Outlines Of Some Cultural Aspects Of U S Imperialism

In Part I, this booklet traces the post-Independence struggles in the United States for the realization of the ideals of the early Enlightenment thinkers, with particular emphasis on the practical struggles of the working class. The mid nineteenth to the mid twentieth centuries origin and fates of the theories of Charles Darwin and Karl Marx in this country, are seen through the ideological lenses of the various classes, groups, and individual. We get glimpses of the pracgtical objectives of the culturally influential religious revivals, social Darwinist movement, and the current "dunbing down" of the US population - al of which had (and have ) the support and/or blessings of the corporate and political elite, down through the decades. In Part II, the author presents a reappraisal, mainly by academic Marxists in the advanced capitalist ststes,of the demise of soviet socialism, and their alternatives for a non- market socialism with transparency - Democratic Participatory Socialism. It is the hope of this writer that the ideas within will seed more discussion on socialsit theory and practice.

In Part I, this booklet traces the post-Independence struggles in the United States for the realization of the ideals of the early Enlightenment thinkers, with particular emphasis on the practical struggles of the working class. The mid nineteenth to the mid twentieth centuries origin and fates of the theories of Charles Darwin and Karl Marx in this country, are seen through the ideological lenses of the various classes, groups, and individual. We get glimpses of the pracgtical objectives of the culturally influential religious revivals, social Darwinist movement, and the current "dunbing down" of the US population - al of which had (and have ) the support and/or blessings of the corporate and political elite, down through the decades. In Part II, the author presents a reappraisal, mainly by academic Marxists in the advanced capitalist ststes,of the demise of soviet socialism, and their alternatives for a non- market socialism with transparency - Democratic Participatory Socialism. It is the hope of this writer that the ideas within will seed more discussion on socialsit theory and practice.

This is the first theoretical book on Chinese Cultural Soft Power. It focuses on the inner logical relations between Chinese cultural soft power and the realization of the China Dream, while also offering detailed explanations of the scope of and essential questions concerning Chinese cultural soft power. The book is divided into six parts, which, taken together, concisely yet thoroughly examine the theoretical roots of soft power and the current status of China’s soft power as illustrated in concrete cases. On this basis, the author subsequently draws a cautious overall conclusion on the development of China’s soft power.

DigiCat Publishing presents to you this special edition of "Parenthood and Race Culture: An Outline of Eugenics" by C. W. Saleeby. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This book touches on most of the important questions that arise in life. Somewhat in the manner of Nietzsche, it presents provocative perspectives on topics ranging from morality to politics, from art to religion, from capitalism to socialism. What is the "meaning of life"? What does it mean to act morally? What are the sources of modern unhappiness and social ills? How has Western society evolved to its present state, and what is its future? What is the future of capitalism itself? Such questions, and many others, are addressed. The book is also intended as literature, though, and as such contains poetry, fiction, and even satire. Ultimately its purpose is simply stated: it is meant to contribute to the collective project of dragging "humanism" out from the underground.

Culture Still Matters: Notes from the Field is a critical defence of anthropology's contributions to analysis of significant social and cultural issues through ethnographic fieldwork, covering theoretical concepts about culture and their critiques in readable prose.

Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking. Contributors. Michael A. Chaney, Cheryl Finley, P. Gabrielle Foreman, Ginger Hill, Leigh Raiford, Augusta Rohrbach, Ray Sapirstein, Suzanne N. Schneider, Shawn Michelle Smith, Laura Wexler, Maurice O. Wallace

John Carlos Rowe, considered one of the most eminent and progressive critics of American literature, has in recent years become instrumental in shaping the path of American studies. His latest book examines literary responses to U.S. imperialism from the late eighteenth century to the 1940s. Interpreting texts by Charles Brockden Brown, Poe, Melville, John Rollin Ridge, Twain, Henry Adams, Stephen Crane, W. E. B Du Bois, John Neihardt, Nick Black Elk, and Zora Neale Hurston, Rowe argues that U.S. literature has a long tradition of responding critically or contributing to our imperialist ventures. Following in the critical footsteps of Richard Slotkin and Edward Said, Literary Culture and U.S. Imperialism is particularly innovative in taking account of the public and cultural response to imperialism. In this sense it could not be more relevant to what is happening in the scholarship, and should be vital reading for scholars and students of American literature and culture.