises 36 powerful readings of Milton's texts and the contexts in which they were created, each written by a leading scholar Retains 28 of the award-winning essays from the first edition, revised and updated to reflect the most recent research Contains a new section exploring Milton's global impact, in China, India, Japan, Korea, in Spanish speaking American and the Arab-speaking world Includes eight completely new full-length essays, each of which engages closely with Milton's poetic oeuvre, and a new chronology which sets Milton's life and work in the context of his age Explores literary production and cultural ideologies, issues of politics, gender and religion, individual Milton texts, and responses to Milton over time

This volume of essays reconfigures the reception history of Milton and his works by bringing to the fore women reading, writing, and rewriting Milton, bringing together in conversation a range of voices from diverse historical, cultural, religious, and social contexts across the globe and through the centuries. The book encompasses a rich range of different literary genres, artistic media, and academic disciplines and draws on the research of established Milton scholars and new Miltonists. Like the female authors and artists whom they explore, the contributors take up a variety of standpoints. As well as revisiting the work of established figures, the volume brings new female creative artists, new subjects, and new approaches to the study of Milton.