Our Willie Boy

"Tribal incest laws formed the basis of the murder and manhunt known as the Willie Boy Affair of 1909. Based on oral testimony by Nuwuvi elders, newspapers, and government documents, Trafzer has woven a remarkably readable and colorful narrative of The Last Western Manhunt." Larry Myers (Pomo)

During the American Civil War, songs united and inspired people on both sides. The North had a well-established music publishing industry when the war broke out, but the South had no such industry. The importance of music as an expression of the South’s beliefs was obvious; as one music publisher said, “The South must not only fight her own battles but sing her own songs and dance to music composed by her own children.” Southern entrepreneurs quickly rose to the challenge. This reference book is distinguished by three major differences from previously published works. First, it lists sheet music that is no longer extant (and listed nowhere else). Second, it gives complete lyrics for all extant songs, a rich source for researchers. And third, a brief historical background has been provided for many of the songs. Each entry provides as much of the following as possible (staying faithful to the typography of each title page): the title as published, names of all lyricists, composers and publishers; dates of publication; cities of publication; and if applicable, the names of catalogs or magazines in which the song appeared. Music published in Southern cities under Federal occupation is excluded.

Recounts the events of what has been called the West's last famous manhunt--the tracking and killing of a Paiute-Chemeheuvi Indian, Willie Boy--drawing on previously untapped sources to detail the native side of the story.

The story of Willie Mays's rookie year with the Negro American League's Birmingham Black Barons, the Last Negro World Series, and the making of a baseball legend Baseball Hall of Famer Willie Mays is one of baseball's endearing greats, a tremendously talented and charismatic center fielder who hit 660 career homeruns, collected 3,283 hits, knocked in 1,903 runs, won 12 Gold Glove Awards and appeared in 24 All-Star games. But before Mays was the "Say Hey Kid", he was just a boy. Willie's Boys is the story of his remarkable 1948 rookie season with the Negro American League's Birmingham Black Barons, who took a risk on a raw but gifted 16-year-old and gave him the experience, confidence, and connections to escape Birmingham's segregation, navigate baseball's institutional racism, and sign with the New York Giants. Willie's Boys offers a character-rich narrative of the apprenticeship Mays had at the hands of a diverse group of savvy veterans who taught him the ways of the game and the world. Sheds new light on the virtually unknown beginnings of a baseball great, not available in other books Captures the first incredible steps of a baseball superstar in his first season with the Negro League's Birmingham Black Barons Introduces the veteran group of Negro League players, including Piper Davis, who gave Mays an incredible apprenticeship season Illuminates the Negro League's last days, drawing on in-depth research and interviews with remaining players Explores the heated rivalry between Mays's Black Barons and Buck O'Neil's Kansas City Monarchs , culminating in the last Negro League World Series Breaks new historical ground on what led the New York Giants to acquire Mays, and why he didn't sign with the Brooklyn Dodgers, New York Yankees, or Boston Red Sox Packed with stories and insights, Willie's Boys takes you inside an important part of baseball history and the development of one of the all-time greats ever to play the game.

In the mid-nineteenth century the United States was musically vibrant. Rising industrialization, a growing middle class, and increasing concern for the founding of American centers of art created a culture that was rich in musical capital. Beyond its importance to the people who created and played it is the fact that this music still influences our culture today. Although numerous academic resources examine the music and musicians of the Civil War era, the research is spread across a variety of disciplines and is found in a wide array of scholarly journals, books, and papers. It is difficult to assimilate this diverse body of research, and few sources are dedicated solely to a rigorous and comprehensive investigation of the music and the musicians of this era. This anthology, which grew out of the first two National Conferences on Music of the Civil War Era, is an initial attempt to address that need. Those conferences established the first academic setting solely devoted to exploring the effects of the Civil War on music and musicians. Bridging musicology and history, these essays represent the forefront of scholarship in music of the Civil War era. Each one makes a significant contribution to research in the music of this era and will ultimately encourage more interdisciplinary research on a subject that has relevance both for its own time and for ours. The result is a readable, understandable volume on one of the few understudied—yet fascinating—aspects of the Civil War era.

A heartwarming book about unconditional love and one remarkable family. Dyson loves pink, sparkly things. Sometimes he wears dresses. Sometimes he wears jeans. He likes to wear his princess tiara, even when climbing trees. He’s a Princess Boy. Inspired by the author’s son, and by her own initial struggles to understand, this heartwarming book is a call for tolerance and an end to bullying and judgments. The world is a brighter place when we accept everyone for who they are.

Americans are still fascinated by the romantic notion of the "noble savage," yet know little about the real Native peoples of North America. This two-volume work seeks to remedy that by examining stereotypes and celebrating the true cultures of American Indians today. The two-volume American Indians and Popular Culture seeks to help readers understand American Indians by analyzing their relationships with the popular culture of the United States and Canada. Volume 1 covers media, sports, and politics, while Volume 2 covers literature, arts, and resistance. Both volumes focus on stereotypes, detailing how they were created and why they are still allowed to exist. In defining popular culture broadly to include subjects such as print advertising, politics, and science as well as literature, film, and the arts, this work offers a comprehensive guide to the important issues facing Native peoples today. Analyses draw from many disciplines and include many voices, ranging from surveys of movies and discussions of Native authors to first-person accounts from Native perspectives. Among the more intriguing subjects are the casinos that have changed the economic landscape for the tribes involved, the controversy surrounding museum treatments of American Indians, and the methods by which American Indians have fought back against pervasive ethnic stereotyping.