One Death Nine Stories

How could one teenage boy’s life elicit other kids’ first experiences — even after he dies? Nine interconnected stories from nine top YA writers. Kev’s the first kid their age to die. And now, even though he’s dead, he’s not really gone. Even now his choices are touching the people he left behind. Ellen Hopkins reveals what two altar boys (and one altar girl) might get up to at the cemetery. Rita Williams-Garcia follows one aimless teen as he finds a new life in his new job — at the mortuary. Will Weaver turns a lens on Kevin’s sister as she collects his surprising effects — and makes good use of them. Here, in nine stories, we meet people who didn’t know Kevin, friends from his childhood, his ex-girlfriend, his best friend, all dealing with the fallout of his death. Being a teenager is a time for all kinds of firsts — first jobs, first loves, first good-byes, firsts that break your heart and awaken your soul. It’s an initiation of sorts, and it can be brutal. But on the other side of it is the rest of your life. With stories by Chris Barton Nora Raleigh Baskin Marina Budhos Ellen Hopkins A.S. King Torrey Maldonado Charles R. Smith Jr. Will Weaver Rita Williams-Garcia

The "original, first-rate, serious, and beautiful" short fiction (New York Times Book Review) that introduced J. D. Salinger to American readers in the years after World War II, including "A Perfect Day for Bananafish" and the first appearance of Salinger's fictional Glass family. Nine exceptional stories from one of the great literary voices of the twentieth century. Witty, urbane, and frequently affecting, Nine Stories sits alongside Salinger's very best work--a treasure that will passed down for many generations to come. The stories: A Perfect Day for Bananafish Uncle Wiggily in Connecticut Just Before the War with the Eskimos The Laughing Man Down at the Dinghy For Esmé--with Love and Squalor Pretty Mouth and Green My Eyes De Daumier-Smith's Blue Period Teddy

Late on a warm summer night in rural Missouri, an elderly camp director hears a squeal of joyous female laughter and goes to investigate. At the camp swimming pool he comes upon a bewildering scene: his counselors stripped naked and engaged in a provocative celebration. The first camp session is set to start in just two days. He fires them all. As a result, new counselors must be quickly hired and brought to the Kindermann Forest Summer Camp. One of them is Wyatt Huddy, a genetically disfigured young man who has been living in a Salvation Army facility. Gentle and diligent, large and imposing, Wyatt suffers a deep anxiety that his intelligence might be subnormal. All his life he’s been misjudged because of his irregular features. But while Wyatt is not worldly, he is also not an innocent. He has escaped a punishing home life with a reclusive and violent older sister. Along with the other new counselors, Wyatt arrives expecting to care for children. To their astonishment, they learn that for the first two weeks of the camping season they will be responsible for 104 severely developmentally disabled adults, all of them wards of the state. For Wyatt it is a dilemma that turns his world inside out. Physically, he is indistinguishable from the state hospital campers he cares for. Inwardly, he would like to believe he is not of their tribe. Fortunately for Wyatt, there is a young woman on staff who understands his predicament better than he might have hoped. At once the new counselors and disabled campers begin to reveal themselves. Most are well-intentioned; others unprepared. Some harbor dangerous inclinations. Among the campers is a perplexing array of ailments and appearances and behavior both tender and disturbing. To encounter them is to be reminded just how wide the possibilities are when one is describing human beings. Soon Wyatt is called upon to prevent a terrible tragedy. In doing so, he commits an act whose repercussions will alter his own life and the lives of the other Kindermann Forest staff members for years to come. Written with scrupulous fidelity to the strong passions running beneath the surface of camp life, The Inverted Forest is filled with yearning, desire, lust, banked hope, and unexpected devotion. This remarkable and audacious novel amply underscores Heaven Lake’s wide acclaim and confirms John Dalton’s rising prominence as a major American novelist.

A New York Times Notable Book and a Best Book of the Year at Esquire, Seattle Times, Minnesota Star Tribune, Huffington Post, and Publishers Weekly. From “quite possibly America’s best living writer of short stories” (NPR), Ninety-Nine Stories of God finds Joy Williams reeling between the sublime and the surreal, knocking down the barriers between the workaday and the divine. Pulitzer Prize and National Book Award finalist Joy Williams has a one-of-a-kind gift for capturing both the absurdity and the darkness of everyday life. In Ninety-Nine Stories of God, she takes on one of mankind’s most confounding preoccupations: the Supreme Being. This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It’s the Book of Common Prayer as seen through a looking glass—a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams’s characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for Him when He’s standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he’s in line to get a shingles vaccination. At turns comic and yearning, lyric and aphoristic, Ninety-Nine Stories of God serves as a pure distillation of one of our great artists.

Includes a reading group guide with discussion questions.

In Margaret Atwood's stunning new collection of stories, her first since her #1 nationally bestselling 2006 collection, Moral Disorder, she returns to the here and now in this brilliant, new collection of stories. In these nine dazzlingly inventive and rewarding stories, Margaret Atwood's signature dark humour, playfulness, and deadly seriousness are in abundance. In "Freeze-Dried Bridegroom," a man who bids on a storage locker has a surprise. In "Lusus Naturae," a woman with a genetic abnormality is mistaken for a vampire. In "I Dream of Zenia with the Bright Red Teeth," we remeet Tony, Charis, and Roz from The Robber Bride, but, years later, as their nemesis is seen in an unexpected form. In "Torching the Dusties," an elderly lady with Charles Bonnet's syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. In "Stone Mattress," a long-ago crime is revenged in the Arctic. This is classic Margaret Atwood, and she is at the very top of her form.

Editorial Advisory Board: Sarah Park Dahlen, Associate Professor, School of Information Sciences, University of Illinois Urbana-Champaign; Marianne Martens, Associate Professor, School of Information, Kent State University; Amy Pattee, Associate Professor and Co-coordinator of Dual-Degree MS LIS/MA Children’s Literature, School of Library and Information Science, Children’s Literature, Simmons University “Comprehensive and substantial ... a highly recommended resource," raved VOYA about the third edition. Now, to keep pace with changes in the field of publishing and realign itself to the newest generation of young adults, Cart returns with a sweeping update of his classic text. Relied upon by educators, LIS instructors and students, and practitioners for its insight and thoroughness, his book surveys the landscape of YA lit both past and present, sketching out its origins and showing how it has evolved to deal with subjects every bit as complex as its audience; closely examines teen demographics, literacy, audiobooks, the future of print, the role of literary criticism, and other key topics; provides updated coverage of perennially popular genre fiction, including horror, sci fi, and dystopian fiction; delves deeply into multicultural and LGBTQIA+ literature, substantially updated in this edition; features expansive interviews with best-selling authors like Eric Shanower, Jackie Woodson, and Bill Konigsberg as well as several publishers and leaders in the field; discusses the impact of the Printz Award, ALAN’s Walden Award, the National Book Award, The Los Angeles Times Book Award, and other honors; and features abundant bibliographic material to aid in readers' advisory and collection development.