Patriotic Bits Pieces Based On Favorite American Themes

Complement any program with this dynamic arrangement containing short exerpts from eight all-American themes. Titles include: "You're a Grand Old Flag," "The American Hymn," "Manhattan Beach," "Chester," "America (My Country 'Tis of Thee)," "Yankee Doodle," "Battle Hymn of the Republic" and "America the Beautiful." Scored for strings alone, or any combination of supplementary winds, this flag raiser will be met with cheers across the nation. (3: 30)

Bursting with red, white, and blue pride, this collection features a recital duet version of "The Star Spangled Banner" along with three other patriotic and classic American folk songs. By combining an imaginative use of harmony, lyric melodies, interwoven parts, and impressive stylings, Rocherolle offers a selection of dramatic, powerful, and effective ensemble works. Great for encores!

Examining the appropriations and revisions of Indian identity first carried out by Anglo-American engravers and later by early Anglo-American women writers, Cathy Rex shows the ways in which iconic images of Native figures inform not only an emerging colonial/early republican American identity but also the authorial identity of white women writers. Women such as Mary Rowlandson, Ann Eliza Bleecker, Lydia Maria Child, and the pseudonymous Unca Eliza Winkfield of The Female American, Rex argues, co-opted and revised images of Indianness such as those found in the Massachusetts Bay Colony seal and the numerous variations of Pocahontas’s image based on Simon Van de Passe’s original 1616 engraving. Doing so allowed them to posit their own identities and presumed superiority as American women writers. Sometimes ugly, occasionally problematic, and often patently racist, the Indian writings of these women nevertheless question the masculinist and Eurocentric discourses governing an American identity that has always had Indianness at its core. Rather than treating early American images and icons as ancillary to literary works, Rex places them in conversation with one another, suggesting that these well-known narratives and images are mutually constitutive. The result is a new, more textually inclusive perspective on the field of early American studies.

When Edmund Wilson died in 1972 he was widely acclaimed as one of America's great literary critics. But it was often forgotten by many of his admirers that he was also a brilliant and penetrating critic of American life. In a literary career spanning half a century, Wilson commented on nearly every aspect of the American experience, and he produced a body of work on the subject that rivals those of Tocqueville and Henry Adams. In this book, George H. Douglas has distilled the essence from Wilson's many writings on America. An active reporter and journalist as much as a scholar, Wilson ranged from Harding to Nixon, from bathtub gin to marijuana. Douglas here surveys Wilson's mordant observations on the roaring twenties, the Great Depression, income tax, suburbia, sex, populist politics, the Vietnam War, the Great Society, the failure of American scholarship, pollution of the landscape, and the breakdown of traditional American values. The Wilson who emerges from this survey is a historical writer with deep and unshakable roots in Jeffersonian democracy. Among his most far-seeing and poignant books are studies of the literature of the American Civil War and of the treatment of the American Indian. Pained by the crumbling moral order, Wilson was never completely at home in the twentieth century. In politics he was neither a liberal nor a conservative as those terms are understood today. He endured those ideologies and their adherents, but his genius was that he could bring them into hard focus from the perspective of the traditional American individualist who was too pained to accept the standardized commercial world that had grown up around him. Edmund Wilson's America offers a distinctive overview of the nation's life and culture as seen and judged by its leading man of letters.

The golden age of animation stretched from the early 1930s to the mid-1950s, with movie cartoons reaching an extraordinarily high level of artistry and technique--far higher than today's TV cartoons, for instance. Nearly 1000 cartoons were produced by the seven major animation studios in the U.S. between January 1, 1939, and September 30, 1945--the immediate pre-World War II period up to the cessation of hostilities. More than a quarter of the cartoons substantially refer to the war, and thereby are invaluable in helping to understand American attitudes and Hollywood's reflection of them. The meat of Doing Their Bit is a filmography with extremely detailed summaries of the 260 or so commercially produced, animated, war-related shorts, 1939-1945. There is also a good bit of overall commentary on these films as a group. Two chapters wrap up animated cartoons of World War I and the general political tenor of animated talkies of the 1930s. This edition also includes a new chapter on the outrageous government-sponsored Pvt Snafus.

John Fox's natural talents for composing, arranging and conducting were tenderly nurtured in London's Royal College of Music where he achieved ARCM (Associate of Royal College of Music). John's undeniable genius forged in the crucible of toil, study and unremitting search for perfection has long been recognised by his peers. This autobiography contains the ups and downs of a lifetime in music some sad times, emotional and happy and some tragic disasters. Millions of listeners in the USA, Great Britain, Japan, South Africa and Germany, plus many other countries throughout the world, have found much pleasure and exhilaration in John's wonderful music including radio networks, his many record albums and live performances. Determination and hard work have seen him through some hard times, but it proves that if you have a talent (not only in music) that with a lot of hard study and love, the world will be at your feet! --Chris Morgan, BBC Executive Producer