Papergirl

Ten-year-old Cassie lives with her working-class family in 1919 Winnipeg. The Great War and Spanish Influenza have taken their toll, and workers in the city are frustrated with low wages and long hours. When they orchestrate a general strike, Cassie — bright, determined and very bored at school — desperately wants to help. She begins volunteering for the strike committee as a papergirl, distributing the strike bulletin at Portage and Main, and from her corner, she sees the strike take shape. Threatened and taunted by upper-class kids, and getting hungrier by the day, Cassie soon realizes that the strike isn’t just a lark — it’s a risky and brave movement. With her impoverished best friend, Mary, volunteering in the nearby Labour Café, and Cassie’s police officer brother in the strike committee’s inner circle, Cassie becomes increasingly furious about the conditions that led workers to strike. When an enormous but peaceful demonstration turns into a violent assault on Bloody Saturday, Cassie is changed forever. Lively and engaging, this novel is a celebration of solidarity, justice and one brave papergirl.

I haven’t left my house in over a year. My doctor says it’s social anxiety, but I know the only things that are safe are made of paper. My room is paper. My world is paper. Everything outside is fire. All it would take is one spark for me to burst into flames. So I stay inside. Where nothing can touch me. Then my mom hires a tutor. Jackson. This boy I had a crush on before the world became too terrifying to live in. Jackson’s life is the complete opposite of mine, and I can tell he’s got secrets of his own. But he makes me feel things. Makes me want to try again. Makes me want to be brave. I can almost taste the outside world. But so many things could go wrong, and all it takes is one spark for everything I love to disappear...

"A quick read that history lovers will easily devour."—Teen Vogue "Get ready to be transported to Paris in Taylor's incredible debut novel."—Seventeen, Editor's Choice Code Name Verity meets Jennifer Donnelly’s Revolution in this gripping debut novel. NOW: Sixteen-year-old Alice is spending the summer in Paris, but she isn’t there for pastries and walks along the Seine. When her grandmother passed away two months ago, she left Alice an apartment in France that no one knew existed. An apartment that has been locked for more than seventy years. Alice is determined to find out why the apartment was abandoned and why her grandmother never once mentioned the family she left behind when she moved to America after World War II. With the help of Paul, a charming Parisian student, she sets out to uncover the truth. However, the more time she spends digging through the mysteries of the past, the more she realizes there are secrets in the present that her family is still refusing to talk about. THEN: Sixteen-year-old Adalyn doesn’t recognize Paris anymore. Everywhere she looks, there are Nazis, and every day brings a new horror of life under the Occupation. When she meets Luc, the dashing and enigmatic leader of a resistance group, Adalyn feels she finally has a chance to fight back. But keeping up the appearance of being a much-admired socialite while working to undermine the Nazis is more complicated than she could have imagined. As the war goes on, Adalyn finds herself having to make more and more compromises—to her safety, to her reputation, and to her relationships with the people she loves the most.

“I have never been anything but a paper girl. Something to tear into pieces. Something to burn.” We’ve all been paper before. We’ve all been fragile. Leaflike and gently blowing, enough to create stories or build fires. We go through life like that. We come across things that tear us into pieces, and we keep going. We keep fighting, because we must. We look for ways to be whole. To be the person we dream ourselves to be. Fragile by nature but tough by circumstance, paper girls are shaped by their love and loss. This collection of poetry and prose describes the journey of learning to live fully through the messiness of life and tenuousness of mental health.

With the stories in her first collection, Elizabeth Stuckey-French establishes herself as a smart new voice in American fiction and stakes her claim to a territory somewhere on the edge of stability, where normal is not just boring but nearly impossible, and where standing out in a crowd may just cause isolation. Her characters, mostly Midwesterners, are bizarre but endearing. A reform school graduate is placed in the care of her psychic aunt and in the servitude of a lucrative dog retrieval scheme. A mother who has accepted her son’s modest employment selling blue jeans bemoans the above-board lifestyle she discovers him leading as a wanted criminal. A rehab counselor lives vicariously through her already pregnant stepdaughter’s love affair with a drunk who spends his days in recovery and his nights in the bar. Full of wry wit, tender sympathy, and heartland attitude, The First Paper Girl in Red Oak, Iowa is as strange, funny, and poignant as the real world it resembles.

Cell Traffic presents new poems and uncollected prose poetry along with selected work from award-winning poet Heid Erdrich's three previous poetry collections. Erdrich's new work reflects her continuing concerns with the tensions between science and tradition, between spirit and body. She finds surprising common ground while exploring indigenous experience in multifaceted ways: personal, familial, biological, and cultural. The title, Cell Traffic, suggests motion and Erdrich considers multiple movements-cellular transfer, the traffic of DNA through body parts and bones, "migration" through procreation, and the larger "movements" of indigenousness and ancestral inheritance.ÊErdrich's wry sensibility, sly wit, and keenly insightful mind have earned her a loyal following. Her point of view is always slightly off center, and this lends a particular freshness to her poetry. The debunking and debating of the science of origins is one of Erdrich's focal subjects. In this collection, she turns her observational eye to the search for a genetic mother of humanity, forensic anthropology's quest for the oldest known bones, and online offers of genetic testing. But her interests are not limited to science. She freely admits popular culture into her purview as well, referencing sci-fi television series and Internet pop-up ads.

Kay Harker is heading home for the school holidays. Recently orphaned, he knows this Christmas will be different but nothing could prepare him for the journey that lies ahead. On the train he meets an old magician, Cole Hawlings, who charges Kay with safeguarding a wondrous device that has time-travelling powers. It's an instrument that Cole's nemesis, the wicked sorcerer Abner Brown, will stop at nothing to steal for himself. And so when the old man mysteriously disappears, Kay faces the fight of his life. He must protect both the Box of Delights and, with it, the people he loves. The Box of Delights is a magical and festive adventure in which one boy must confront the secrets of the past to defeat the evil in his present. The future of Christmas itself depends upon him. Adapted for the stage for the first time by Piers Today, John Masefield's much-loved classic The Box of Delightspremiered at Wilton's Music Hall in December 2017. 'One of the greatest children's books ever written.' The Times

Don’t hate the player… Achieve lifelong dream of becoming a reporter? Check. Land dream job working with her idol at the Brooklyn Daily Post? Check. Navigate working across the street from her college nemesis? Okay, yes, hate the player. But Jessica Romano doesn’t have time to be bothered by the likes of Alex Drake. She’s struck up a fiery online flirtation with a mystery man and—thanks to Alex’s family’s gossip website, competitor Click News—she also has a newspaper to save. But she is bothered by Alex. She’s bothered by the fact that Click News keeps scooping the Daily Post’s stories. And by how Alex always gets what he wants. And she’s really bothered by how she can’t seem to stop staring at his stupid, sexy face. Or how their competitive banter is starting to sound like familiar foreplay. Suddenly Jess isn’t just bothered by Alex; she’s hot and bothered. Hot sex and swoony romance are almost enough to make her forget the vast divide between old media and new…and the Romanos from Brooklyn and the Drakes of Manhattan. One-click with confidence. This title is part of the Carina Press Romance Promise: all the romance you’re looking for with an HEA/HFN. It’s a promise! This book is approximately 87,000 words