Paper Girl

Ten-year-old Cassie lives with her working-class family in 1919 Winnipeg. The Great War and Spanish Influenza have taken their toll, and workers in the city are frustrated with low wages and long hours. When they orchestrate a general strike, Cassie — bright, determined and very bored at school — desperately wants to help. She begins volunteering for the strike committee as a papergirl, distributing the strike bulletin at Portage and Main, and from her corner, she sees the strike take shape. Threatened and taunted by upper-class kids, and getting hungrier by the day, Cassie soon realizes that the strike isn’t just a lark — it’s a risky and brave movement. With her impoverished best friend, Mary, volunteering in the nearby Labour Café, and Cassie’s police officer brother in the strike committee’s inner circle, Cassie becomes increasingly furious about the conditions that led workers to strike. When an enormous but peaceful demonstration turns into a violent assault on Bloody Saturday, Cassie is changed forever. Lively and engaging, this novel is a celebration of solidarity, justice and one brave papergirl.

I haven’t left my house in over a year. My doctor says it’s social anxiety, but I know the only things that are safe are made of paper. My room is paper. My world is paper. Everything outside is fire. All it would take is one spark for me to burst into flames. So I stay inside. Where nothing can touch me. Then my mom hires a tutor. Jackson. This boy I had a crush on before the world became too terrifying to live in. Jackson’s life is the complete opposite of mine, and I can tell he’s got secrets of his own. But he makes me feel things. Makes me want to try again. Makes me want to be brave. I can almost taste the outside world. But so many things could go wrong, and all it takes is one spark for everything I love to disappear...

"A quick read that history lovers will easily devour."—Teen Vogue "Get ready to be transported to Paris in Taylor's incredible debut novel."—Seventeen, Editor's Choice Code Name Verity meets Jennifer Donnelly’s Revolution in this gripping debut novel. NOW: Sixteen-year-old Alice is spending the summer in Paris, but she isn’t there for pastries and walks along the Seine. When her grandmother passed away two months ago, she left Alice an apartment in France that no one knew existed. An apartment that has been locked for more than seventy years. Alice is determined to find out why the apartment was abandoned and why her grandmother never once mentioned the family she left behind when she moved to America after World War II. With the help of Paul, a charming Parisian student, she sets out to uncover the truth. However, the more time she spends digging through the mysteries of the past, the more she realizes there are secrets in the present that her family is still refusing to talk about. THEN: Sixteen-year-old Adalyn doesn’t recognize Paris anymore. Everywhere she looks, there are Nazis, and every day brings a new horror of life under the Occupation. When she meets Luc, the dashing and enigmatic leader of a resistance group, Adalyn feels she finally has a chance to fight back. But keeping up the appearance of being a much-admired socialite while working to undermine the Nazis is more complicated than she could have imagined. As the war goes on, Adalyn finds herself having to make more and more compromises—to her safety, to her reputation, and to her relationships with the people she loves the most.

“I have never been anything but a paper girl. Something to tear into pieces. Something to burn.” We’ve all been paper before. We’ve all been fragile. Leaflike and gently blowing, enough to create stories or build fires. We go through life like that. We come across things that tear us into pieces, and we keep going. We keep fighting, because we must. We look for ways to be whole. To be the person we dream ourselves to be. Fragile by nature but tough by circumstance, paper girls are shaped by their love and loss. This collection of poetry and prose describes the journey of learning to live fully through the messiness of life and tenuousness of mental health.

With the stories in her first collection, Elizabeth Stuckey-French establishes herself as a smart new voice in American fiction and stakes her claim to a territory somewhere on the edge of stability, where normal is not just boring but nearly impossible, and where standing out in a crowd may just cause isolation. Her characters, mostly Midwesterners, are bizarre but endearing. A reform school graduate is placed in the care of her psychic aunt and in the servitude of a lucrative dog retrieval scheme. A mother who has accepted her son’s modest employment selling blue jeans bemoans the above-board lifestyle she discovers him leading as a wanted criminal. A rehab counselor lives vicariously through her already pregnant stepdaughter’s love affair with a drunk who spends his days in recovery and his nights in the bar. Full of wry wit, tender sympathy, and heartland attitude, The First Paper Girl in Red Oak, Iowa is as strange, funny, and poignant as the real world it resembles.

