Painters Paintings And Books

The work aims at bringing the Persian texts into the study of the arts and technology of the Indo-lranian world – an approach much neglected so far. Drawing upon Persian sources (both from Iran and India), viz., technical treatises, historical chronicles and poetical texts, the work deals with painting and the art of book making during twelfth to nineteenth century. The introduction presents the geographical and chronological dimensions of the study. After a brief history of Persian painting before the twelfth century, the book discusses mural painting, manuscripts, origin of paper and its fabrication, the composition of the page, colours/pigments used in the paintings, painting subjects, bookbinding, etc. The painter, man and artist, his origin, his training, his status, aesthetics and taste, his workshop and its organisation and distribution of tasks therein, modular construction of the manuscripts, library, the caligraphy surrounding the painting, its illuminations and binding are all analysed. In fact the book reconstructs the entire process of making an illustrated manuscript from its ground work to its binding. Persian text and illustrations enhance the utility of the work.

What should you do at Christmas? In Edvard Munch's Christmas in the Brothel, the artist depicts himself sleeping off the effects of drink, but the Madame reads a book. What links Stalin and the artist Rosso Fiorentino? What was Gauguin hinting at when he painted a copy of Milton's Paradise Lost into a portrait of a friend? How did a chance meeting on Unter den Linden make the young owner of The Red Book famous? Was it true that no one ever saw Picasso with a book in his hand? And why were the Cumberland girls reading The Fashionable Lover in Romney's commissioned portrait?Thousands of fine paintings include books in their subject matter. This companionable survey first asks 'what is a book?'; it explores the symbiotic relationship between the development of books and the emergence of our modern idea of the role of the artist; it parades and interprets the work of many of the greatest artists of the last five hundred years; and it explains how and why books became the single most ubiquitous feature of our cultural lives and, in large measure, of our everyday existence.These paintings connect us with centuries of lived experience: religious systems, symbols of all kinds, education, changing patterns of transport, gender roles, social status, romance, the imagination of children, literary life, sex, friendship, civilized bathing, professional competence, scientific discovery, aids to rest, aids to reflection, danger... books tell us about ourselves, and have earned their place in life - and art - through the ages.

Chinese artist Liu Ye’s subtle, colorful canvases convey his love of literature in the artist’s first publication solely dedicated to his paintings of books. Beijing-based artist Liu Ye is known for his precise, deftly rendered representational paintings. Reminiscent of cartoons and illustrations in children’s books, they include references to abstract artists such as Piet Mondrian. In this new publication devoted exclusively to his Book Paintings, the artist examines the book as both a physical object and cultural totem. He simultaneously stresses the geometry in the composition while always imbuing his paintings with his uniquely recognizable style. The result is a body of work that feels both alien and familiar. Liu's Book Painting series, begun in 2013, depicts closeup views of books that are turned open to reveal empty pages, a strategy that emphasizes the object’s formal qualities over its content. Intimately scaled, these paintings indicate an appreciation of the book as an object, as well as a love of literature—Liu’s father was a children’s book author who introduced him to Western writers at a young age, fueling his curiosity and imagination. Published on the occasion of a solo exhibition presented at David Zwirner, New York, in 2020, this catalogue includes new writing by the acclaimed poet Zhu Zhu and an interview with the artist by Hans Ulrich Obrist.

A unique system for jump-starting artistic creativity, encouraging experimentation and growth, and increasing sales for artists of all levels, from novices to professionals. Have you landed in a frustrating rut? Are you having trouble selling paintings in galleries, getting bogged down by projects you can’t seem to finish or abandon, or finding excuses to avoid working in the studio? Author Carol Marine knows exactly how you feel—she herself suffered from painter’s block, until she discovered “daily painting.” The idea is simple: do art (usually small) often (how often is up to you), and if you’d like, post and sell it online. Soon you’ll find that your block dissolves and you’re painting work you love—and more of it than you ever thought possible! With her encouraging tone and useful exercises, Marine teaches you to: -Master composition and value -Become confident in any medium including oil painting, acrylic painting, watercolors, and other media -Choose subjects wisely -Stay fresh and loose -Photograph, post, and sell your art online -Become connected to the growing movement of daily painters around the world

The stunning beauty and diversity of 17th-century Dutch still-life painting raises many questions about developments in style and technique. What materials did artists use to produce these works? How were they made? Did all the still-life painters of the period use the same methods and materials? Can we relate differences in materials and methods to differences in style? These questions are explored by the conservators and curators of the Amsterdam Rijksmuseum and scientists attached to the Molart project (Molecular aspect of aging in art) in an examination of paintings by Jan Brueghel, Balthasar van der Ast, Jan Davidsz de Heem, Willem Kalf, Rachel Ruysch, and Jan van Huysum.

What are the secrets of great landscape painting? Discover them in a straightforward, highly visual and enjoyable way with this unique handbook that will quickly become an indispensable companion for painting landscapes in oils, acrylics, pastels etc. Designed as much for beginners as for experienced artists, it is a complete and engaging practical guide to landscape painting. Highly visual, straightforward and easy to use, this manual is an indispensable tool in discovering the secrets hidden beneath great paintings and how to apply them to your own work. Designed both for those new to landscape painting and artists experienced within the genre, this is a comprehensive practical guide that is engaging and inspiring. Illustrated in collaboration with some of the best contemporary landscape painters, the book has hundreds of images and diagrams, as well as QR links to complementing videos , which help readers understand and put to use the techniques and information set out in each chapter. You will discover composition as your greatest ally in depicting landscapes at their most engaging as well as how to maximise your creative experience and process. You will: Get to know and learn to use essential compositional resources for successful paintings. Improve the spatial depth and three-dimensionality of your landscapes Establish visual pathways through your paintings to attract and hold the viewer ́s attention. Identify which types of landscapes are interesting to paint. Discover better formats, framing and view-points. You will also learn how to: In summary - an essential guide for learning to paint and to appreciate landscapes. Create and reinforce a focal point to increase a painting ́s intensity. Highlight or adjust elements of a landscape, depending on what you wish to express. Master the different perspective types applicable to landscapes. Decide the most appropriate pictorial treatment for each area of a painting, depending on its role within the painting. José Payá is the director of "Gaia, Centro de Estudios de Arte y Restauración" (Gaia Centre for the Study of Art and Restauration), the most prestigious art school in Valencia (Spain) and has taught landscape painting since 1992. As a result of his desire to improve amateur learning and to address shortcomings he has detected in the range of books available teaching landscape painting, his series ̈The Secrets of Landscape Painting: Landscape Painting and Composition) was born. This is the first volume, to be followed by six additional titles. His work is available to view and purchase at www.josepaya.es.