Red Paint

An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people. Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own. Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

Winner of the 2023 Pacific Northwest Book Award Winner of the Washington State Book Award for Creative Nonfiction/Memoir An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people. Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own. Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people. Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own. Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

Paint Your Town Red tells the story of how one city in the north of England decided to level up without waiting for Whitehall. Across the world, there is a growing recognition that a new kind of economy is needed: more democratic, less exploitative, less destructive of society and the planet. Paint Your Town Red looks at how wealth can be generated and shared at a local level through the experience of one of the main advocates of the new Democratic Economy, Matthew Brown, the driving-force behind the world-recognized Preston Model. Using analysis, interviews and case studies to explain what Matthew and Preston City Council have done over the last decade in order to earn Preston the title of Most Improved City, the book shows how the model can be adapted to fit different local circumstances, as well as demonstrating how Preston itself adapted economic and democratic experiments in ‘community wealth-building’ from elsewhere in the US and Europe. Preston’s success shows that the ideas of community wealth-building work in practice and have the capacity to achieve a meaningful transfer of wealth and power back to local communities. A lot of recent coverage and references have tended to oversimplify the Preston Model, which is not just about ‘buying local’ but a comprehensive project, which envisions local and regional discussions and collaboration adding up to a wholesale transformation of our currently failing economic systems.

Tenja of the Red Paint People tells the story of a teenage girl living long ago in what is now northeastern Canada. Tall, strong, and lanky, Tenja loves to run and has exceptional speed and stamina for her age. She also has an unusual thirst for knowledge, learning a great deal particularly from the older men and women of her extended family. She is a keen observer of the great variety of life forms around her, noting things that others might not even detect. She lives in a land of plenty with her family and relatives. Her tribe carries on the custom of painting their bodies and their possessions with red paint made from red ochre. As a result, their neighbors to the north, the Inu or Eskimos, call Tenjas tribe the Red Paint People. Small bands of marauders from the east are a threat to be reckoned with, as are the many dangers from a very wide variety of wild animals. Even though she lived thousands of years ago, Tenja tackled some of the same basic predicaments many teenagers find themselves in today. Journey in Tenjas moccasins and experience an adventure set over 8,000 years ago.

Red Paint calls itself "the friendliest town in Maine," a place where everyone knows one another and nothing too disturbing ever happens. Native son Simon Howe is a sturdy family man--a good father and husband--and owner-editor of the town's newspaper. Because there's rarely any real news, he runs stories about Virgin Mary sightings, high school reunions, and petty criminals. One day Simon's predictable and peaceful life is disrupted by the arrival of an anonymous postcard, the first in a series of increasingly menacing messages. He tries to ignore them, but the implied danger becomes more real, threatening to engulf his wife and son as well. The Howe family becomes engaged in a full-scale psychological battle with their unidentified stalker--without even knowing it. Secrets from Simon's past are uncovered, escalating toward a tense and unexpected climax. More than a conventional mystery or thriller, Reunion at Red Paint Bay is an exploration of the consequences of guilt, denial, and moral absolutism. Harrar weaves a dramatic and suspenseful tale sure to spur readers into examining the limits of responsibility for one's actions.

Story about Emma whose baby brother has Down Syndrome. Suitable for ages 3-6.

A detailed account of Canadian involvement in South Africa's Anglo-Boer War and the impact it had on the country during the years 1899-1902 and beyond. Includes a few bandw photographs. Canadian card order no. C92-090380-0. Annotation copyrighted by Book News, Inc., Portland, OR