Overground Railroad The Young Adult Adaptation

This historical exploration of the Green Book offers “a fascinating [and] sweeping story of black travel within Jim Crow America across four decades” (The New York Times Book Review). Published from 1936 to 1966, the Green Book was hailed as the “black travel guide to America.” At that time, it was very dangerous and difficult for African-Americans to travel because they couldn’t eat, sleep, or buy gas at most white-owned businesses. The Green Book listed hotels, restaurants, gas stations, and other businesses that were safe for black travelers. It was a resourceful and innovative solution to a horrific problem. It took courage to be listed in the Green Book, and Overground Railroad celebrates the stories of those who put their names in the book and stood up against segregation. Author Candacy A. Taylor shows the history of the Green Book, how we arrived at our present historical moment, and how far we still have to go when it comes to race relations in America. A New York Times Notable Book of 2020

A young reader's edition of Candacy Taylor’s acclaimed book about the history of the Green Book, the guide for Black travelers Overground Railroad chronicles the history of the Green Book, which was published from 1936 to 1966 and was the “Black travel guide to America.” For years, it was dangerous for African Americans to travel in the United States. Because of segregation, Black travelers couldn’t eat, sleep, or even get gas at most white-owned businesses. The Green Book listed hotels, restaurants, department stores, gas stations, recreational destinations, and other businesses that were safe for Black travelers. It was a resourceful and innovative solution to a horrific problem. It took courage to be listed in the Green Book, and the stories from those who took a stand against racial segregation are recorded and celebrated. This young reader's edition of Candacy Taylor’s critically acclaimed adult book Overground Railroad includes her own photographs of Green Book sites, as well as archival photographs and interviews with people who owned and used these facilities. The book also includes an author's note, endnotes, bibliography, timeline, and index.

CHAPTER SIX: "KVN Is an Honest Game": Game Shows and the Problem of Authority -- CHAPTER SEVEN: A Dress Rehearsal for Life: Artloto and What? Where? When? -- Epilogue: The Origins of Central Television's Perestroika -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z

Set against the backdrop of Caribbean folklore, Lisa Stringfellow’s spellbinding middle grade debut tells of a grieving girl and a vengeful mermaid and will enchant readers who loved Kacen Callender’s Hurricane Child or Christian McKay Heidicker’s Scary Stories for Young Foxes. Ever since her mother’s death, Kela feels every bit as broken as the shards of glass, known as “mermaid’s tears,” that sparkle on the Caribbean beaches of St. Rita. So when Kela and her friend Lissy stumble across an ancient-looking comb in a coral cave, with all she’s already lost, Kela can’t help but bring home her very own found treasure. Far away, deep in the cold ocean, the mermaid Ophidia can feel that her comb has been taken. And despite her hatred of all humans, her magic requires that she make a bargain: the comb in exchange for a wish. But what Kela wants most is for her mother to be alive. And a wish that big will exact an even bigger price… Don’t miss the novel that Newbery-winning author Kelly Barnhill calls “one of the most promising works of fiction in a long time”!

A window into a child's experience of the Great Migration from the award-winning creators of Before She Was Harriet and Finding Langston. As she climbs aboard the New York bound Silver Meteor train, Ruth Ellen embarks upon a journey toward a new life up North-- one she can't begin to imagine. Stop by stop, the perceptive young narrator tells her journey in poems, leaving behind the cotton fields and distant Blue Ridge mountains. Each leg of the trip brings new revelations as scenes out the window of folks working in fields give way to the Delaware River, the curtain that separates the colored car is removed, and glimpses of the freedom and opportunity the family hopes to find come into view. As they travel, Ruth Ellen reads from Narrative of the Life of Frederick Douglass, reflecting on how her journey mirrors her own-- until finally the train arrives at its last stop, New York's Penn Station, and the family heads out into a night filled with bright lights, glimmering stars, and new possiblity. James Ransome's mixed-media illustrations are full of bold color and texture, bringing Ruth Ellen's journey to life, from sprawling cotton fields to cramped train cars, the wary glances of other passengers and the dark forest through which Frederick Douglass traveled towards freedom. Overground Railroad is, as Lesa notes, a story "of people who were running from and running to at the same time," and it's a story that will stay with readers long after the final pages. A Junior Library Guild Selection Praise for Lesa Cline-Ransome and James Ransome's Before She Was Harriet, a Coretta Scott King Honor Book and winner of the Christopher Award * "Ransome's lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past."--Kirkus Reviews, Starred Review * "a powerful reminder of how all children carry within them the potential for greatness."--Publishers Weekly, Starred Review

“Mabanckou dazzles with technical dexterity and emotional depth” in his debut novel, winner of the Grand Prix Littéraire de l’Afrique Noire (Publishers Weekly, starred review). This tale of wild adventure reveals the dashed hopes of Africans living between worlds. When Moki returns to his village from France wearing designer clothes and affecting all the manners of a Frenchman, Massala-Massala, who lives the life of a humble peanut farmer after giving up his studies, begins to dream of following in Moki’s footsteps. Together, the two take wing for Paris, where Massala-Massala finds himself a part of an underworld of out-of-work undocumented immigrants. After a botched attempt to sell metro passes purchased with a stolen checkbook, he winds up in jail and is deported. Blue White Red is a novel of postcolonial Africa where young people born into poverty dream of making it big in the cities of their former colonial masters. Alain Mabanckou’s searing commentary on the lives of Africans in France is cut with the parody of African villagers who boast of a son in the country of Digol. Praise for Alain Mabanckou and Blue White Red “Mabanckou counts as one of the most successful voices of young African literature.” —Internationales Literaturfestival Berlin “The African Beckett.” —The Economist “Blue White Red stands at the beginning of the author’s remarkable and multifaceted career as a novelist, essayist and poet . . . this debut novel shows much of his style and substance in remarkable ways . . . Dundy’s translation is excellent.” —Africa Book Club “Mabanckou’s provocative novel probes the many facets of the ‘migration adventure.’” —Booklist

Well-researched and rich with ghastly details, this third historical fiction novel in the Horrors of History series is based on the great influenza epidemic of 1918. Actual and fictionalized victims and survivors, like the young, heroic Barium and the concerned, wise Doctor Wilmer Krusen, help weave together a gripping account of how Philadelphia coped with the outbreak.

Power, language, and urban planning politics in Washington, D.C.