Paradise News

Bernard Walsh, agnostic theologian, has a professional interest in heaven. But when he travels to Hawaii with his reluctant father Jack, to visit Jack's dying, estranged sister it feels more like purgatory than paradise. Surrounded by quarrelling honeymooners, a freeloading anthropologist and assorted tourists in search of their own personal paradise, and with his father whisked off to hospital after an unfortunate accident, Bernard is beginning to regret ever coming to Haiwaii. Until, that is, he stumbles on something he had given up hope of finding: the astonishing possibility of love.

First televised in 2011, Death in Paradise remains one of the most popular shows in the U.K. The detective series is frequently ignored, panned or belittled by television critics, but viewers disagree. Bringing in more than eight million viewers a season, it is accessible in more than 235 global territories. This first book-length assessment of Death in Paradise offers a fresh take on the popular BBC drama. The book positions the show within broader contexts that illustrate its origins and timeless appeal, from the first conceptualizations of "paradise" in ancient cultures to the creation of the classic detective story in the 1920s. The detective inspectors on Death in Paradise come from a long line of fictional eccentrics who excel at finding quirky clues, seeing surprising connections and employing help from other officials and agencies. Through exploration of these narrative elements and more, the author reveals deeper themes of justice, inclusion and environmentalism.

‘Deserves to be an instant classic. I haven’t loved a book this much in a long time . . . What Strange Paradise . . . reads as a parable for our times . . . Such beautiful writing . . . This is an extraordinary book.’ – New York Times From the widely acclaimed author of American War, Omar El Akkad, a beautifully written, unrelentingly dramatic and profoundly moving novel that brings the global refugee crisis down to the level of a child’s eyes. More bodies have washed up on the shores of a small island. Another over-filled, ill-equipped, dilapidated ship has sunk under the weight of its too-many passengers: Syrians, Ethiopians, Egyptians, Lebanese, Palestinians, all of them desperate to escape untenable lives in their homelands. And only one had made the passage: nine-year-old Amir, a Syrian boy who has the good fortune to fall into the hands not of the officials, but of Vänna: a teenage girl, native to the island, who lives inside her own sense of homelessness in a place and among people she has come to disdain. And though Vänna and Amir are complete strangers and don’t speak a common language, Vänna determines to do whatever it takes to save him. In alternating chapters, we learn the story of Amir’s life and of how he came to be on the ship; and we follow the duo as they make their way towards a vision of safety. But as the novel unfurls, we begin to understand that this is not merely the story of two children finding their way through a hostile world. Omar El Akkad’s What Strange Paradise is the story of our collective moment in this time: of empathy and indifference, of hope and despair – and of the way each of those things can blind us to reality, or guide us to a better one.

David Lodge is internationally celebrated as a novelist and critic, and, more recently, as a writer for television. This study examines his work from The Picturegoers (1960) to Therapy (1995). There are chapters on Lodge's early, mainly realistic, fiction; on his trilogy of campus novels, Changing Places, Small World and Nice Work; and on his interest, sometimes light-hearted, sometimes deeply serious, in Catholicism, notably in How Far Can You Go? and Paradise News. Lodge's practice as a novelist has been paralleled over the years by his work as a literary critic and theorist who is keenly interested in fictional form. There is an account of his critical writing, and the study concludes with an assessment of Lodge's achievement as a best-selling novelist with intellectual interests in criticismand theology, who has successfully brought together observant realism, metafictional consciousness and dazzling comedy.

This comparative study, the first of its kind, discusses paradise discourse in a wide range of writing from Mexico, Zanzibar, and Sri Lanka, including novels by authors such as Malcolm Lowry, Leonard Woolf, Juan Rulfo, Wilson Harris, Abdulrazak Gurnah, and Romesh Gunesekera. Tracing dialectical tropes of paradise across the "long modernity" of the capitalist world-system, Deckard reads literature from postcolonial nations in context with colonial discourse in order to demonstrate how paradise begins as a topos motivating European exploration and colonization, shifts into an ideological myth justifying imperial exploitation, and finally becomes a literary motif used by contemporary writers to critique neocolonial representations and conditions in the age of globalization. Combining a range of critical perspectives—cultural materialist, ecocritical, and postcolonial—the volume opens up a deeper understanding of the relation between paradise discourse and the destructive dynamics of plantation, tourism, and global capital. Deckard uncovers literature from East Africa and South Asia which has been previously overlooked in mainstream postcolonial criticism, and gestures to how the utopian dimensions of the paradise myth might be reclaimed to promote cultural resistance.

"The definitive firsthand account of California's Camp Fire-the nation's deadliest wildfire in a century-and a riveting examination of what went wrong and how to avert future tragedies as the climate crisis unfolds ... A cautionary tale for a new era of megafires, Paradise is the gripping story of a town wiped off the map and the determination of its people to rise again"--

The harrowing story of the most destructive American wildfire in a century. On November 8, 2018, the ferocious Camp Fire razed nearly every home in Paradise, California, and killed at least 85 people. Journalists Alastair Gee and Dani Anguiano reported on Paradise from the day the fire began and conducted hundreds of in-depth interviews with residents, firefighters and police, and scientific experts. Fire in Paradise is their dramatic narrative of the disaster and an unforgettable story of an American town at the forefront of the climate emergency.

On the morning of July 12, 2012, Mandy Bath left her picturesque home and garden in Johnson’s Landing, BC, for a day trip to nearby Kaslo. She had no forewarning of what the placid summer day would bring. But just over an hour later, a massive landslide tore into the community, destroying her home and killing four people: Valentine Webber, aged 60, and his daughters, 22-year-old Diana and 17-year-old Rachel, along with 64-year-old Petra Frehse. Returning the next day to search for her cat, Mandy narrowly avoided being buried beneath a second slide. Disaster in Paradise tells a story of survival, grief and recovery, as Mandy and the other residents of Johnson’s Landing gradually rebuild their community in the wake of the tragedy. Mandy eloquently details her own experience of trauma and healing, and weaves in the stories of other residents and volunteers in the rescue and recovery missions as the community bands together to collectively mourn their loss. The story is grounded by the author’s intimate knowledge of the Johnson’s Landing community, but also reflects the greater themes of loss, perseverance and bravery that arise in natural disasters everywhere.