Payepot And His People

"Payepot and His People "was first published serially by "The Western Producer." In 1957 it was published in book form by the Saskatchewan History and Folklore Society. Abel Watetch was a nephew of Chief Payepot and a veteran of World War I. As noted in the introduction to the 1957 edition, Watetch had earlier set down in "fine, clear handwriting" the previously unwritten history of his people, having "assembled many of the recollections of his kin to 'set the record right'," These writings were the basis of the story told here in Payepot and His People, supplemented by further recollections by Watetch and his friend, Chief Sitting Eagle Changing Position (Harry Ball), documented either on tape or through written correspondence.

Religious ceremonies were an inseparable part of Aboriginal traditional life, reinforcing social, economic, and political values. However, missionaries and government officials with ethnocentric attitudes of cultural superiority decreed that Native dances and ceremonies were immoral or un-Christian and an impediment to the integration of the Native population into Canadian society. Beginning in 1885, the Department of Indian Affairs implemented a series of amendments to the Canadian Indian Act, designed to eliminate traditional forms of religious expression and customs, such as the Sun Dance, the Midewiwin, the Sweat Lodge, and giveaway ceremonies.However, the amendments were only partially effective. Aboriginal resistance to the laws took many forms; community leaders challenged the legitimacy of the terms and the manner in which the regulations were implemented, and they altered their ceremonies, the times and locations, the practices, in an attempt both to avoid detection and to placate the agents who enforced the law.Katherine Pettipas views the amendments as part of official support for the destruction of indigenous cultural systems. She presents a critical analysis of the administrative policies and considers the effects of government suppression of traditional religious activities on the whole spectrum of Aboriginal life, focussing on the experiences of the Plains Cree from the mid-1880s to 1951, when the regulations pertaining to religious practices were removed from the Act. She shows how the destructive effects of the legislation are still felt in Aboriginal communities today, and offers insight into current issues of Aboriginal spirituality, including access to and use of religious objects held in museum repositories, protection of sacred lands and sites, and the right to indigenous religious practices in prison.

The Routledge Concise History of Canadian Literature introduces the fiction, poetry and drama of Canada in its historical, political and cultural contexts. In this clear and structured volume, Richard Lane outlines: the history of Canadian literature from colonial times to the present key texts for Canadian First Peoples and the literature of Quebec the impact of English translation, and the Canadian immigrant experience critical themes such as landscape, ethnicity, orality, textuality, war and nationhood contemporary debate on the canon, feminism, postcoloniality, queer theory, and cultural and ethnic diversity the work of canonical and lesser-known writers from Catherine Parr Traill and Susanna Moodie to Robert Service, Maria Campbell and Douglas Coupland. Written in an engaging and accessible style and offering a glossary, maps and further reading sections, this guidebook is a crucial resource for students working in the field of Canadian Literature.

Native Americans first came to settle North America many thousands of years ago. The Cree is an ancient group that chose to set up their communities in Quebec, Canada. Their ancestors passed down their history from one generation to the next through word of mouth. As years passed, the Cree built communities and faced many challenges. This is the story of the Cree nation, how they survived hardships and obstacles, and continued into the present day.

From global art superstar Kent Monkman and his longtime collaborator Gisèle Gordon, a transformational work of true stories and imagined history that will remake readers' understanding of the land called North America. For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years, and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew. The Memoirs of Miss Chief Eagle Testickle: A True and Exact Accounting of the History of Turtle Island is a genre-demolishing work of genius, the imagined history of a legendary figure through which a profound truths emerge—a deeply Cree and gloriously queer understanding of our shared world, its past, its present, and its possibilities. Volume Two, which takes us from the moment of confederation to the present day, is a heartbreaking and intimate examination of the tragedies of the nineteenth and twentieth century. Zeroing in on the story of one family told across generations, Miss Chief bears witness to the genocidal forces and structures that dispossessed and attempted to erase Indigenous peoples. Featuring many figures pulled from history as well as new individuals created for this story, Volume Two explores the legacy of colonial violence in the children’s work camps (called residential schools by some), the Sixties Scoop, and the urban disconnection of contemporary life. Ultimately, it is a story of resilience and reconnection, and charts the beginnings of an Indigenous future that is deeply rooted in an experience of Indigenous history—a perspective Miss Chief, a millennia-old legendary being, can offer like none other. Blending history, fiction, and memoir in bold new ways, The Memoirs of Miss Chief Eagle Testickle are unlike anything published before. And in their power to reshape our shared understanding, they promise to change the way we see everything that lies ahead.

The Montana Cree is a study of religion as a sustaining force in American Indian life. On the small Rocky Boy reservation in northern Montana, the Cree Indians provide an example of how a people transplanted and persecuted throughout their history can maintain and develop a tribal identity and unity through the continuance of their religious values. As the adopted son of Mose Michelle, a hereditary Pend O’Reille chief, Verne Dusenberry moved easily within Indian circles as an accepted participant-observer in many religious ceremonies. His ethnographic study provides detailed descriptions of ceremonies - the Shaking Tent, Ghost Dance, and Sun Dance - which are seldom accurately described elsewhere.

A study of a rural region and plural society, this book is a distinctive contribution to anthropology, in that it brings the conceptual framework of that discipline to bear on a contemporary agrarian society and its historical development, rather than on peasant or tribal peoples; cultural ecology, in that it shows the nature of the adaptations of four distinctive social groups to the environment of the Canadian Great Plains; the study of social and economic change, as it describes cultural patterns and mechanisms that are relevant to agrarian development the world over; and North American studies, in as much as it deals with community life in the classic sequence of settlement of the Western Plains.The book is, focused throughout on the adaptation of human societies to their environment. Four groups are described: the Cree Indians, the aboriginal inhabitants of the area who have lost all organic relationship to natural resources and who have devised ingenious methods for manipulating the social environment; ranchers, whose specialized production is based upon resources used in their natural state; homestead farmers, whose maladjusted small-farm economy, after initial setbacks, achieved a degree of stability through interventions by government in their adaptations to nature and the market economy; and the Hutterian Brethren, whose adaptation consisted primarily of the introduction to the region of a new kind of social organization.This book combines the anthropological concept of culture and the framework of ecology in the study of a modern social milieu; it focuses on a region rather than on a single culture, people, or community, so that the interplay of several social groups can be appreciated; and it elaborates contemporary anthropological and ecological theory in a manner that makes it applicable to the understanding of contemporary agrarian societies.John W. Bennett was emeritus professor of anthropology at Washington University, St. Louis. He served as presid

Scholars often accept without question that the Indian Act (1876) criminalized First Nations. In this illuminating book, Shelley Gavigan argues that the notion of criminalization captures neither the complexities of Aboriginal participation in the criminal courts nor the significance of the Indian Act as a form of law. Gavigan draws on court files, police and penitentiary records, and newspaper accounts and insights from critical criminology to interrogate state formation and criminal law in the Saskatchewan region of the North-West Territories between 1870 and 1905. By focusing on Aboriginal people’s participation in the courts rather than on narrow categories such as “the state” and “the accused,” Gavigan allows Aboriginal defendants, witnesses, and informants to emerge in vivid detail and tell the story in their own terms. Their experiences stand as evidence that the criminal law and the Indian Act operated in complex and contradictory ways that included both the mediation and the enforcement of relations of inequality.