Parasites Worms And The Human Body In Religion And Culture

The fear of parasites - with their power to invade, infest, and transform the self - writhes and wriggles through cultures and religions across the globe, reflecting a very human revulsion of being invaded and consumed by both internal and external forces. However, in ancient China, the parasitic wasp and the worm illuminate the relationship between the sage and his pupil. On the Indian sub-continent, Hindu cultures worship Nagas, entities who protect sources of drinking water from parasitic contamination, and the reciprocal relationship between parasite and host is a recurring theme in Vedic literature and ayurvedic texts. In medieval Europe, worms are symbols of both corruption through sin and redemption through Christ. In traditional African American culture, disease is attributed to infestation by supernatural spiders, bugs, and worms, while in the rainforests of southern Argentina, parasitologists fight against very real parasitic invaders. The worm represents our Jungian shadow, and we fear their bodies for they are our own - soft and vulnerable, powerfully destructive, mindlessly living off the corpses of others, and feeding on the corpse of the world. This book gathers together scholarly research from diverse disciplines, including anthropology, the health sciences, history, literature, the medical humanities, parasitology, sociology, and religious studies.

This collection of essays provides scholars in the study of religion occasion to discuss the theoretical and methodological issues raised, to debate and expand upon them, or, in the spirit of scientific inquiry, even to refute the arguments made.

Though not thought about as much as viruses or bacteria, parasites are behind much sickness and suffering in both animals and humans all over the world. Parasites range from microscopic protozoans to insects like ticks and lice and intestinal worms. What they all have in common is that their survival comes at the expense of other living things. This book gives readers a solid introduction to these unpleasant but fascinating organisms, describes how they lead to illness, and discusses preventative measures and cures.

Evil isn't simply an abstract theological or philosophical talking point. In our society, the idea of evil feeds entertainment, manifests in all sorts of media, and is a root concept in our collective psyche. This accessible and appealing book examines what evil means to us. Evil has been with us since the Garden of Eden, when Eve unleashed evil by biting the apple. Outside of theology, evil remains a highly relevant concept in contemporary times: evil villains in films and literature make these stories entertaining; our criminal justice system decides the fate of convicted criminals based on the determination of their status as "evil" or "insane." This book examines the many manifestations of "evil" in modern media, making it clear how this idea pervades nearly all aspects of life and helping us to reconsider some of the notions about evil that pop culture perpetuates and promotes. Covering screen media such as film, television, and video games; print media that include novels and poetry; visual media like art and comics; music; and political polemics, the essays in this book address an eclectic range of topics. The diverse authors include Americans who left the United States during the Vietnam War era, conservative Christian political pundits, rock musicians, classical linguists, Disney fans, scholars of American slavery, and experts on Holocaust literature and films. From portrayals of evil in the television shows The Wire and 24 to the violent lyrics of the rap duo Insane Clown Posse to the storylines of the Lord of the Rings and Harry Potter books, readers will find themselves rethinking what evil is—and how they came to hold their beliefs.

Animals play crucial roles in Buddhist thought and practice. However, many symbolically or culturally significant animals found in India, where Buddhism originated, do not inhabit China, to which Buddhism spread in the medieval period. In order to adapt Buddhist ideas and imagery to the Chinese context, writers reinterpreted and modified the meanings different creatures possessed. Medieval sources tell stories of monks taming wild tigers, detail rituals for killing snakes, and even address the question of whether a parrot could achieve enlightenment. Huaiyu Chen examines how Buddhist ideas about animals changed and were changed by medieval Chinese culture. He explores the entangled relations among animals, religions, the state, and local communities, considering both the multivalent meanings associated with animals and the daily experience of living with the natural world. Chen illustrates how Buddhism influenced Chinese knowledge and experience of animals as well as how Chinese state ideology, Daoism, and local cultic practices reshaped Buddhism. He shows how Buddhism, Confucianism, and Daoism developed doctrines, rituals, discourses, and practices to manage power relations between animals and humans. Drawing on a wide range of sources, including traditional texts, stone inscriptions, manuscripts, and visual culture, this interdisciplinary book bridges history, religious studies, animal studies, and environmental studies. In examining how Buddhist depictions of the natural world and Chinese taxonomies of animals mutually enriched each other, In the Land of Tigers and Snakes offers a new perspective on how Buddhism took root in Chinese society.

This volume contains discussions and dissections of monsters across multiple media and geographical origins. However, the notable shifts in how we engage monsters and monstrosity feature heavily in this volume. Chapters tackle resurrections of previous series and conversations through films like Jurassic World and Krampus. Others gravitate towards the rebirth of some of the older, tried and true monsters like vampires and zombies, including analyses of Pride And Prejudice + Zombies, The Originals, The Vampire Diaries, iZombie, and Teen Wolf – all of which reinterpreted and reinvented these creatures for the modern audience. While the text serves to address these new iterations of the “Classic” monsters in the cannon, others look at strangers, more fringe monster narratives like Pan’s Labyrinth, The Village, or even the very real parasitic monstrosities of Monsters Inside Me.

Shaman, paragon, God-mode: modern video games are heavily coded with religious undertones. From the Shinto-inspired Japanese video game Okami to the internationally popular The Legend of Zelda and Halo, many video games rely on religious themes and symbols to drive the narrative and frame the storyline. Playing with Religion in Digital Games explores the increasingly complex relationship between gaming and global religious practices. For example, how does religion help organize the communities in MMORPGs such as World of Warcraft? What role has censorship played in localizing games like Actraiser in the western world? How do evangelical Christians react to violence, gore, and sexuality in some of the most popular games such as Mass Effect or Grand Theft Auto? With contributions by scholars and gamers from all over the world, this collection offers a unique perspective to the intersections of religion and the virtual world.

This book provides a collection of essays representing the state of the art in the research into argumentation in classical antiquity. It contains essays from leading and up and coming scholars on figures as diverse as Parmenides, Gorgias, Seneca, and Classical Chinese "wandering persuaders." The book includes contributions from specialists in the history of philosophy as well as specialists in contemporary argumentation theory, and stimulates the dialogue between scholars studying issues relating to argumentation theory in ancient philosophy and contemporary argumentation theorists. Furthermore, the book sets the direction for research into argumentation in antiquity by encouraging an engagement with a broader range of historical figures, and closer collaboration between contemporary concerns and the history of philosophy.