Willie S Boys

The story of Willie Mays's rookie year with the Negro American League's Birmingham Black Barons, the Last Negro World Series, and the making of a baseball legend Baseball Hall of Famer Willie Mays is one of baseball's endearing greats, a tremendously talented and charismatic center fielder who hit 660 career homeruns, collected 3,283 hits, knocked in 1,903 runs, won 12 Gold Glove Awards and appeared in 24 All-Star games. But before Mays was the "Say Hey Kid", he was just a boy. Willie's Boys is the story of his remarkable 1948 rookie season with the Negro American League's Birmingham Black Barons, who took a risk on a raw but gifted 16-year-old and gave him the experience, confidence, and connections to escape Birmingham's segregation, navigate baseball's institutional racism, and sign with the New York Giants. Willie's Boys offers a character-rich narrative of the apprenticeship Mays had at the hands of a diverse group of savvy veterans who taught him the ways of the game and the world. Sheds new light on the virtually unknown beginnings of a baseball great, not available in other books Captures the first incredible steps of a baseball superstar in his first season with the Negro League's Birmingham Black Barons Introduces the veteran group of Negro League players, including Piper Davis, who gave Mays an incredible apprenticeship season Illuminates the Negro League's last days, drawing on in-depth research and interviews with remaining players Explores the heated rivalry between Mays's Black Barons and Buck O'Neil's Kansas City Monarchs , culminating in the last Negro League World Series Breaks new historical ground on what led the New York Giants to acquire Mays, and why he didn't sign with the Brooklyn Dodgers, New York Yankees, or Boston Red Sox Packed with stories and insights, Willie's Boys takes you inside an important part of baseball history and the development of one of the all-time greats ever to play the game.

On December 7, 1864, just one week after the bloody battle of Franklin, Tennessee, William McGee, a drummer boy from Newark, New Jersey, was credited with leading a Federal force to a decisive victory over the Confederates in a clash just thirty miles from the carnage at Franklin. This 15-year-old Irish-American, on convalescent duty and acting as an orderly to General Lovell Rousseau, was recognized for the capture of two guns, several hundred prisoners, and the saving of Fortress Rosecrans in Murfreesboro from the famed Nathan Bedford Forrest. For his actions, young McGee would soon be awarded a Medal of Honor, written up in newspapers and books as a glorious New Jersey legend, be commissioned as a lieutenant in the United States Army at age 18, and then, inexplicably at the height of his notoriety, virtually disappear from history for more than 100 years. This is the story of a lost war hero, a man-child with the world at his feet, whose fall from grace is accelerated by fame, lies, alcohol, bigamy, and murder.

This book is composed of two different fiction stories that will give you life lessons applicable in reality. The story Willie Anderson will tell you that you will never know what life brings to you so you must always be prepared and geared to face challenges that life brings. The River, on the other hand, tells you to never give up on what life offers to you because you never know what will happen in the future

Little Willie John lived for a fleeting 30 years, but his dynamic and daring sound left an indelible mark on the history of music. His deep blues, rollicking rock ‘n’ roll and swinging ballads inspired a generation of musicians, forming the basis for what we now know as soul music. Born in Arkansas in 1937, William Edward John found his voice in the church halls, rec centers and nightclubs of Detroit, a fertile proving ground that produced the likes of Levi Stubbs and the Four Tops, Stevie Wonder, Aretha Franklin, Diana Ross and the Supremes, Smokey Robinson and Hank Ballard and the Midnighters. One voice rose above the rest in those formative years of the 1950s, and Little Willie John went on to have 15 hit singles in the American rhythm & blues chart, with considerable cross-over success in pop. Some of his songs might be best known by their cover versions (“Fever” by Peggy Lee, “Need Your Love So Bad” by Fleetwood Mac and “Leave My Kitten Alone” by The Beatles) but Little Willie John’s original recording of these and other songs are widely considered to be definitive, and it is this sound that is credited with ushering in a new age in American music as the 1950s turned into the 60s and rock ‘n’ roll took its place in popular culture. The soaring heights of Little Willie John’s career are matched only by the tragic events of his death, cutting short a life so full of promise. Charged with a violent crime in the late 1960s, an abbreviated trial saw Willie convicted and incarcerated in Walla Walla Washington, where he died under mysterious circumstances in 1968. In this, the first official biography of one of the most important figures in rhythm & blues history, author Susan Whitall, with the help of Little Willie John’s eldest son Kevin John, has interviewed some of the biggest names in the music industry and delved into the personal archive of the John family to produce an unprecedented account of the man who invented soul music. “Little Willie John is the soul singer’s soul singer.” – Marvin Gaye “My mother told me, if you call yourself 'Little' Stevie Wonder you'd better be as good as Little Willie John." – Stevie Wonder “Willie John was one of the most brilliant singers you would ever want to come across, bar none. There are things that were great, there are things that were good. Willie John was past great.” – Sam Moore “Little Willie John did not know how to sing wrong, know what I mean?”– Dion “Little Willie John was a soul singer before anyone thought to call it that.” – James Brown

Are you afraid of the dark? Evil lurks, embedded in shadows, and around every corner it awaits and dwells. I invite you to my world of terror - the darkside - the underbelly of the sunlit world that man takes for granted. Now, with that being said, allow me to frighten you more. Once you've entered this book, you've entered the bowels of horror. You can leave at anytime. In fact, you can come and go as you please. Just beware of its macabre, graphic detail, and intense amplitude. This book is sure to give you The Willies.