Paper Girl

Ten-year-old Cassie lives with her working-class family in 1919 Winnipeg. The Great War and Spanish Influenza have taken their toll, and workers in the city are frustrated with low wages and long hours. When they orchestrate a general strike, Cassie — bright, determined and very bored at school — desperately wants to help. She begins volunteering for the strike committee as a papergirl, distributing the strike bulletin at Portage and Main, and from her corner, she sees the strike take shape. Threatened and taunted by upper-class kids, and getting hungrier by the day, Cassie soon realizes that the strike isn’t just a lark — it’s a risky and brave movement. With her impoverished best friend, Mary, volunteering in the nearby Labour Café, and Cassie’s police officer brother in the strike committee’s inner circle, Cassie becomes increasingly furious about the conditions that led workers to strike. When an enormous but peaceful demonstration turns into a violent assault on Bloody Saturday, Cassie is changed forever. Lively and engaging, this novel is a celebration of solidarity, justice and one brave papergirl.

I haven’t left my house in over a year. My doctor says it’s social anxiety, but I know the only things that are safe are made of paper. My room is paper. My world is paper. Everything outside is fire. All it would take is one spark for me to burst into flames. So I stay inside. Where nothing can touch me. Then my mom hires a tutor. Jackson. This boy I had a crush on before the world became too terrifying to live in. Jackson’s life is the complete opposite of mine, and I can tell he’s got secrets of his own. But he makes me feel things. Makes me want to try again. Makes me want to be brave. I can almost taste the outside world. But so many things could go wrong, and all it takes is one spark for everything I love to disappear...

"A quick read that history lovers will easily devour."—Teen Vogue "Get ready to be transported to Paris in Taylor's incredible debut novel."—Seventeen, Editor's Choice Code Name Verity meets Jennifer Donnelly’s Revolution in this gripping debut novel. NOW: Sixteen-year-old Alice is spending the summer in Paris, but she isn’t there for pastries and walks along the Seine. When her grandmother passed away two months ago, she left Alice an apartment in France that no one knew existed. An apartment that has been locked for more than seventy years. Alice is determined to find out why the apartment was abandoned and why her grandmother never once mentioned the family she left behind when she moved to America after World War II. With the help of Paul, a charming Parisian student, she sets out to uncover the truth. However, the more time she spends digging through the mysteries of the past, the more she realizes there are secrets in the present that her family is still refusing to talk about. THEN: Sixteen-year-old Adalyn doesn’t recognize Paris anymore. Everywhere she looks, there are Nazis, and every day brings a new horror of life under the Occupation. When she meets Luc, the dashing and enigmatic leader of a resistance group, Adalyn feels she finally has a chance to fight back. But keeping up the appearance of being a much-admired socialite while working to undermine the Nazis is more complicated than she could have imagined. As the war goes on, Adalyn finds herself having to make more and more compromises—to her safety, to her reputation, and to her relationships with the people she loves the most.

"I have never been anything but a paper girl. Something to tear into pieces. Something to burn." We've all been paper before. We've all been fragile. Leaf-like and gently blowing. Enough to create stories or build fires. So, we go through life like that. We come across the things that tear us into pieces, and we keep going. We keep fighting because we must. We look for ways to be whole. To be the person we dream to be. Fragile by nature, but tough by circumstance, paper girls are shaped by their love and loss. This collection of poetry and prose describes the journey of learning to live fully through the messiness of life and tenuousness of mental health.

Before the Little Rock Nine, before Rosa Parks, before Martin Luther King Jr. and his March on Washington, there was Barbara Rose Johns, a teenager who used nonviolent civil disobedience to draw attention to her cause. In 1951, witnessing the unfair conditions in her racially segregated high school, Barbara Johns led a walkout—the first public protest of its kind demanding racial equality in the U.S.—jumpstarting the American civil rights movement. Ridiculed by the white superintendent and school board, local newspapers, and others, and even after a cross was burned on the school grounds, Barbara and her classmates held firm and did not give up. Her school’s case went all the way to the Supreme Court and helped end segregation as part of Brown v. Board of Education. Barbara Johns grew up to become a librarian in the Philadelphia school system. The Girl from the Tar Paper School mixes biography with social history and is illustrated with family photos, images of the school and town, and archival documents from classmates and local and national news media. The book includes a civil rights timeline, bibliography, and index.

With the stories in her first collection, Elizabeth Stuckey-French establishes herself as a smart new voice in American fiction and stakes her claim to a territory somewhere on the edge of stability, where normal is not just boring but nearly impossible, and where standing out in a crowd may just cause isolation. Her characters, mostly Midwesterners, are bizarre but endearing. A reform school graduate is placed in the care of her psychic aunt and in the servitude of a lucrative dog retrieval scheme. A mother who has accepted her son’s modest employment selling blue jeans bemoans the above-board lifestyle she discovers him leading as a wanted criminal. A rehab counselor lives vicariously through her already pregnant stepdaughter’s love affair with a drunk who spends his days in recovery and his nights in the bar. Full of wry wit, tender sympathy, and heartland attitude, The First Paper Girl in Red Oak, Iowa is as strange, funny, and poignant as the real world it resembles.

One woman’s journey to find the lost love her grandfather left behind when he fled pre-World War II Europe, and an exploration into family identity, myth, and memory. Years after her grandfather’s death, journalist Sarah Wildman stumbled upon a cache of his letters in a file labeled “Correspondence: Patients A–G.” What she found inside weren’t dry medical histories; instead what was written opened a path into the destroyed world that was her family’s prewar Vienna. One woman’s letters stood out: those from Valy—Valerie Scheftel. Her grandfather’s lover who had remained behind when he fled Europe six months after the Nazis annexed Austria. Valy’s name wasn’t unknown to her—Wildman had once asked her grandmother about a dark-haired young woman whose images she found in an old photo album. “She was your grandfather’s true love,” her grandmother said at the time, and refused any other questions. But now, with the help of the letters, Wildman started to piece together Valy’s story. They revealed a woman desperate to escape and clinging to the memory of a love that defined her years of freedom. Obsessed with Valy’s story, Wildman began a quest that lasted years and spanned continents. She discovered, to her shock, an entire world of other people searching for the same woman. On in the course of discovering Valy’s ultimate fate, she was forced to reexamine the story of her grandfather’s triumphant escape and how this history fit within her own life and in the process, she rescues a life seemingly lost to history.

One charming little girl paper doll and eight authentic costumes: Xhosa robe, Zulu dance costume, sheath and headdress of a Baule queen, Fulani dancer's costume, plus outfits from Swaziland, Senegal, Tanzania, and Zanzibar.