'Real sagas with female characters right at the heart' Woman's Hour 'Heart-warming, emotional and simply wonderful . . . If you think family sagas aren't for you, you've never read Glenda Young's books - pick one up today and you'll be converted' 5 * reader review If you love Dilly Court and Rosie Goodwin, you'll LOVE Glenda Young's 'amazing novels!' (ITV's This Morning presenter Sharon Marshall) 'A super saga with a sparky heroine' People's Friend 'Definitely an author not to be missed when it comes to family sagas' The Book Magnet 'Writes superb historical fiction that bring the era alive. Her books are unbeatable and unputdownable' Ginger Book Geek 'The perfectly imperfect, human nature of Glenda Young's characters are what keeps her readership hooked' Clyde's Corner 'Gritty, compelling and full of heart . . . an exceptional saga' Bookish Jottings ................................................................ 'She's just a paper mill girl.' Seventeen-year-old Ruth Hardy works long hours at Grange Paper Works, with her younger sister Bea, and spends her free time caring for their ailing parents. Their meagre income barely covers their needs, so when Bea reveals that she is pregnant out of wedlock, Ruth knows even tougher times are ahead. Ruth's hard work at the mill does not go unnoticed and it looks as though luck might turn when she's promoted. But when the arrival of Bea's baby girl ends in tragedy, Ruth is left with no choice but to bring up her niece herself. However, news of Ruth's plan brings a threatening menace close. Although Ruth's friendship with the girls at the mill, and the company of charming railway man, Mick Carson, sustain her, ultimately Ruth bears the responsibility for keeping her family safe. Will she ever find happiness of her own? ................................................................ Look out for all of Glenda's compelling sagas - Belle of the Back Streets, The Tuppenny Child, Pearl of Pit Lane, The Girl with the Scarlet Ribbon, The Paper Mill Girl and The Miner's Lass - out now! Plus, Glenda has launched a brand-new cosy-crime mystery series - don't miss Murder at the Seaview Hotel and Curtain Call at the Seaview Hotel - out now! What readers are saying about Glenda's heartwrenching sagas: 'Better than a Catherine Cookson' 5* reader review 'Wonderful read, full of rich characters, evocative description and a touch of romance' 5* reader review 'Just wanted it to go on forever and read more about the characters and their lives' 5* reader review 'In the world of historical saga writers, there's a brand new voice' My Weekly

Princess Elizabeth is beautiful and rich and about to marry Prince Ronald. That is, until a dragon destroys her castle, burns all her clothes and carries off her prince But Elizabeth's not easily beaten and sets off to get Ronald back.

Poetry. Women's Studies. "In her luminous book, Laurie Filipelli remakes the constellations of a modern life. Her poems re-draw the lines between the parts of the world, helping us to see there are no divisions between planting a plumbago and watching the passage of hateful legislation, no space between grief for a lost father and the wonder of what he's told the speaker: 'the whale's veins are so wide we could swim / to her heart.' By looking so tenderly and incisively at the actual experience of a life, Filipelli makes us see our own differently."--Sasha West "Flying together, flying apart: in these poems the self is as elastic as a flock of birds cutting across the winter sky. Here, among carousel and cave, where 'the bigger you spin, the lighter you fall,' we are invited into the world of mothers and daughters, fathers and grandfathers, a geography whose inhabitants bear steadily forward while always casting a long look back. As our leader advances, in an outstretched hand she presents to us the artifacts of her explorations--mirrors, keys, paper dragons--reminding us all the while to accept the dangers of discovery as well as its myriad blessings. The wisdom within these pages is hard-won and generously offered, the speaker lifting her face skyward no matter the conditions at her feet. 'The future is a ballad sung in your name,' Filipelli promises, and we want to--we do--believe her."--Laurie Saurborn