Paris For Two

Anywhere but Paris... The best cure for a terrible crush on someone like Windel Watson is a trip across the ocean. That's what twelve-year-old Petunia Beanly thinks, until she hears where her family is moving. Not Paris. Not France. Anywhere would be better. Because that's where Windel will be, too.When the Beanly family gets to Paris, Pet's older sister seems right at home. Ava swans around looking beautiful, and making Pet feel even smaller and more awkward. It feels like Paris has a place for everyone except Pet. All she wants to do is hide in a dark room with the pillows over her head.But it turns out Paris has plans for Petunia Beanly. There are three bouquets awaiting her. If Pet can only find her courage, each bouquet will open a door and bring with it a sparkle that will change everything. And the person behind it? That will be Paris's biggest surprise of all.

The eagerly anticipated follow-up to Phoebe Stone's instant classic, The Romeo and Juliet Code. When Flissy Bathburn's parents first dropped her off in Bottlebay, Maine, she hated everything about it. She hated the big gloomy house she was to live in. She hated meeting her long-lost and highly eccentric relatives. And most of all, she hated knowing that she was safe in America while her parents faced the guns of WWII in Europe.But a year has passed now, and Flissy has grown to love her life in Bottlebay -- and especially Derek, the boy the Bathburns have adopted. Then a man claiming to be Derek's true father arrives, and soon he's asking all sorts of strange questions. Flissy has a nose for trouble. Has Derek's new father come to take him away . . . or is there something even more sinister happening in Bottlebay, Maine?

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Twelve-year-old Petunia is used to living in the shadow of her fourteen-year-old half-sister, Ava, their mother's favorite, but now that the whole family has moved to Paris for a year, Pet finds herself stepping into the light, making new friends, uncovering secrets, and, inspired by the classic French dolls she has found, revealing an unexpected talent for designing dresses--and her beautiful sister does not take it well.

Through George Orwell's firsthand accounts, readers are exposed to the harsh realities of life as a member of the destitute underclass. Orwell works various menial jobs, as dishwasher and plongeur in Parisian restaurants, and encounters a cast of characters from all walks of life. These include fellow down-and-outs, as well as the exploitative and indifferent employers and landlords who profit from their desperation. Down and Out in Paris and London sheds light on the daily challenges faced by those living in poverty, from the constant struggle to secure food and shelter to the lack of dignity and respect afforded to the working poor. Orwell's experiences also serve as a critique of societal structures and attitudes that perpetuate poverty and inequality, offering insight into the systemic failures that marginalize and oppress the most vulnerable members of society. GEORGE ORWELL was born in India in 1903 and passed away in London in 1950. As a journalist, critic, and author, he was a sharp commentator on his era and its political conditions and consequences.

In 1939, fashion became an economic and symbolic sphere of great importance in France. Invasive textile legislation, rationing and threats from German and American couturiers were pushing the design and trade of Parisian style to its limits. It is widely accepted that French fashion was severely curtailed as a result, isolated from former foreign clients and deposed of its crown as global queen of fashion. This pioneering book offers a different story. Arguing that Paris retained its hold on the international haute couture industry right throughout WWII, eminent dress historians and curators come together to show that, amid political, economic and cultural traumas, Paris fashion remained very much alive under the Nazi occupation – and on an international level. Bringing exciting perspectives to challenge a familiar story and introducing new overseas trade links out of occupied France, this book takes us from the salons of renowned couturiers such as Edward Molyneux and Robert Piguet, French Vogue and Le Jardin des Modes and luxury Lyon silk factories, to Rio de Janeiro, Denmark and Switzerland, and the great American department stores of New York. Also comparing extravagant Paris occupation styles to austerity fashions of the UK and USA, parallel industrial and design developments highlight the unresolvable tension between luxury fashion and the everyday realities of wartime life. Showing that Paris strove to maintain world dominance as leader of couture through fashion journalism, photography and exported fashion forecasting, Paris Fashion and World War Two makes a significant contribution to the cultural history of fashion.

Paris. The name alone conjures images of chestnut-lined boulevards, sidewalk cafés, breathtaking façades around every corner--in short, an exquisite romanticism that has captured the American imagination for as long as there have been Americans. In 1995, Adam Gopnik, his wife, and their infant son left the familiar comforts and hassles of New York City for the urbane glamour of the City of Light. Gopnik is a longtime New Yorker writer, and the magazine has sent its writers to Paris for decades--but his was above all a personal pilgrimage to the place that had for so long been the undisputed capital of everything cultural and beautiful. It was also the opportunity to raise a child who would know what it was to romp in the Luxembourg Gardens, to enjoy a croque monsieur in a Left Bank café--a child (and perhaps a father, too) who would have a grasp of that Parisian sense of style we Americans find so elusive. So, in the grand tradition of the American abroad, Gopnik walked the paths of the Tuileries, enjoyed philosophical discussions at his local bistro, wrote as violet twilight fell on the arrondissements. Of course, as readers of Gopnik's beloved and award-winning "Paris Journals" in The New Yorker know, there was also the matter of raising a child and carrying on with day-to-day, not-so-fabled life. Evenings with French intellectuals preceded middle-of-the-night baby feedings; afternoons were filled with trips to the Musée d'Orsay and pinball games; weekday leftovers were eaten while three-star chefs debated a "culinary crisis." As Gopnik describes in this funny and tender book, the dual processes of navigating a foreign city and becoming a parent are not completely dissimilar journeys--both hold new routines, new languages, a new set of rules by which everyday life is lived. With singular wit and insight, Gopnik weaves the magical with the mundane in a wholly delightful, often hilarious look at what it was to be an American family man in Paris at the end of the twentieth century. "We went to Paris for a sentimental reeducation-I did anyway-even though the sentiments we were instructed in were not the ones we were expecting to learn, which I believe is why they call it an education."