Patriarchy S Creative Resilience

Patriarchy’s Creative Resilience explores the disturbing sustainability of White male supremacy. Kramp traces an imaginative failure and an imaginative success; his focus on British speculative fiction published between 1870 and 1900 demonstrates how even this elastic and wildly inventive literary form remains incapable of promoting non- patriarchal masculinity, and he attributes this inability to the creative resiliency of white male supremacy. He demonstrates the inventive use of diverse resources that we frequently view as custom or uncomplicated history and a versatility that we often dismiss as sheer power. He draws on an archive of late nineteenth- century speculative fiction to detail a versatile patriarchal toolbox, including hegemonic masculinity, control of dangerous women, hyperbolic and sentimental performances of male sovereignty, and reversions to authoritarian, at times violent conduct. He also considers how the classic military strategy of dividing to conquer undergirds all these tactics, inhibiting our creating energies and dynamic collaborations. Various chapters demonstrate the enterprise, ingenuity, and adaptability of patriarchy to refashion and rejustify normalized systems of oppression. While scholars have consistently identified moments and agents of resistance to patriarchal structures by highlighting creativity, resiliency, and resourcefulness, Kramp’s project reveals how patriarchy itself is creative, resilient, and resourceful.

"Patriarchy's Creative Resilience explores the disturbing sustainability of white male supremacy. Kramp traces an imaginative failure and an imaginative success; his focus on British speculative fiction published between 1870-1900 demonstrates how even this elastic and wildly inventive literary form remains incapable of promoting non-patriarchal masculinity, and he attributes this inability to the creative resiliency of white male supremacy. He demonstrates the inventive use of diverse resources that we frequently view as custom or uncomplicated history and a versatility that we often dismiss as sheer power. He draws on an archive of late nineteenth-century speculative fiction to detail a versatile patriarchal toolbox, including hegemonic masculinity, control of dangerous women, hyperbolic and sentimental performances of male sovereignty, and reversions to authoritarian, at times violent conduct. He also considers how the classic military strategy of dividing to conquer undergirds all these tactics, inhibiting our creating energies and dynamic collaborations. Various chapters demonstrate the enterprise, ingenuity, and adaptability of patriarchy to refashion and re-justify normalized systems of oppression. While scholars have consistently identified moments and agents of resistance to patriarchal structures by highlighting creativity, resiliency, and resourcefulness, Kramp's project reveals how patriarchy itself is creative, resilient, and resourceful"--

Anthropain is pain inflicted by human beings on other human beings. Women experience anthropain in the negotiation of their everyday lives. This book tells the stories of eight women and their reactions to anthropain encountered as they engage in their respective socio-economic and political struggles. The eight women are drawn from a village in Africa. They express their feminine utu (humanness) through what is termed here “sweet sobs.” They weep in pain, but turn their tears into creative energy that generates resilience, hope, productivity, inspiration, positive change, and sustainable development. This book is about shunning the ostrich mentality, avoiding living in denial, turning lemons into lemonade, and acknowledging that, while life will not always be fair, one has to negotiate in life to achieve desired outcomes. It is a celebration of women’s resilience, creativity, and bouncing back amidst adversity. While the issue of class, privilege, race, ethnicity, and stereotyping has divided the global women’s movement, the book represents a handy common denominator to rally women to stop violence, gender stereotypes, and exploitative economic relations and leave a positive legacy that inspire others. The analysis is illuminated by Gikuyu orature, womanism, and feminism. It contributes to the understanding of the feminist crisis in the public domain, in corporate and government boardrooms, and at the grassroots level in peasant and economic informal activities and in rural households and informal settlements. It calls for the re-evaluation of current gender methodologies, which portray women as victims of patriarchy, exploitative economic relations, and climate change. It demonstrates the power of the story as a tool of gendered research and women’s empowerment.

This is a manual for taking us to the finishing line of gender equality. Without understanding the incredible tentacles of patriarchy and its reinventions, we are destined to fight old battles as well as new ones. A jolt of new energy for longstanding feminists and a "must read" for our new generations.' — Helena Kennedy, QC Decades of feminist campaigning have resulted in real advances, and yet patriarchy relentlessly continues to thrive. Cynthia Enloe pulls back the curtain on patriarchy to reveal not only the blatant sexism we can all identify, but also the insidious persistence of particular forms of masculinity and authoritarianism in daily life. These diverse and illuminating essays — which take as their starting point experiences from her own life and those of women from around the world — explore the resilience of patriarchal beliefs and values, and identify the unwitting nature of our complicity. She shows how, simply by noticing, questioning and crafting fresh feminist concepts, we can update our resistance and challenge patriarchy's self-perpetuating core.

A collection of incisive investigations into the ways that 21st-century British theatre works with - and through - crisis. It pays particular attention to the way in which writers and practitioners consider the ethical and social challenges of crisis. Anchored in an interdisciplinary approach that draws from sociology, cultural theory, feminism, performance and philosophy, the book brings multi-faceted ideas into dialogue with the diverse aesthetics, practices and themes of a range of theatrical work produced in Britain since 2005. Topics discussed include: Ageing Austerity Gender Migrancy Multiculturalism Aesthetics Companies discussed include: Theatre Uncut Lost Dog Camden People's People Lung Brighton People's Theatre Phosphoros Theatre Playwrights discussed include: Jez Butterworth Caryl Churchill Tim Crouch Vivienne Franzmann James Graham debbie tucker green Ella Hickson Charlene James Lucy Kirkwood Simon Longman Cordelia Lynn Simon Stephens Jack Thorne Chris Thorpe Gloria Williams Building on recent publications in the area and engaging in dialogue with them, Crisis, Representation and Resilience considers how crisis is being re-thought and re-orientated through theatrical performance and the ways theatre invites us to respond to the many challenges of the contemporary times.

Palestinian Literature and Film in Postcolonial Feminist Perspective is the first sustained study of gender-consciousness in the Palestinian creative imagination. Drawing on concepts from postcolonial feminist theory, Ball analyses a range of literary and filmic works by major creative practitioners including Michel Khleifi , Liana Badr, Annemarie Jacir, Elia Suleiman, Mona Hatoum and Suheir Hammad, and reveals a hitherto unrecognized trajectory in gender-consciousness under development in the Palestinian imagination from the start of the twentieth century. The book explores how these works resonate with questions of power, identity, nation, resistance, and self-representation in the Palestinian imagination more broadly, and asks how these gender-conscious narratives transform our understanding of Palestine's struggle for postcoloniality. Working at the cusp of postcolonial, feminist and cultural enquiry, Ball seeks to open up vital new directions in the interdisciplinary study of Palestine.