Pastoral And Politics In The Old South

"Southerners' search for a stable identity and their at times fierce defense of slavery were, according to Grammer, a response to what J. G. A. Pocock has called "the Machiavellian moment" in republican cultures - the moment when the republic is made to recognize its finitude in time. He maintains that we can best understand our antebellum southern writers by thinking of them not as the unwitting ancestors of Faulkner, but as the fully self-conscious contemporaries of Emerson and Whitman, the heirs of Jefferson and Hamilton - as citizens of a young republic facing what looked more and more like its imminent demise." "With increasing mechanization and westward expansion transforming their formerly stable world, all antebellum Americans lived in a Machiavellian moment, and as Grammer deftly demonstrates, the long effort to mold the South into a symbol of order, like Whitman's search for a suitably symbolic America, must be understood in relation to that condition. A major, innovative contribution to the fields of both southern history and southern literary criticism, Pastoral and Politics in the Old South is a valuable volume for all students of the South."--BOOK JACKET.

In The Politics of Southern Pastoral Literature, 1785–1885: Jeffersonian Afterlives, Peter Templeton presents a wide-ranging and systematic evaluation of pastoral in the nineteenth-century Southern novel, offering an explicit appraisal of the philosophical and political rationale of pastoral literature alongside the existing body of research into the image of Jefferson following his death. Rather than assuming a homogeneous South, Templeton locates Southern pastoral in its specific political context, offering readings of significant factors such as the literary representation of landscape, of class and the yeoman ideal, and the institution of slavery and its intellectual underpinnings. Focusing on a six key Southern authors, both canonical and relatively understudied, the book charts key transformations in the politics of pastoral literature in the period, and noteworthy reconfigurations in the representation of Jefferson and his philosophies, in order to analyze what these signified to nineteenth-century Americans. In doing so, the text also demonstrates how ideologies react to the stresses imposed on them by political realities.

For decades, the Commonwealth of Virginia led the nation. The premier state in population, size, and wealth, it produced a galaxy of leaders: Washington, Jefferson, Madison, Monroe, Mason, Marshall. Four of the first five presidents were Virginians. And yet by the middle of the nineteenth century, Virginia had become a byword for slavery, provincialism, and poverty. What happened? In her remarkable book, Dominion of Memories, historian Susan Dunn reveals the little known story of the decline of the Old Dominion. While the North rapidly industrialized and democratized, Virginia's leaders turned their backs on the accelerating modern world. Spellbound by the myth of aristocratic, gracious plantation life, they waged an impossible battle against progress and time itself. In their last years, two of Virginia's greatest sons, Thomas Jefferson and James Madison, grappled vigorously with the Old Dominion's plight. But bound to the traditions of their native soil, they found themselves grievously torn by the competing claims of state and nation, slavery and equality, the agrarian vision and the promises of economic development and prosperity. This fresh and penetrating examination of Virginia's struggle to defend its sovereignty, traditions, and unique identity encapsulates, in the history of a single state, the struggle of an entire nation drifting inexorably toward Civil War.

Publisher description

A History of the Literature of the U.S. South provides scholars with a dynamic and heterogeneous examination of southern writing from John Smith to Natasha Trethewey. Eschewing a master narrative limited to predictable authors and titles, the anthology adopts a variegated approach that emphasizes the cultural and political tensions crucial to the making of this regional literature. Certain chapters focus on major white writers (e.g., Thomas Jefferson, William Faulkner, the Agrarians, Cormac McCarthy), but a substantial portion of the work foregrounds the achievements of African American writers like Frederick Douglass, Zora Neale Hurston, and Sarah Wright to address the multiracial and transnational dimensions of this literary formation. Theoretically informed and historically aware, the volume's contributors collectively demonstrate how southern literature constitutes an aesthetic, cultural and political field that richly repays examination from a variety of critical perspectives.

To early European colonists the swamp was a place linked with sin and impurity; to the plantation elite, it was a practical obstacle to agricultural development. For the many excluded from the white southern aristocracy—African Americans, Native Americans, Acadians, and poor, rural whites—the swamp meant something very different, providing shelter and sustenance and offering separation and protection from the dominant plantation culture. Shadow and Shelter: The Swamp in Southern Culture explores the interplay of contradictory but equally prevailing metaphors: first, the swamp as the underside of the myth of pastoral Eden that defined the antebellum South; and second, the swamp as the last pure vestige of undominated southern ecoculture. As the South gives in to strip malls and suburban sprawl, its wooded wetlands have come to embody the last part of the region that will always be beyond cultural domination. Examining the southern swamp from a perspective informed by ecocriticism, literary studies, and ecological history, Shadow and Shelter considers the many representations of the swamp and its evolving role in an increasingly multicultural South.

Arguing for the importance of the aural dimension of history, Mark M. Smith contends that to understand what it meant to be northern or southern, slave or free--to understand sectionalism and the attitudes toward modernity that led to the Civil War--we mu