Opium S Orphans

Upending all we know about the war on drugs, a history of the anti-narcotics movement’s origins, evolution, and questionable effectiveness. Opium’s Orphans is the first full history of drug prohibition and the “war on drugs.” A no-holds-barred but balanced account, it shows that drug suppression was born of historical accident, not rational design. The war on drugs did not originate in Europe or the United States, and even less with President Nixon, but in China. Two Opium Wars followed by Western attempts to atone for them gave birth to an anti-narcotics order that has come to span the globe. But has the war on drugs succeeded? As opioid deaths and cartel violence run rampant, contestation becomes more vocal, and marijuana is slated for legalization, Opium's Orphans proposes that it is time to go back to the drawing board.

From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day comes this stunning work of soaring imagination. Born in early-twentieth-century Shanghai, Banks was orphaned at the age of nine after the separate disappearances of his parents. Now, more than twenty years later, he is a celebrated figure in London society; yet the investigative expertise that has garnered him fame has done little to illuminate the circumstances of his parents' alleged kidnappings. Banks travels to the seething, labyrinthine city of his memory in hopes of solving the mystery of his own, painful past, only to find that war is ravaging Shanghai beyond recognition-and that his own recollections are proving as difficult to trust as the people around him. Masterful, suspenseful and psychologically acute, When We Were Orphans offers a profound meditation on the shifting quality of memory, and the possibility of avenging one’s past.

The orphan has turned out to be an extraordinarily versatile literary figure. By juxtaposing diverse fictional representations of orphans, this volume sheds light on the development of cultural concepts such as childhood, family, the status of parental legacy, individualism, identity and charity. The first chapter argues that the figure of the orphan was suitable for negotiating a remarkable range of cultural anxieties and discourses in novels from the Victorian period. This is followed by a discussion of both the (rare) examples of novels from the first half of the 20th century in which main characters are orphaned at a young age and Anglophone narratives written from the 1980s onward, when the figure of the orphan proliferated once more. The trope of the picaro, the theme of absence and the problem of parental substitutes are among the issues addressed in contemporary orphan narratives. The book also looks at the orphan motif in three popular fantasy series, namely Rowling’s Harry Potter septology, Pullman’s His Dark Materials trilogy and Martin’s A Song of Ice and Fire series. It then traces the development of the orphan motif from the end of the 19th century to the present in a range of different types of comics, including funnies and gag-a-day strips, superhero comics, underground comix, and autobiographical comics.

From the bestselling and award-winning author of novels Bone and Steer Toward Rock, Fae Myenne Ng’s Orphan Bachelors is an extraordinary memoir of her beloved San Francisco’s Chinatown and of a family building a life in a country bent on their exclusion In pre-Communist China, Fae Myenne Ng’s father memorized a book of lies and gained entry to the United States as a stranger’s son, evading the Exclusion Act, an immigration law which he believed was meant to extinguish the Chinese American family. During the McCarthy era, he entered the Confession Program in a failed attempt to salvage his marriage only to have his citizenship revoked to resident alien. Exclusion and Confession, America’s two slamming doors. As Ng’s father said, “America didn’t have to kill any Chinese, the Exclusion Act ensured none would be born.” Ng was her parents' precocious first born, the translator, the bossy eldest sister. A child raised by a seafaring father and a seamstress mother, by San Francisco’s Chinatown and its legendary Orphan Bachelors--men without wives or children, Exclusion’s living legacy. She and her siblings were their stand-in descendants, Ng’s family grocery store their haven. Each Orphan Bachelor bequeathed the children their true American inheritance. Ng absorbed their suspicious, lonely, barren nature; she found storytelling and chosen children in the form of her students. Exclusion’s legacy followed her from the back alleys of Chinatown in the 60s, to Manhattan in the 80s, to the high desert of California in the 90s, until her return home in the 2000s when the untimely deaths of her youngest brother and her father devastated the family. A a child, Ng believed her father’s lies; as an adult, she returned to her childhood home to write his truth. Orphan Bachelors weaves together the history of one family, lucky to exist and nevertheless doomed; an elegy for brothers estranged and for elders lost; and insights into writing between languages and teaching between generations. It also features Cantonese profanity, snakes that cure fear and opium that conquers sorrow, and a seemingly immortal creep of tortoises. In this powerful remembrance, Fae Myenne Ng gives voice to her valiant ancestors, her bold and ruthless Orphan Bachelors, and her own inner self, howling in Cantonese, impossible to translate but determined to be heard.

Newberry Honour Award Winner & National Book Award Winner. Matt is six years old when he discovers that he is different from other children and other people. To most, Matt isn't considered a boy at all, but a beast, dirty and disgusting. But to El Patron, lord of a country called Opium, Matt is the guarantee of eternal life. El Patron loves Matt as he loves himself - for Matt is himself. They share the exact same DNA. As Matt struggles to understand his existence and what that existence truly means, he is threatened by a host of sinister and manipulating characters, from El Patron's power-hungry family to the brain-deadened eejits and mindless slaves that toil Opium's poppy fields. Surrounded by a dangerous army of bodyguards, escape is the only chance Matt has to survive. But even escape is no guarantee of freedom . . . because Matt is marked by his difference in ways that he doesn't even suspect. Praise for The House of Scorpions: 'It's a pleasure to read science fiction that's full of warm, strong characters... that doesn't rely on violence as the solution to complex problems of right and wrong. It's a pleasure to read.' Ursula K. LeGuin 'Fabulous' Diana Wynne Jones Also by Nancy Farmer: The Sea of Trolls Land of the Silver Apples The Islands of the Blessed The Lord of Opium