Paint The White House Black

Barack Obama's election as the first black president in American history forced a reconsideration of racial reality and possibility. It also incited an outpouring of discussion and analysis of Obama's personal and political exploits. Paint the White House Black fills a significant void in Obama-themed debate, shifting the emphasis from the details of Obama's political career to an understanding of how race works in America. In this groundbreaking book, race, rather than Obama, is the central focus. Michael P. Jeffries approaches Obama's election and administration as common cultural ground for thinking about race. He uncovers contemporary stereotypes and anxieties by examining historically rooted conceptions of race and nationhood, discourses of "biracialism" and Obama's mixed heritage, the purported emergence of a "post-racial society," and popular symbols of Michelle Obama as a modern black woman. In so doing, Jeffries casts new light on how we think about race and enables us to see how race, in turn, operates within our daily lives. Race is a difficult concept to grasp, with outbursts and silences that disguise its relationships with a host of other phenomena. Using Barack Obama as its point of departure, Paint the White House Black boldly aims to understand race by tracing the web of interactions that bind it to other social and historical forces.

Becoming the first Black president in the history of the United States, and shattering the mold of conventional politics by making hip hop culture his political ally, Obama's public relationship with hip hop throughout his presidency caused an explosion of public dialogue.

This insightful provocative glimpse at identity formation in the US reviews the new frontier of race and looks back at the archaism of the one-drop rule that is unique to America.

Stephen Puleo's American Treasures is a narrative history of America's secret efforts to hide its founding documents from Axis powers, and its national tradition of uniting to defend the definition of democracy. A Boston Globe Bestseller On December 26, 1941, Secret Service Agent Harry E. Neal stood on a platform at Washington's Union Station, watching a train chug off into the dark and feeling at once relieved and inexorably anxious. These were dire times: as Hitler's armies plowed across Europe, seizing or destroying the Continent's historic artifacts at will, Japan bristled to the East. The Axis was rapidly closing in. So FDR set about hiding the country's valuables. On the train speeding away from Neal sat four plain-wrapped cases containing the documentary history of American democracy: the Declaration of Independence, the Constitution, the Gettysburg Address, and more, guarded by a battery of agents and bound for safekeeping in the nation's most impenetrable hiding place. American Treasures charts the little-known journeys of these American crown jewels. From the risky and audacious adoption of the Declaration of Independence in 1776 to our modern Fourth of July celebrations, American Treasures shows how the ideas captured in these documents underscore the nation's strengths and hopes, and embody its fundamental values of liberty and equality. Stephen Puleo weaves in exciting stories of freedom under fire - from the Declaration and Constitution smuggled out of Washington days before the British burned the capital in 1814, to their covert relocation during WWII - crafting a sweeping history of a nation united to preserve its definition of democracy.

When America and Japan go to war, will Macy’s feelings for her beloved Japanese Friendship Doll change? A moving addition to the Friendship Dolls series. In 1941, eleven-year-old Macy James lives near the Oregon coast with her father, the director of a small museum. Miss Tokyo, one of fifty-eight exquisite friendship dolls given to America by Japan in 1926, is part of the museum’s collection — and one of Macy’s most treasured connections to her mother, who recently passed away. When the Japanese bomb Pearl Harbor, many of Macy’s neighbors demand that Miss Tokyo be destroyed. Macy promised her mother that she would take care of the doll, so against her father’s wishes Macy hides Miss Tokyo to keep her safe. But when her brother joins the Navy and devastating news from the war begins to pour in, Macy starts having doubts — does remaining loyal to Miss Tokyo mean being disloyal to America? Bringing the story of the Friendship Dolls forward to World War II, Shirley Parenteau delivers another thoughtful historical novel inspired by a little-known true event.

This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.

Blackness is a prized commodity in American pop culture. Marketed to white consumers, it invites whites to view themselves in a mirror of racial difference, while remaining “wholly” white. From sports to literature, film, and music to investigative journalism, Eric Lott reveals the hidden dynamics of this self-and-other racial mirroring.

Sites Unseen examines the complex intertwining of race and architecture in nineteenth and early-twentieth century American culture, the period not only in which American architecture came of age professionally in the U.S. but also in which ideas about architecture became a prominent part of broader conversations about American culture, history, politics, and—although we have not yet understood this clearly—race relations. This rich and copiously illustrated interdisciplinary study explores the ways that American writing between roughly 1850 and 1930 concerned itself, often intensely, with the racial implications of architectural space primarily, but not exclusively, through domestic architecture. In addition to identifying an archive of provocative primary materials, Sites Unseen draws significantly on important recent scholarship in multiple fields ranging from literature, history, and material culture to architecture, cultural geography, and urban planning. Together the chapters interrogate a variety of expressive American vernacular forms, including the dialect tale, the novel of empire, letters, and pulp stories, along with the plantation cabin, the West Indian cottage, the Latin American plaza, and the “Oriental” parlor. These are some of the overlooked plots and structures that can and should inform a more comprehensive consideration of the literary and cultural meanings of American architecture. Making sense of the relations between architecture, race, and American writing of the long nineteenth century—in their regional, national, and hemispheric contexts—Sites Unseen provides a clearer view not only of this catalytic era but also more broadly of what architectural historian Dell Upton has aptly termed the social experience of the built environment.